Daily Dose Of Jazz…
Paul D. “Polo” Barnes was born November 22, 1901 in New Orleans, Louisiana. He attended St. Paul Lutheran College and began playing alto saxophone in 1919. He and Lawrence Marrero formed the Original Diamond Band, which would become known as the Young Tuxedo Band.
He was with Kid Rena in 1922, the Maple Leaf Orchestra in 1923, and Papa Celestin’s Original Tuxedo Band later that year. Celestin’s group recorded his tune My Josephine, which became quite popular. Polo played with Chick Webb in 1927, toured with Jelly Roll Morton in 1928-29 and with King Oliver three times in 1927, 1931, and 1934–35.
In 1932 and 1933 Barnes led his own band. He would go on to play with Chester Zardis and Kid Howard through the Thirties. He played in Algiers, Louisiana in a Navy band from 1942 to 1945, then returned to work with Celestin from 1946 to 1951.
Moving to California he left music from 1952 to 1957. Returning to New Orleans in 1959 he played with Paul Barbarin. In 1962 to 1965 Polo joined the Young Men From New Orleans band that played on a riverboat at Disneyland. He came back home again in 1964 and played at Preservation Hall and Dixieland Hall. He toured Europe in 1973 and 1974, but poor health ended his career in 1977.
Clarinetist and saxophonist Polo Barnes, who was the brother of clarinetist Emile Barnes and was a mainstay of the New Orleans jazz scene during the jazz age, transitioned on April 3, 1981.
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Daily Dose Of Jazz…
Robert Conti was born November 21, 1945 in Philadelphia, Pennsylvania and was an autodidact, first performing locally at age fourteen and mentoring with Pat Martino. In 1966, after four years on the road touring North America, he settled in Jacksonville, Florida.
In 1970, he dropped out of the music business to work in the securities field. Six years later he picked up his guitar and by 1979, he signed with Discovery Records. Conti released Solo Guitar as his debut as a leader and his sophomore project Latin Love Affair. By 1982 he left music again for the business world but again in 1985 he released another album. The following year he headlined the Florida National Jazz Festival, with Jimmy McGriff and Nick Brignola as his sidemen.
In mid-1988 he was offered a position under filmmaker Dino De Laurentiis in Beverly Hills, California. After a lengthy recovery from a back injury in late 1988, he was offered a position as resident jazz guitarist at the Irvine Marriott, a job he held until 1998.
Since starting his website in 2000, he has released 30 educational DVDs on jazz guitar, including pro chord melody and improvisation using his No Modes No Scales approach to teaching jazz guitar. Guitarist and educator Robert Conti, who has his own line of solid spruce thinline archtop jazz guitars since 2009, continues to teach, and perform.
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Daily Dose Of Jazz…
Julian Fuhs was born on November 20, 1891 in Berlin, Germany. After attending the Stern Conservatory he emigrated to the United States in 1910 and got his American citizenship in 1916. Returning to Berlin in 1924 he put together his Follies Band, whose American-influenced jazz and light music was extremely successful.
He made a significant contribution to the establishment of jazz in Germany in the 1920s. Fuhs was the first to use a three-part saxophone section and was considered the German counterpart to Paul Whiteman after his recording of George Gershwin ‘s Rhapsody in Blue. Fuhs was the first to record it in Europe.
In 1931, as a result of the global economic crisis, he was forced to disband his orchestra and earn his living as the owner of a bar. In 1933 he was repeatedly the victim of violent attacks because of his Jewish origins. He emigrated first to Austria, then to Czechoslovakia and France. In 1937 he returned to America, where he worked as a salesman.
Pianist and bandleader Julian Fuhs transitioned in poverty on February 4, 1975 in Miami, Florida.
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Daily Dose Of Jazz…
Thomas Francis Dorsey Jr. was born November 19, 1905 in Mahanoy Plane, Pennsylvania, the second of four children born to bandleader Thomas Francis Dorsey Sr. He studied the trumpet with his father but later switched to trombone. At age 15, Jimmy recommended him to replace Russ Morgan in the Scranton Sirens, a territory band in the 1920s. He worked in bands led by Tal Henry, Rudy Vallee, Vincent Lopez, and Nathaniel Shilkret. In 1923 he went to Detroit to play in Jean Goldkette’s band but returned to New York in 1925 to play with the California Ramblers. Two years later he joined Paul Whiteman, then in 1929, the Dorsey Brothers had their first hit with Coquette for OKeh Records.
