Daily Dose Of Jazz…
Arnold Fishkind, sometimes credited as Arnold Fishkin was born July 20, 1919 in Bayonne, New Jersey. Growing up in Freeport, Long Island, he met and began a lifelong friendship with Chubby Jackson. At age 7, he began learning the violin, and played in The Musical Aces, a local band of budding musicians. By age 14 he was playing bass.
His first professional gig with Bunny Berigan in 1937. In the early Forties, he played with Jack Teagarden, Van Alexander, and Les Brown, however, his career was interrupted by three years of military service during World War II.
The mid-1946 saw Arnold meeting and playing with pianist Lennie Tristano in New York City, but by the fall he left to go to Hollywood to play with Charlie Barnet. During this experience, he played alongside Stan Getz. In 1947 he returned to New York City, where for the next two years he again played with Tristano, and from 1949 to 1951 he recorded with Lee Konitz and on Johnny Smith’s Moonlight in Vermont. He also continued to play with Barnet and played with Benny Goodman.
In the 1950s he became a successful session musician, for radio on Across the Board, television on The Steve Allen Show, and pop musicians including Frankie Laine. His career at ABC lasted fifteen years and included appearances in the Andy Williams Show in 1961. Fishkind became well known enough during this time to be mentioned by Jack Kerouac in his novel Visions of Cody.
With rock and roll decimating the market for jazz musicians in New York City, he moved from New York City back to California, where he found work with Dean Martin and Bob Hope television shows. He also had a few jobs substituting on the Tonight and Merv Griffin television shows, as well as some recording and film work. He toured with Les Brown and Lena Horne. He continued to record into the 1980s, playing with, among others, Frank Scott.
During his career, he performed swing and bebop jazz, television, jingles, and even western-themed music, working with Eartha Kitt, Ella Fitzgerald, Stan Hasselgard, Peanuts Hucko, Charlie Parker, Shorty Rogers, Coleman Hawkins, Hank Jones, Howard McGhee, Miles Davis, Butch Stone, and Jerry Wald. Although there is no mention in the record from whom he learned bass, he gave as his primary influence Jimmy Blanton. Bassist Arnold Fishkind, who never recorded as a leader, passed away on September 6, 1999 in Palm Desert, California.
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Daily Dose Of Jazz…
Charlie Teagarden was born July 19, 1913 in Vernon, Texas, the younger brother of Jack Teagarden. Nicknamed Little T, he worked locally in Oklahoma before he and Jack joined Ben Pollack’s Orchestra in 1929. Pollack’s recordings were Teagarden’s first before he worked with Red Nichols in 1931 and Roger Wolfe Kahn in 1932 before doing a seven-year run in the Paul Whiteman Orchestra from 1933 to 1940. In 1936 he, Jack, and Frankie Trumbauer played together in the ensemble The Three T’s.
Teagarden played in his brother’s big band in 1940 but soon branched off to lead his own ensembles. He played with Jimmy Dorsey in 1948-50 and Bob Crosby from 1954–58, as well as working with Pete Fountain in the 1960s. He worked steadily in Las Vegas, Nevada after 1959.
His only release as a leader was issued in 1962 on Coral Records. At the 1963 Monterey Jazz Festival, he performed with Jack, sister Norma, and mother Helen. Teagarden went into semi-retirement in the 1970s.
Trumpeter Charlie Teagarden, also known as Smokey Joe and who was among the hundreds of artists whose material was reportedly destroyed in the 2008 Universal fire according to The New Times Magazine, passed away on December 10, 1984 in Las Vegas.
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Daily Dose Of Jazz…
William Osborne Kyle was born on July 14, 1914 in Philadelphia, Pennsylvania and began playing the piano in school. By the early 1930s, he was working with Lucky Millinder, Tiny Bradshaw, and later the Mills Blue Rhythm Band. In 1938, he joined John Kirby’s sextet but was drafted in 1942. After the war, he worked with Kirby’s band briefly and also worked with Sy Oliver. He then spent thirteen years as a member of Louis Armstrong’s All-Stars, performing in the 1956 musical High Society.
A fluent pianist with a light touch, Kyle never achieved much fame, but he always worked steadily. He had a few opportunities to record as a leader, seventeen songs in all, just some octet and septet sides in 1937, two songs with a quartet in 1939, and outings in 1946 with a trio and an octet.
He is credited as the co-author of the song Billy’s Bounce recorded by the Modern Jazz Quartet in 1992 with Bobby McFerrin on the album MJQ and Friends. He didn’t record during his Armstrong years, however, he recorded with Al Hibbler and Buck Clayton.
Pianist Billy Kyle, best known as an accompanist, passed away on February 23, 1966 in Youngstown, Ohio.
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Daily Dose Of Jazz…
Dick Cary was born in Hartford, Connecticut on July 10, 1916 and earned a bachelor’s degree in music from Wesleyan University in 1938. He began performing in Connecticut and New York and landed a two-year full-time solo gig at Nick’s in Greenwich Village in New York City in 1941. The early 1940s saw him playing with Joe Marsala, the Casa Loma Orchestra, Brad Gowans, and as a staff arranger for Benny Goodman.
During a stint in the Army in 1944-46 while stationed on Long Island, Cary managed to continue recording with Muggsy Spanier and Wild Bill Davison among others. After his discharge, he worked with Billy Butterfield, then the pianist in the initial formation of Louis Armstrong’s All-Stars in 1947–48. In 1949–50 he was in Jimmy Dorsey’s orchestra, and throughout the 1950s worked with Eddie Condon, Pee Wee Russell, Max Kaminsky, Bud Freeman, Jimmy McPartland, and Bobby Hackett.
A move to Los Angeles, California in 1959 saw him becoming an active freelance, touring, and studio musician. Dick began writing and arranging music for the Tuesday Night Friends, who only performed annually at the Los Angeles Classic Jazz Festival and Sacramento Jazz Jubilee.
Trumpeter, composer, and arranger Dick Cary, who recorded eight albums asa leader and two-dozen as a sideman, passed away on April 6, 1994 in Glendale, California.
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Daily Dose Of Jazz…
Johnny Mince, born John Muenzenberger on July 8, 1912 in Chicago Heights, Illinois played with Joe Haymes from 1929 to 1934. He recorded with Red Norvo and Glenn Miller in 1935. Working with Ray Noble from 1935-37 and Bob Crosby in 1936 he went on to become a member of the Tommy Dorsey Orchestra in 1937.
Mince played with Dorsey through 1941 and was one of the participants in his Clambake Seven recordings before entering the military. After an extended stint to the end of World War II, he became a studio musician for several decades. He taught locally in New York City and played in small-time ensembles in the 1950s and 1960s.
1974 saw Johnny returning to play with the Dorsey Orchestra after Tommy’s death, then followed this engagement with the New Paul Whiteman Orchestra in 1976, Yank Lawson, Bob Haggart, and the World’s Greatest Jazz Band. As a member of the Great Eight, he toured Europe in 1983. He continued to play at jazz revival festivals until his retirement due to ill health.
He recorded as a leader only late in his life, for Monmouth Evergreen in 1979, Jazzology Records in 1980, and Fat Cat Jazz in 1982. Never receiving much recognition beyond that of his fellow musicians, he did not lead his own band. As an unknown musician, Tommy Dorsey invited him to become his partner in starting his first band but Johnny’s father talked him out of it due to risk. Clarinetist Johnny Mince passed away on December 23, 1994 in Boca Raton, Florida.
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