Daily Dose Of Jazz…
Adrian Francis Rollini was born June 28, 1903 in New York City, New York of French and Swiss extraction. Growing up in Larchmont, New York, he showed musical ability early on and began to take piano lessons at the age of two. Considered a child prodigy, he played a fifteen-minute recital at the Waldorf Astoria Hotel at the age of four. By age 14 he was leading his group composed of neighborhood boys, in which he doubled on piano and xylophone.
Leaving high school in his third year he cut piano rolls for the Aeolian company on their Mel-O-Dee label and the Republic brand in Philadelphia, Pennsyolvania. At 16 he joined Arthur Hand’s California Ramblers and being equally skilled at piano, drums, xylophone, and bass saxophone, gained him Hand’s respect. Hand transferred the band to Rollini when he retired from the music field.
During the 1920s not only was he a member of the California Ramblers with Red Nichols, Jimmy and Tommy Dorsey, he also held membership in The Little Ramblers, The Goofus Five, and The Golden Gate Orchestra. During this time, he managed to lay down hundreds of sessions with Annette Hanshaw, Cliff Edwards, Joe Venuti, Miff Mole, Red Nichols, Bix Beiderbecke, Roger Wolfe Kahn, and Frank Trumbauer.
The 1930s saw him forming the Adrian Rollini Orchestra which recorded on Perfect, Vocalion, Melotone, Banner, and Romeo labels, where he played both bass saxophone and vibraphone. During the early swing era, starting in 1935, he managed Adrian’s Tap Room, owned the Whitby Grill, and opened White Way Musical Products, a store for the sale and repair of musical instruments.
Gradually shifting from the bass saxophone to the vibraphone after popularity of the hot jazz era of the 1920s waned. He went on to play hotels, arranging and writing songs behind the scenes. After an exhaustive career, he made his last recording with his trio in the early 1950s. He relocated to Florida, opened the Eden Roc Hotel in 1955, ran the Driftwood Inn at Tavernier Key and his Driftwood offered deep-sea fishing charters.
Bass saxophonist, pianist, and vibraphonist Adrian Rollini, died under unsolved circumstances on May 15, 1956 at the age of 52 in Homestead, Florida.
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Daily Dose Of Jazz…
Michel Benebig was born in Nouméa, New Calédonia, South-Pacific on June 27, 1964. He started playing bass guitar, accordion and keyboards in dancing bands at age 11. He studied classical piano from 16 to 26 yers old, at the Noumea Music-School, then in France at C.N.R de Besancon from 1990 to 1992.
Michel started playing the Hammond B3 organ in 1992. As a self-taught musician he taught himself how to play foot-pedal bass and jazz organ techniques. Meeting Jimmy McGriff in Atlanta, Georgia in 1995, Jimmy Smith in Oakland, California and Rhoda Scott in Nouméa the following year.
Michel has performed with guitarist Bruce Forman, drummer Lewis Nash, organist Tony Monaco, guitarist Randy Johnston and many more.
Organist, composer and bandleader Michel Benebig who is the founder of the Association des Musiciens de Jazz & Blues pour les Echanges et la Création Artistique, Artistic Director of YAARI, continues to perform and tour.
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Daily Dose Of Jazz…
Leon Calvert was born on June 26, 1927 in Westcliffe-on-Sea, England and learned to play the trumpet in his childhood. His family moved to Manchester, England while he was very young. His first professional job was with Jack Nieman’s Band at the Plaza in Manchester and by 1945 he was on the London circuit. From late 1947 he performed on the ocean liner Mauretania with Paul Lombard.
Joining Oscar Rabin’s band in 1948, that year he was one of the ten musician co-founders of Club Eleven in Great Windmill Street, and later Carnaby Street. While at the club he played with the house band led by John Dankworth. During the late Forties and into the Fifties Calvert worked with the Ambrose band (1949), the Steve Race Bop Band (1949), Tito Burns (1950–1951) and then for four years with Carroll Gibbons. In the mid-1950s he had stints with Ken Moule, Buddy Featherstonhaugh, the London Jazz Orchestra and Denny Boyce. In the late 1950s he worked with Tony Crombie and Vic Lewis.