In 1934, as the Dorsey Brothers, the band signed with Decca, having a hit with I Believe in Miracles. However, acrimony between the brothers led to Tommy walking out and forming his own band in 1935 and having a hit with Every Little Moment. His orchestra rendered ballads at dance tempos and frequently featured singers Jack Leonard and Frank Sinatra. The band was popular almost from the moment it signed with RCA Victor for “On Treasure Island”, the first of four hits in 1935.
He would go on to have a Dixieland group called Clambake Seven, co-host The Raleigh-Kool Program on the radio and hire arranger Sy Oliver away from Jimmie Lunceford to put more jazz into his pop music. Hiring Sinatra from Harry James helped people the singer to fame and learned breath control from the trombonist. Dorsey’s staff of arrangers included Axel Stordahl, Nelson Riddle, Paul Weston, and Bill Finegan.
Throughout the course of the bands life Bunny Berigan, Doc Severinsen, and Charlie Shavers, Buddy DeFranco, Peanuts Hucko, Buddy Rich, Louie Bellson, Dave Tough, Edythe Wright, Jo Stafford with the Pied Pipers, Gene Krupa, Dick Haymes, Connie Haines, and The Clark Sisters all worked with Tommy.
Dorsey owned two music publishing companies, a ballroom, trade magazine, sponsored other bands, and disbanded the orchestra afte World War II. Teaming up with his brother once more, the took the unit on tour and onto their own television show, Stage Show, from 1954 to 1956. In January 1956, they made rock music history introducing Elvis Presley on his national television debut. Tommy Dorsey, who had a run of 286 Billboard chart hits, of which were seventeen number-one hits with his orchestra transitioned on November 26, 1956 at his home in Greenwich, Connecticut, a week after his 51st birthday. He had begun taking sleeping pills regularly at this time, causing him to become heavily sedated; he choked to death in his sleep after having eaten a large meal.
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Daily Dose Of Jazz…
Eddie Graham was born on November 18, 1937 in New York City. Inspired by his father who played the trombone, he acquired an early interest in rhythm which prompted him to begin the study of drums at age nine. After moving with his family from New York to Miami, Florida at 14, he had a continuing television series on WTVJ with his Swing Kings. During this time his interest in Dixieland jazz was fostered by an acquaintance with drummer “Preacher” Rollo Laylan who frequently imported jazz names to Miami.
Attending the University of Miami he performed for several seasons with the Miami Symphony before migrating to California to accompany such diverse luminaries as Jack Jones, Elvis Presley, and Anita O’Day. He toured as accompanist and conductor for Roberta Sherwood, Vic Dana and Kay Stevens during the Sixties. Eddie settled in Las Vegas, Nevada on a long term contract with Latin concert pianist, Esquivel. He toured Japan with the Village Stompers, and appeared on television with ragtime pianist Big Tiny Little. As a percussionist in the Vegas showrooms, he accompanied Rich Little, Sammy Davis Jr., Presley, Johnny Mathis, and Mack Davis, while hitting the stage with his own jazz group.
The early seventies saw him in Hawaii with trombonist Trummy Young and then hooked up with Earl “Fatha” Hines as a featured artist from 1975 to 1980. On concert tours in Europe, Australia, South America and Japan, Ed has appeared with such artists as Benny Carter, Joe Venuti, Bobby Hackett, Red Norvo, Dorothy Donegan, Barney Bigard, and Stan Getz.
Graham went on to record two albums as a leader, one studio and one live, Hot Stix and S’Wonderful Jazz, respectively. He recorded with Earl Hines on Tony Bennet’s Improv record label, with Marva Josie and a collaboration with trumpeter Billy Butterfield.
In the 80’s, he was a musical director and featured soloist in Las Vegas, and a member of the Peanuts Hucko Quartet in Palm Springs, Califonia. He [layed numerous festivals and clubs around the country during this period, and was a founding member of the 21 piece Monterey Peninsula Jazz Orchestra as percussionist and soloist at Clint Eastwood’s Mission Ranch in Carmel. At eighty-five drummer Eddie Graham still occasionally plays.
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