Daily Dose Of Jazz…

Stanley Frank Dance was born in Braintree, Essex, England on September 15, 1910. As a youth, he claimed he was “fortunate” to have been sent to boarding-school at Framlingham College, where he first encountered American recordings of bands fronted by Jelly Roll Morton and Benny Moten, among others. While working in the family business he continued to pursue his interest in music and soon learned of Louis Armstrong, Fats Waller and Duke Ellington through the music newspaper Melody Maker.

Focusing on the music of black bands he started writing opinion pieces about the jazz scene for Hugues Panassié’s French-language magazine Jazz Hot in 1935, modeling his articles on those written by John Hammond. A 1937 three week visit to New York City’s jazz scene had Stanley at the Savoy Ballroom and similar venues in the evenings, listening in on recording sessions during the day and an introduction to Canadian writer Helen Oakley.

Joining the RAF he was assigned to the Royal Observer Corps in East Anglia, and for a period of nine years his opportunity to listen to Black American bands was curtailed. He missed the start of Bebop, which developed during the war and a recording-musicians’ strike in the US, but he found Oakley when the American OSS assigned her to London late in the war.

Dance and Oakley married in 1947, resided in England until 1959 then moved to Connecticut. He wrote a monthly jazz column for Jazz Journal, he coined the term mainstream to describe those in between revivalist Dixieland and modern bebop. In 1958, Decca’s Felsted Records commissioned him to produce a series of New York recordings of Coleman Hawkins, Cozy Cole/Earl Hines, Billy Strayhorn/Johnny Hodges, Buddy Tate, and several others, which were released under the collective title Mainstream Jazz.

Leaving England for Connecticut with a commission from EMI’s English Columbia label to make proprietary jazz recordings, Stanley used his and Helen’s contacts with the Ellington players to produce seven albums that were quite successful in Europe. He also assembled two albums for RCA as well as writing liner notes and shared a 1963 Grammy with Leonard Feather for his liner notes to The Ellington Era, Vol. 1.

He went on to publish five books on jazz, write articles for several magazines, helped Duke Ellington write his autobiography and is credited with helping to revive the careers of several musicians including Helen Humes and Earl Hines. By 1979 the Dances moved to Southern California where he consulted with Ken Burns during the development of his documentary television series Jazz, served as book editor for Jazz Times and donated their journals, photographs, and recordings to the Yale Music Library’s Special Collections.

Over his career, his priority was advocating for the music of black ensembles performing sophisticated arrangements, based on Swing-era dance music. Jazz writer, business manager, record producer, and historian Stanley Dance who was personally close to Duke Ellington which put him in a position to author official biographies, transitioned from pneumonia at 88 on February 23, 1999 in Vista, California.

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Daily Dose Of Jazz…

Joe Kayser was born St. Louis, Missouri on September 14, 1891 and at age 26 in 1917 he relocated to New York City to join Earl Fuller’s band, which played at a restaurant called Rector’s. He enlisted in the U.S. Navy during World War I, forming a band which included Benny Kubelsky on violin. Following the war, the Meyer Davis Organization hired him to lead a dance band which played in North and South Carolina.

Forming his own self-named dance jazz band in 1921 and shortly after he attempted to tour across the Carolinas. Three years later he relocated to Chicago, Illinois where his band performed through 1936.

During those Chicago days Joe began in 1929 to take positions as musical director of theater orchestras with the Diversey Theater in Chicago, followed by the Midland Theatre in Kansas City, Missouri. He continued to tour with his orchestra while holding these positions.

He played at the 1933 World’s Fair, accompanying Sally Rand but by 1963 had dissolved the band to work for NBC. Afterwards Kayser became an executive for MCA in 1943, remaining there until his retirement in 1955.

Drummer and bandleader Joe Kayser transitioned on October 3, 1981 in Evanston, Illinois.

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Daily Dose Of Jazz…

Bengt Hallberg was born on September 13, 1932 in Gothenburg, Sweden and studied classical piano from an early age. He wrote his first jazz arrangement at the age of 13. By 15 he recorded his first record as a member of a group led by bassist Thore Jederby and in 1949 he recorded with the Swedish alto saxophonist Arne Domnérus for the first time. The two musicians continued to play together for several decades.

During the Fifties, Bengt played with leading visiting American musicians tenor saxophonist Stan Getz and altoist Lee Konitz in 1951, and trumpeters Clifford Brown and Quincy Jones in 1953. During the same period he worked with Swedish baritone saxophonist Lars Gullin.

Hallberg had a versatile style and in his later years he wrote music for film and television, as well as choral arrangements. With Domnerus and Georg Riedel among others, he participated in the Jazz at the Pawnshop sessions in 1976.

Pianist, composer and arranger Bengt Hallberg, who also played accordion, transitioned on July 2, 2013 from congestive heart failure at the age of 80 in Uppsala, Sweden.

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Daily Dose Of Jazz…

Joseph Shulman was born on September 12, 1923 in New York, New York. His first professional experience was with Scat Davis in 1940 followed with a stint alongside Les Brown in 1942.

Joining the military in 1943 he recorded with Django Reinhardt while a member of Glenn Miller’s wartime band. Upon his return to the States he played with Buddy Rich and Claude Thornhill, then he played with Miles Davis on the Birth of the Cool sessions.

He went on to work with Peggy Lee from 1948 to 1950 and with Lester Young in 1950. Shulman did a recording session with Billy Strayhorn and Duke Ellington that same year.

Marrying Barbara Carroll in 1954, the two toured together until his death. Bassist Joe Shulman transitioned from a heart attack on August 2, 1957 in New York City.

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Daily Dose Of Jazz…

Ian Wilfred Hamer was born on September 11, 1932 in Liverpool, England, the son of a successful Merseyside dance band leader. Together with his two brothers he played in the band run by his mother until serving in the Royal Air Force.

Moving to London, England in 1953 he worked for clarinettist Carl Barriteau and for a brief period with the Oscar Rabin Band. For a year beginning in 1955 he was part of the Tubby Hayes octet then later joined the Vic Ash quintet. In 1963, together with Harry South, he led a band called The Six Sounds, featuring Ken Wray and Dick Morrissey. By 1966 the band had developed into the Ian Hamer Sextet. In 1966 Ian joined the Top of the Pops studio orchestra conducted by Johnny Pearson.

Hamer played in big bands led by Tubby Hayes, Ted Heath, Mike Gibbs, Jack Parnell and Harry South. He also played with Kenny Wheeler, Dizzy Gillespie, Ella Fitzgerald, as well as in smaller bands with Stan Tracey, Benny Golson, Lalo Schifrin, Gary McFarland, Woody Herman’s Anglo-American Herd, Barbara Thompson, the Thad Jones-Mel Lewis band, Eric Delaney, John Dankworth and Joe Harriott.

As a session musician, he played on recordings by The Beatles, Bing Crosby, Tom Jones, Dusty Springfield, Shirley Bassey, Barbra Streisand, James Last, Matt Monro, and Peter Herbolzheimer. Ian played trumpet on the theme tune for The Sweeney, written and arranged by Harry South.

In 1987, Hamer moved to Brighton, England and founded the group Ian Hamer and the Sussex Youth Jazz Orchestra, later dropping Youth. On September 3, 2006, trumpeter Ian Hamer transitioned in Brighton at 73.

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