Daily Dose Of Jazz…
Charles Davis was born on September 29, 1946 in Sydney, Australia and started playing flute during his youth. After a short period of studying classical guitar in Sydney, he started playing jazz, rock and folk in groups after moving to Brighton. Hearing a lot of music in a rock music context, I was so fascinated.
A move to Germany in the Seventies saw him playing the flute and later for a short period of time, the saxophone in jazz rock groups. By 1980 he started playing guitar and piano. Being inspired by the various saxophone groups that appeared in the 70s, by the 90s Davis formed one of the first jazz groups composed solely of flutes. This ground breaking group required that the various members compose for this unique formation taking into account the different types of flutes. Later in the decade, after meeting bansuri player Joachim Hübner, his interest turned to the classical north indian music and became a student of the Chanchala and Duo Bubachala.
Charles has attended workshops and masterclasses conducted by James Newton, Robert Dick and Dieter Bihlmeier, Hari Prasad Chaurasia, Jeremy Steig, Hossein Omoumi and Herbie Mann. Alto, bass and double bass flautist Charles Davis currently resides in Germany and continues to compose, record and perform.
Daily Dose Of Jazz…
Sirone was born Norris Jones on September 28, 1940 in Atlanta, Georgia. In the late Fifties and early 1960s he worked with The Group alongside George Adams while also recording with R&B musicians such as Sam Cooke and Smokey Robinson.
Moving to New York City in the middle of the 1960s, he co-founded the Untraditional Jazz Improvisational Team with Dave Burrell. He also worked with Marion Brown, Gato Barbieri, Pharoah Sanders, Noah Howard, Sonny Sharrock, Sunny Murray, Albert Ayler, Archie Shepp, Billy Bang, and Sun Ra.
He co-founded the Revolutionary Ensemble with Leroy Jenkins and Frank Clayton in 1971; Jerome Cooper later replaced Clayton in the ensemble, which was active for much of the decade. In the 1970s and early 1980s Sirone recorded with Clifford Thornton, Roswell Rudd, Dewey Redman, Cecil Taylor, Zusaan Kali Fasteau, Charles Gayle and Walt Dickerson.
In the 1980s, he was member of Phalanx, a group with guitarist James “Blood” Ulmer, drummer Rashied Ali, and tenor saxophonist George Adams. From 1989 he lived in Berlin, Germany where he was active with his group Concord with Ben Abarbanel-Wolff and Ulli Bartel. Bassist and composer Sirone, who was involved in theater and film, passed away on October 21, 2009.
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Daily Dose Of Jazz…
Matt Wilson was born Matthew Edward Wilson on September 27, 1964 in Knoxville, Illinois. After studying percussion at Wichita State University he moved to New York City in 1992. Since hismove he has performed and/or recorded with Lee Konitz, Cecil McBee, and Dewey Redman, Joe Lovano, John Scofield, Charlie Haden, Bob Stewart, Denny Zeitlin, Ron Miles, Marty Ehrlich, Ted Nash, Jane Ira Bloom, Bobby Hutcherson, Wynton Marsalis, Hank Jones, Pat Metheny, Bill Frisell, Michael Becker, Kenny Barron and Dena DeRose, among others.
He leads the Matt Wilson Quartet, Arts and Crafts, Christmas Tree-O and the Carl Sandburg Project. Wilson has has performed in concert at the White House hosted by President Obama along with Herbie Hancock, Dee Dee Bridgewater, Dianne Reeves, Chris Botti, Randy Brecker, Antonio Hart and James Genus. He was the artist in residence at the Litchfield Jazz Festival and conducted over 250 outreach programs promoting jazz and the Jazz for Young Peoples concert at Jazz at Lincoln Center.
Drummer, composer, bandleader, producer, and educator Matt Wilson has been nominated for a Grammy, was for 5 consecutive years voted #1 Rising Star Drummer in the Downbeat Critic’s Poll, voted Drummer of the Year by the Jazz Journalists Association, recorded sixteen albums as a leader, and continues to perform, tour and record.
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Daily Dose Of Jazz…
Nicholas Payton was born on September 26, 1973 in New Orleans, Louisiana to bassist and sousaphonist Walter Payton. He took up the trumpet at the age of four and by age nine was sitting in with the Young Tuxedo Brass Band alongside his father. He began his professional career at ten years old as a member of James Andrews’ All-Star Brass and was given his first steady gig by guitarist Danny Barker at The Famous Door on Bourbon Street. He enrolled at the New Orleans Center for Creative Arts and then at the University of New Orleans.
After touring with Marcus Roberts and Elvin Jones in the early Nineties, Payton signed with Verve Records and his first album as a leader, From This Moment was released in 1994. In 1996 he performed on the soundtrack of the movie Kansas City, and in 1997 received a Grammy Award for Best Instrumental Solo for his recording Doc Cheatham & Nicholas Payton.
After seven albums on Verve, Nicholas moved to Warner Bros. Records, and has collaborated with among others Trey Anastasio, Ray Brown, Ray Charles, Daniel Lanois, Dr. John, Stanley Jordan, Herbie Hancock, Roy Haynes, Zigaboo Modeliste, Marcus Roberts, Jill Scott, Clark Terry, Allen Toussaint, Nancy Wilson, Dr. Michael White, and Joe Henderson.
He is a founding member of the SFJAZZ Collective, joined The Blue Note 7 honoring the 70th Blue Note Records anniversary and formed a 21-piece big band ensemble called the Television Studio Orchestra. In addition he recorded and released Bitches, a love narrative on which he played every instrument, sang, and wrote all of the music, the Czech National Symphony Orchestra commissioned and debuted his first full orchestral work, The Black American Symphony and formed his own record label, BMF Records. Payton has been a Distinguished Artist and Visiting Lecturer at Tulane University and belongs to a growing group of race scholars and activists committed to social justice. His writings are provocative as witnessed with his most notable pieces On Why Jazz isn’t Cool Anymore describes the effects of cultural colonization on music.
Trumpeter Nicholas Payton has recorded sixteen albums as a leader, another eight as a sideman wth Eric Alexander, Elvin Jones, Joanne Brackeen, Jimmy Smith and Allen Toussaint among others and continues to perform, compose, write and record,
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Daily Dose Of Jazz…
Billy Pierce was born September 25, 1948 in Hampton, Virginia and was raised in Florida by parents who were both educators. The household valued music and Pierce and his siblings each learned an instrument. He took up the saxophone as a child and started out listening to records by Dave Brubeck. Later he was drawn to the music of John Coltrane and Cannonball Adderley. Since he was only 16 when he graduated from high school, his parents steered him toward a college in the South so he wouldn’t be too far from home. After he turned 18, and studied with Joe Viola, Andy McGhee and Joe Allard at Berklee College of Music,
Also known as Billy, he went on to play with Art Blakey and the Jazz Messengers in the early 1980s and in the Tony Williams quintet in the mid-1980s to early 1990s. He has led numerous sessions and released an equal number of CDs. He is the school’s woodwind department chair.
He has recorded with Blakey and Williams as well as with Makoto Ozone and Superblue. Saxophonist Billy Pierce continues to perform, compose and record.
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