Daily Dose Of Jazz…

Philippe Brun was born on April 29, 1908 in Paris, France and first began playing professionally in the late 1920s with the bands of Gregor, Danny Polo, and Ray Ventura. In the early 1930s he spent time in London, England working with Bert Ambrose, Jack Hylton, and Fred Waring.

Returning to Paris around 1936, he performed with Jazz du Poste Parisien and with Ventura again, as well as with Django Reinhardt and Alix Combelle. He was recorded as a leader from 1937-1940. During World War II he worked in Switzerland, with Eddie Brunner, André Ekyan, Edmond Cohanier, and Teddy Stauffer.

Brun’s wife,  Annie Fratellini, a vocalist and comedian, also performed with Raymond Fol and Kenny Clarke. Trumpeter Philippe Brun passed away on January 15, 1994 in Paris.

ROBYN B. NASH

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Daily Dose Of Jazz…

Julian Clifton Matlock was born on April 27, 1907 in  Paducah, Kentucky and raised in Nashville from the age of ten. He began playing clarinet when he was 12.

From 1929 to 1934, Matlock replaced Benny Goodman in the Ben Pollack band doing arrangements and performing on clarinet. He was one of the main arrangers for Bob Crosby’s band and joined Crosby’s group in 1935 as clarinettist, playing with both the main Crosby band and the smaller Bobcats group. However, he was often seconded to write full-time for the orchestra and the Bobcats. He stayed with Crosby until the band broke up in 1942.

After the dissolution of Crosby’s group, Matty worked in Los Angeles, California playing for recordings made by a variety of Dixieland groups. In 1955, he appeared in the film Pete Kelly’s Blues, playing clarinet for a band that is seen in a scene in a Kansas City speakeasy in 1927. He would go on to play with Bing Crosby, Ella Fitzgerald, Ray Heindorf, Ben Pollack and Beverly Jenkins.

Dixieland clarinettist, saxophonist and arranger Matty Matlock, who recorded three albums as a leader, passed away on June 14, 1978 in Los Angeles, California.

ROBYN B. NASH

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Daily Dose Of Jazz…

De Priest E. B. Wheeler was born on March 1, 1903 in Kansas City, Missouri and played trumpet and mellophone in The Knights of Pythias Band while attending Lincoln High School. With the band he journeyed to St. Louis, Missouri in 1917. Returning to Kansas City he worked in a local dance hall for a year, before becoming a member of the resident band at the Chauffeur’s Club in St. Louis in 1918.

He was with Dave Lewis’s Jazz Boys in Kansas City, then toured with a circus band until 1922. Joining the Wilson Robinson Syncopators in St. Louis in 1923, he toured the Pantages Circuit from Chicago, Illinois to California with that band. The band eventually settled in New York in early 1925 where they were renamed Andy Preer And His Cotton Club Orchestra. Subsequently they worked under the leadership of violinist Andrew Freer until his death in 1927. Later on the group became known as The Missourians, and when Cab Calloway joined as a singer in 1928, from 1930 on he took over and they became Cab’s band.

Wheeler remained with Calloway until 1940, touring Europe in 1934. He worked for the postal authorities for many years, but continued to play part-time with bands and orchestras through the 1950s. Trombonist De Preist Wheeler passed away April 10, 1998 in St. Albans, Queens, New York.

CALIFORNIA JAZZ FOUNDATION

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Daily Dose Of Jazz…

Sterling Belmont “Bozo” Bose was born on September 23, 1906 in Florence, Alabama and his style was heavily influenced by Bix Beiderbecke and changed little over the course of his life.

His early experience came with Dixieland jazz bands in his native Alabama before moving to St. Louis, Missouri in 1923. He played with the Crescent City Jazzers, the Arcadian Serenaders, and the Jean Goldkette’s Orchestra in 1927-28 after the departure of Beiderbecke. Following this he worked in the house band at radio station WGN in Chicago, Illinois before joining Ben Pollack from 1930 to 1933. He also worked with Eddie Sheasby in Chicago.

Moving to New York City in 1933, Bose had many gigs in the city during the 1930s to the mid 1940s, including time with Joe Haymes, Tommy Dorsey, Ray Noble, Benny Goodman, Lana Webster, Glenn Miller, Bob Crosby, Bobby Hackett, Bob Zurke, Jack Teagarden, Bud Freeman, George Brunies, Bobby Sherwood, Miff Mole, Art Hodes, Horace Heidt, and ending with Tiny Hill in 1946.

Following this period he did some further freelancing for the next two years in Chicago and New York, and finally moved to Florida in 1948, setting up his own bands there. Suffering from an extended period of illness in the 1950s, trumpeter and cornetist Sterling Bose, whose nickname was Bozo, eventually committed suicide in June of 1958. in St. Petersburg, Florida.

SUITE TABU 200

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Joe Tarto was born Vincent Joseph Tortoriello on February 22, 1902 in Newark, New Jersey. He played trombone from age 12 before settling on tuba as a teenager. When World War I hit, he enlisted and played in an Army band where he was wounded, and received his release in 1919.

The 1920s saw him working with Cliff Edwards, Paul Specht, Sam Lanin, and Vincent Lopez, in addition to doing arrangement work for Fletcher Henderson and Chick Webb and playing in pit orchestras on Broadway. Throughout the 1920s recording copiously, he accompanied among others, Bing Crosby, The Boswell Sisters, Ethel Waters, Eddie Lang, Joe Venuti, Miff Mole, Red Nichols, The Dorsey Brothers, Bix Beiderbecke, and Phil Napoleon.

During the 1930s he spent two years playing with Roger Wolfe Kahn, then worked extensively as a session musician both on tuba and double bass. He also played with radio ensembles and in theater and symphony orchestras. He remained active as a performer into the 1980s, playing in Dixieland jazz revival groups in his last years. Tubist and bassist Joe Tarto passed away on August 24, 1986 in Morristown, New Jersey.

SUITE TABU 200

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