Daily Dose Of Jazz…

Chuck Israels was born Charles H. Israels on August 10, 1936 in New York City, New York. He was raised in a musical family which moved to Cleveland, Ohio when he was 10 and his stepfather Mordecai Bauman was a singer who performed extensively with composer Hanns Eisler. With music a part of normal daily activity, folks like  Paul Robeson, Pete Seeger, and The Weavers were regular visitors. In 1948, the appearance of Louis Armstrong’s All Stars in a concert series produced by his parents gave him his first opportunity to meet and hear jazz musicians.

In college, Israels had the opportunity to perform with Billie Holiday. His first professional job after college was working with pianist Bud Powell in Paris, France. His first professional recording was Stereo Drive a.k.a. Coltrane Time with John Coltrane, Cecil Taylor, Kenny Dorham, and Louis Hayes.

>Israels is known for the Jazz Repertory as Director of the National Jazz Ensemble from 1973 to 1981. He made recordings with the Kronos Quartet and Rosemary Clooney in 1985. He was the Director of Jazz Studies at Western Washington University in Bellingham, Washington until 2010. In 2011, he created the Chuck Israels Jazz Orchestra and recorded Second Wind: A Tribute to the Music of Bill Evans in 2013.

He has worked with Billie Holiday, Benny Goodman, Coleman Hawkins, Stan Getz, Herbie Hancock, J. J. Johnson, John Coltrane, and Judy Collins. Bassist, composer, arranger and bandleader Chuck Israels, who is best known for his work with the Bill Evans Trio,  continues to perform.

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Daily Dose Of Jazz…

Andile Yenana was born on August 9, 1968 in King William’s Town, South Africa. His love of music was triggered at an early age and he grew up in a household where music was really loved. His father, Felix Thamsanqa Yenana, had a huge collection of music, ranging from jazz to Motown, and other forms of urban black music and this had a huge influence in his life.

Andile began music studies under Darius Brubeck at the University of Natal’s School of Jazz and Popular Music It was here that he became friends with saxophonist Zim Ngqawana and trumpeter Feya Faku.

Joining the Zim Ngqawana Quartet and worked with Zim on all five of his albums, including San Song recorded with Bjorn Ole Solburg and his Norwegian San Ensemble. He also worked on the Pan-African music project Mahube with saxophonist Steve Dyer and others. He has also worked as arranger for Sibongile Khumalo, Gloria Bosman and Suthukazi Arosi. In 2005 he was selected as the 2005 Standard Bank Young Artist for Jazz.

Pianist Andile Yenana, who made an indelible mark on the industry by switching from teaching to studying jazz, continues to perform and record.

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Nathaniel Edward Story was born on August 8, 1904 in Oak Station, Kentucky. He played on riverboats on the Mississippi River with Fate Marable and Floyd Campbell in the 1920s, and played with the Jones & Collins Astoria Hot Eight in 1928.

Moving to New York City in the 1930s, he worked with Luis Russell, Sam Wooding, and Chick Webb. After Webb’s death he remained in the orchestra under the direction of Ella Fitzgerald, but left in 1940.

Early in the 1940s he played with Andy Kirk and Lucky Millinder, but went into semi-retirement after this, though he performed occasionally into the 1960s. Trombonist Nat Story passed away on November 21, 1968 in Evansville, Indiana.

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Luckey Roberts was born Charles Luckyth Roberts on August 7, 1887 in Philadelphia, Pennsylvania, and was playing piano and acting professionally with traveling Negro minstrel shows in his childhood. Settling in New York City about 1910 he became one of the leading pianists in Harlem, and started publishing some of his original rags.

Roberts toured France and the UK with James Reese Europe during World War I, then returned to New York where he wrote music for various shows and recorded piano rolls. With James P. Johnson, he developed the stride piano style of playing about 1919.

His reach on the keyboard was unusually large and Luckey could reach a fourteenth, leading to a rumor that he had the webbing between his fingers surgically cut. Those who knew him and saw him play live denounced it as false, he simply had naturally large hands with a wide finger spread.

By the 1920s Roberts teamed up with lyricist Alex C. Rogers, co-wrote three Broadway musicals, Go-Go and Sharlee in 1923, and My Magnolia in 1926, the latter starred Adelaide Hall, a major black revue star.

Hisnoted compositions include Junk Man Rag, Moonlight Cocktail, Pork and Beans, and Railroad Blues. The Glenn Miller Orchestra recorded Moonlight Cocktail, and was the best selling record in the United States for ten weeks in 1942.

An astute businessman, he became a millionaire twice through real estate dealings. Pianist and composer Luckey Roberts, who recorded piano solos with Willie “the Lion “ Smith, passed away on February 5, 1968 in New York City.

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Eddie Lee McFadden was born on August 6, 1928 in Baltimore, Maryland and as a small child tried the piano but later settled on guitar. After his military service, he concentrated on jazz guitar. By the 1950s the guitarist was playing in Philadelphia, Pennsylvania clubs. From 1957-58 he was in organist Jimmy Smith’s band and recorded a dozen albums with Smith as part of a trio and sextet. The trio included Donald Bailey on drums.

Staying with organists he next joined Johnny “Hammond” Smith and during the period 1960–63 and one more in 1966, McFadden made eight recordings. Two further sideman appearances on albums came to fruition in the late 1970s.

In November 1967, the Al Grey & Eddie McFadden Quartet played at Count Basie’s Lounge in New York. During the late Seventies he recorded with Sonny Phillips and Don Patterson.

Guitarist Eddie McFadden, who also wrote music for some of his bands, passed away on September 23, 1992 in Philadelphia.

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