Daily Dose Of Jazz…
Fritz “Freddie” Brocksieper was born in Istanbul, Turkey on August 24, 1912, the son of a Greek-speaking Jewish woman and a German engineer, who was able to get through National-Socialism as an essential swing musician. His playing style on the drums was influenced above all by Gene Krupa and by 1930, he was playing professionally in Germany working in Nuremberg and Berlin throughout the decade. During World War II he played with the Golden Seven, Benny De Weille, Willy Berking, and the radio orchestra of Lutz Templin.
He recorded with his own ensembles, both large and small, in the later 1940s, and performed for American GIs in Stuttgart, Munich, and Berlin. An essential swing musician, Freddie was considered a leading figure of early European big-band jazz. With his bands, he made it to the front page of Stars and Stripes. Beginning in 1957 Bavarian radio regularly broadcast live concerts from his studio in Munich.
He continued performing in the 1960s and 1970s and was awarded a Deutscher Schallplattenpreis in 1980. From 1964 he played mainly in trios, and often with American soloists in Europe. Drummer Freddie Brocksieper passed away on January 17, 1990.
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Daily Dose Of Jazz…
Billy Amstell was born on August 20, 1911 in London, England. At ten he played piano and at thirteen was teaching himself how to play the alto saxophone. He performed in Glasgow before moving to London in 1930, working with violinist Jack Harris.
During the next year, Billy recorded with Roy Fox and Spike Hughes and became a member of the Bert Ambrose Orchestra in which he played tenor saxophone. In the 1940s he worked for bandleader Geraldo and in the 1950s for the BBC Dance Orchestra, and in the 1960s while a studio musician he worked with George Chisholm.
The 1980s saw Amstell playing clarinet, releasing a solo album, Session After Midnight on the Zodiac label, and wrote his autobiography, Don’t Fuss, Mr. Ambrose. Saxophonist and clarinetist Billy Amstell, who continued to perform into his nineties, passed away on December 19, 2005 at the age of 94.
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Daily Dose Of Jazz…
Albert Morgan was born on August 19, 1908 in New Orleans, Louisiana into a musical family. He started on clarinet, then learned baritone saxophone, tuba, and bass. After taking lessons with Simon Marrero around 1919, he played with his brother Isaiah. Relocated briefly to Pensacola, Florida he played with Mack Thomas and Lee Collins.
Returning to New Orleans to play on riverboats with Fate Marable and Sidney Desvigne. Al went on to play with Davey Jones and Cecil Scott and recorded with the Jones & Collins Astoria Hot Eight.
In the 1930s, Morgan led his own band and played as a sideman with Fats Waller, Les Hite, Zutty Singleton, Louis Jordan, and Sabby Lewis. This period saw him performing with Otto Hardwick and then spent four years with Cab Calloway from 1932 to 1936.
After leaving the Calloway orchestra, Al settled in California, playing live, on record, and on film. His film appearances include a feature on “Reefer Man” with the Calloway band in International House, Cab Calloway’s Hi-De-Ho, with Louis Armstrong in Going Places, and in The Gene Krupa Story.
From the 1950s to the 1970s, Morgan played extensively with Buddy Banks in a duo. Morgan recorded with Chu Berry, Coleman Hawkins, Don Byas, Jack Teagarden, Jay McShann, Red Allen, and T-Bone Walker.
Double bassist Al Morgan passed away on April 14, 1974 in Los Angeles, California.
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Daily Dose Of Jazz…
Big Chief Russell Moore was a Pima American Indian born on August 13, 1912 in Komatke, Arizona and lived in Blue Island, Illinois from age twelve, where he studied trumpet, piano, drums, French horn, and trombone. Moving to Los Angeles, California in the early 1930s, he worked freelance with Lionel Hampton, Eddie Barefield, and others. Departing Los Angeles for New Orleans, Louisiana in 1939, he worked with Oscar Celestin, Kid Rena, A.J. Piron, Paul Barbarin, Ernie Fields, Harlan Leonard, and Noble Sissle.
He played with Louis Armstrong’s last big band from 1944 to ‘47, then worked freelance on the Dixieland jazz circuit. The 1950s saw him playing with Ruby Braff, Pee Wee Russell, Eddie Condon, Wild Bill Davison, Jimmy McPartland, Tony Parenti, Mezz Mezzrow, Sidney Bechet, and Buck Clayton. He returned to play in the Louis Armstrong All-Stars in 1964–65, but fell ill and had to leave the group. After recovering he led a Dixieland group of his own, which toured Canada repeatedly.
He worked with pianist Eddie Wilcox shortly before Wilcox died in 1968, then played with Cozy Cole in 1977 and Keith Smith in 1981. Trombonist Big Chief Russell Moore, who recorded as a leader for Vogue, Trutone, and Jazz Art record labels, passed away in Nyack, New York on December 15, 1983.
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Daily Dose Of Jazz…
Max Abrams was born on August 11, 1907 in Glasgow, Scotland and began playing drums with dance bands in his teens, often in his hometown area. In the late Twenties, he headed to London, England and was soon active with a number of bands there.
Touring South Africa before returning to London, in 1932, he joined Jack Hylton’s orchestra. During the next few years, Max played with several leading UK dance bands, including Sydney Lipton’s and Carroll Gibbons’ Savoy Orpheans. He was in demand for numerous recording sessions with many leaders as well as recording with his own band in 1935. He also made a series of tuition records for aspiring drummers.
In the early 40s, Abrams drummed with Ambrose, Jack Payne, and Stéphane Grappelli, then, in 1945, joined Sid Phillips for an engagement that lasted well into the next decade. During this period he often worked with small bands, including Humphrey Lyttelton’s, and appeared regularly on the radio. Technically gifted as a percussionist, he played several instruments including vibraphone, xylophone, and timpani.
As an educator, he was much sought after and founded his own School for Drum Tuition. His admired ability drew many eager and gifted drummers to him, among them Jack Parnell. Drummer Max Abrams, who actively performed from the 1930s through the 1950s, passed away on November 5, 1995.
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