Daily Dose Of Jazz…

Alicia Cunningham was born Alicia Rodriguez of Mexican heritage on October 5, 1946 in Los Angeles, California. A classically trained vocalist and pianist, she worked in the L.A. studios and as an educator at Loyola University in her early years.

Meeting her husband Don was fortuitous when he moved to Los Angeles in the early 70s. Their combination of his jazz-influenced energetic singing style and Alicia’s fluid, clear and lyrical sound, established a solid reputation. This would lead to a tour with Count Basie in Europe for five months at major events and jazz festivals in England and Switzerland.

She was an intricate and melodic harmonizer and arranger and paired with the Cunningham stage presentation, they offered enormous panache. They not only kept her hometown audiences satisfied but they traveled around the country and the world thrilling listeners in Europe, Canada, Singapore, Brazil, Japan, Indonesia and South Korea.

In 2012, they released their final album together titled Sao Paulo Lights that was recorded in Brazil. In the autumn of 2014, Alicia made her last performance in St. Louis when Don received a St. Louis Jazz Hall of Fame Award.

Vocalist Alicia Cunningham, who sang hard jazz, transitioned in Las Vegas, Nevada on December 23, 2014  at the age of 68 after battling cancer for a year.

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Daily Dose Of Jazz…

Buddy Featherstonhaugh was born Rupert Edward Lee Featherstonhaugh on October 4, 1909 in Paris, France. After the family moved to England he studied in Sussex, and had his first professional gig with Pat O’Malley in 1927. He went on to play with Spike Hughes from 1930 to 1932, and toured England in Billy Mason’s band behind Louis Armstrong that same year and in 1933 recorded with a group called The Cosmopolitans. which included Fletcher Allen. In 1935 he recorded with Valaida Snow and two years later with Benny Carter.

During World War II, he led a Royal Air Force band which included in its ranks Vic Lewis, Don McAffer, and Jack Parnell. They went on to record as The BBC Radio Rhythm Club Sextet during 1943-45. After the war Buddy toured Iceland in 1946, and then left the jazz scene, taking up work as a car salesman.

1956 saw his return to playing and recording in a quintet with trumpeter Leon Calvert, Roy Sidewell, Kenny Wheeler, and Bobby Wellins. He also appeared with the band at Butlin’s Holiday Camps in the mid-1950s. He toured the Middle East in 1957, after which he retired.

Saxophonist and clarinetist Buddy Featherstonhaugh, who was an occasional racing car driver who won the 1934 Albi Grand Prix, transitioned on July 12, 1976.

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Daily Dose Of Jazz…

Edgar “Puddinghead” Battle was born on October 3, 1907 into a musical family in Atlanta, Georgia. In 1921 while a student at Morris Brown University he started playing trumpet and formed his own band, the Dixie Serenaders. A few years later the group changed their name to Dixie Ramblers.

Battle played with Eddie Heywood Sr., and toured with the 101 Ranch Boys traveling show. During the 1920s he worked with Gene Coy, Andy Kirk, Blanche Calloway, Ira Coffey, and Willie Bryant. A move to New York City in the early Thirties saw him doing short stints with Benny Carter and Sam Wooding before joining George White’s ensemble on Broadway.

Over time, he began doing more work as a studio musician and arranger, writing charts for Cab Calloway, Paul Whiteman, Fats Waller, Earl Hines, Rudy Vallee, and Count Basie. During World War II, Edgar held a position as an electrician in a shipyard, while simultaneously running a big band with Shirley Clay.

In the 1950s, he founded Cosmopolitan Records and continued to play in big bands part-time through the 1960s. Among his numerous jazz compositions are the pieces Topsy, co-composed with Eddie Durham and Doggin’ Around with Herschel Evans.

Trumpeter, trombonist, saxophonist and pianist Edgar “Puddinghead” Battle, who was also a composer and arranger, transitioned in New York City on February 6, 1977, at the age of 69.

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Daily Dose Of Jazz…

Barbara Paris was born on October 2, 1954 in Denver, Colorado and from an early age listened to Nat King Cole, Dinah Washington, Mel Torme and Frank Sinatra. Constantly listening to the radio she memorized every song she heard. She sang with her church choir, played violin, took piano lessons and began playing the guitar at 15. She started out singing folk music but gravitated to jazz.

After high school graduation at 16, she moved to Boulder, Colorado and began a successful hairdresser career. However, it was on vacation in St. Thomas that she met Louis Armstrong veteran Eddie Shu and subsequent encouragement led her to the stage.

Barbara made her debut as a jazz singer while in Paris, France. There an acquaintance told her about Denver resident pianist Joe Bonner and upon her return tracked him down and a 23 year musical partnership commenced. She has worked with Freddie Hubbard, Junior Mance, Joe Pass, and recorded with Nancy Wilson’s rhythm section, pianist Llew Matthews, bassist John B. Williams and drummer Roy McCurdy, among numerous others.

Vocalist Barbara Paris continues to pursue performing, composing, recording, and clinics.

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Daily Dose Of Jazz…

Graham Burbridge was born on October 1, 1933 in Stepney, London, England. He started drumming about the age of six, playing things like British Grenadiers with Boy Scouts Bands. It was only after the war when he was around twelve that he found jazz and progressed from Spike Jones through Spanier, Bunk Johnson to Lennie Tristano. It was a fairly rapid musical education that  sat him on the modern side of the fence in his genre choice.

Graham played drums in the RAF with a Military Band, but also managed to get into the dance band. Back in civilian life in 1954 he worked a daytime job and played in a trio in the evening with Pete Elderfield and Maurice Hinson. His early interests in jazz led him to all the clubs, sitting in whenever he could. One night in Humph’s he was invited to play with the Sandy Brown Band and the next day was asked to join the band full time, and his professional career took off. He played with Brown until Sandy retired.

Joining the Chris Barber Band in 1957 was fortuitous, as the relationship lasted nearly two decades. Off stage Burbridge’s interests ran towards new and antique guns, and building model aircraft, something that had been a part of his life for a long time. His interest in guns was a new endeavor but also helped to re-energize and replace the nervous energy used on stage.

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