The 1960s saw Calvert operating a jazz label at Lansdowne Studios with drummer Barry Morgan, Monty Babson and Jerry Allen. In 1967 the group founded Morgan Sound Studio which ventured outside the jazz idiom and became the location for rock recordings by Joan Armatrading, Black Sabbath, The Cure, Donovan, Jethro Tull, The Kinks, Paul McCartney, Cat Stevens, Rod Stewart, and numerous more.
In 1961 he took over from Dick Hawdon as lead trumpeter for the John Dankworth Orchestra. He can be heard on many Ken Moule and Dankworth recordings of this period, his style influenced by the early work of Miles Davis. He was featured on Johnny Scott’s London Swings in 1966.
The 1970s saw Calvert recording with Richard Rodney Bennett on his Jazz Calendar Suite and on Tony Kinsey’s Thames Suite. He worked mostly as a freelance musician for radio, television and film. As a session trumpeter he recorded with John Baryy, and The Beatles. In the 1980s, Calvert sometimes played as a duo with pianist Jack Honeybourne, and he continued playing at small jazz venues into the 1990s, with the Sounds of Seventeen, Jazz Spell and George Thorby’s Band.
Bebop jazz trumpeter Leon Calvert, who was one of the co-founders of Club Eleven, died on May 1, 2018 in Hatfield, Hertfordshire, England at the age of 90.
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Daily Dose Of Jazz…
Rachel Gould was born Rachel Field on June 25, 1953 in Camden, New Jersey. She studied cello and classical singing at Boston University. Upon moving to Germany in 1975 she established herself as a jazz musician, formed her own quartet and toured Europe. In 1979 she appeared in London, England with Chet Baker and recorded the much acclaimed album All Blues.
In the early 1980s, she performed at numerous European festivals, and worked with groups led by Ack van Rooyen, Lou Blackburn, Ferdinand Povel, Bobby Burgess, Michel Herr, Tom Nicholas, Dieter Reith and Erwin Lehn. In 1983 Gould sang for quite a while in the United States and, in New York City, with Woody Herman, Sal Nistico and Jake Hanna.
Upon her return to Germany, she presented the band Breath & Bones at the Leverkusen Jazz Festival. She continued her work in Germany from 1984 onwards, consisting mainly of teaching as a lecturer at the conservatories in Maastricht, Cologne, Mainz and Hamburg. Then in 1987 she travelled to the Swiss Jazz School.
She went on to work with Joe Haider and Benny Bailey. Gould played with Riccardo Del Fra on the 1989 album A Sip of Your Touch, and with his band on a live album at the 1991 Montreux Jazz Festival.
Since 1991, vocalist Rachel Gould has continued to perform in addition to working as a lecturer in jazz singing at the Royal Conservatory of The Hague.
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Daily Dose Of Jazz…
Terrence Mitchell Riley was born in Colfax, California on June 24, 1935 and grew up in Redding, California. In the 1950s, he began performing as a solo pianist and studied composition at San Francisco State University, the San Francisco Conservatory, and the University of California Berkeley, studying with Seymour Shifrin and Robert Erickson.
Befriending minimalist omposer La Monte Young, together they performed Riley’s improvisatory composition Concert for Two Pianists and Tape Recorders in 1959–60. Riley later became involved in the experimental San Francisco Tape Music Center, working with Morton Subotnick, Steve Reich, Pauline Oliveros, and Ramon Sender. Throughout the 1960s, he also traveled frequently in Europe, taking in musical influences and supporting himself by playing in piano bars. He also performed briefly with the Theatre of Eternal Music in New York in 1965-1966.
His most influential teacher was Pandit Pran Nath, a master of Indian classical voice who also taught La Monte Young, Marian Zazeela, and Michael Harrison. Riley made numerous trips to India over the course of their association to study and accompany him on tabla, tambura, and voice. In 1971 he joined the Mills College faculty to teach Indian classical music. Riley also cites John Cage and “the really great chamber music groups of John Coltrane and Miles Davis, Charles Mingus, Bill Evans, and Gil Evans as influences on his work.
His long-lasting association with the Kronos Quartet began around 1980 and throughout his career Terry composed 13 string quartets for the ensemble. in addition
Organist, pianist, saxophonist and tamburist Terry Riley, who teaches both as an Indian raga vocalist and as a solo pianist, continues to perform live.
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