Three Wishes

The Baroness inquired of Jimmy Wilkins as to what his three wishes would be and he responded by saying:

1. 1. “I wish my first wife would hurry up and give me a fu**ing divorce.”

   2. “I wish I could put my day gig down and play some music.”

   3. “I wish I was rich.”

*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter

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Daily Dose Of Jazz…

Richard Gene Williams was born in Galveston, Texas on May 4, 1931 and played tenor saxophone early in his life before picking up the trumpet as a teenager. While playing in local Texas bands, he attended Wiley College, majoring in music.

After serving in the Air Force from 1952–56, Williams toured Europe with Lionel Hampton. He returned to America and received a master’s degree at the Manhattan School of Music. In 1959, he played with Charles Mingus at the Newport Jazz Festival and recorded with MIngus that same year. The following year he recorded his only session as a leader, New Horn in Town on the Candid Records label featuring Reggie Workman, Leo Wright, Richard Wyands, and Bobby Thomas.

During the 1960s Richard was a sideman on numerous releases for Blue Note, Impulse!, New Jazz, Riverside, and Atlantic working with Oliver Nelson, Grant Green, Booker Ervin, Sam Jones, Rahsaan Roland Kirk, Les McCann, Lou Donaldson, Yusef Lateef, Gigi Gryce, Carmen McRae, Randy Weston, Charles Tolliver, Mose Allison, Eddie “Lockjaw” Davis, and Duke Jordan, among numerous others.

He also played with the big bands of Duke Ellington, Gil Evans, Thad Jones and Mel Lewis, Sam Rivers, and Clark Terry. Finding work on Broadway in pit orchestra productions of The Me Nobody Knows and The Wiz, and appeared on the original Broadway cast recordings of both musicals. Williams led his own bands in New York jazz clubs and in addition to jazz trumpet, he performed with classical orchestras, playing piccolo trumpet and flugelhorn. Trumpeter Richard Williams passed away on November 4, 1985 from kidney cancer in his Jamaica, New York home, at the age of 54.

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Daily Dose Of Jazz…

Ralf Hübner was born on May 3, 1939 in Berlin, Germany where he attended the Hochschule für Musik from 1958-1962. During his tenure, he studied both double bass and drums and played with Benny Bailey and Nathan Davis.

Upon graduating he joined the Jazzensemble des Hessischen Rundfunks, an ensemble he would work with into the 1990s. He also began a decade-long association with Albert Mangelsdorff.

In the 1970s he worked with musicians and ensembles such as the Frankfurt Jazz Ensemble, Joki Freund, Volker Krieger, Itaru Oki, Michel Pilz, Manfred Schoof, and Eberhard Weber. In the 1980s and 1990s he worked with Christof Lauer among others. At eighty, drummer Ralf Hübner currently resides in Glashütten, Hessen, Germany.

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Daily Dose Of Jazz…

Patrick Mungo Smythe was born on May 2, 1923 in Edinburgh, Scotland, the son of a solicitor. Educated at Winchester College he went on to study law at Oxford University. When World War II interrupted his studies, he enlisted with the Royal Air Force, serving for five years as a night-fighter pilot. After the war, he resumed his legal studies, this time at the University of Edinburgh where he was also recognized as a talented classical and jazz pianist.

Upon graduation, he spent several years in his father’s law firm, before leaving Edinburgh for London in the late Fifties in search of a professional career in music. For a brief time, Pat worked with Jamaican trumpeter Dizzy Reece, and in 1960 he joined the quintet led by another Jamaican, alto saxophonist Joe Harriott, who was beginning playing his revolutionary brand of free jazz. Smythe’s pivotal role highlighted one of the principal differences between Harriott and his American counterpart Ornette Coleman, who viewed the harmonic qualities of the piano as incompatible with his own brand of free improvisation.

The Harriott quintet stayed together until 1965, recording three ground-breaking albums ~ Free Form, Abstract and Movement, while also holding a long-term residency at the Marquee Club in Soho. Smythe stayed with Harriott after the dissolution of the quintet, becoming a key member of the group Indo-Jazz Fusions, co-led by Harriott and the Indian composer and violinist John Mayer. This double quintet of five Indian and five jazz musicians aimed to fuse Indian raga structures with jazz improvisation, performing and recording extensively until Harriott’s departure ended the project in 1969. With his knowledge of Indian ragas, Smythe was considered by Mayer to be the bridge between the two camps.

Over a diverse career, he worked and recorded with many other great names in jazz when they passed through Britain, including Stan Getz, Paul Gonsalves, Ben Webster, Eddie Lockjaw Davis, Zoot Sims and Bob Brookmeyer. He worked mainly as an accompanist in the London clubs throughout the 1970s, helping bring Scottish jazz vocalist Carol Kidd to prominence.

After a long illness, pianist Pat Smythe passed away on May 6, 1983 in London, England. The Pat Smythe Memorial Trust was established two years later, as a registered charity to provide financial awards to young jazz musicians of outstanding talent. It was funded entirely from benefit concerts and gave awards to such musicians as Julian Arguelles and Jason Rebello. The trust is now defunct.

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Daily Dose Of Jazz…

Billy Byers was born on William Mitchell Byers on May 1, 1927 in Los Angeles, California. He picked up the trombone and played with Karl Kiffle before serving in the Army in 1944–45. In the second half of the 1940s, he arranged and played trombone for Georgie Auld, Buddy Rich, Benny Goodman, Charlie Ventura, and Teddy Powell.

Following this period of playing, Byers composed for WMGM (AM) radio and television in New York City. During the mid-1950s, he was living and arranging in Paris, France where he also led a session as a leader, released as Jazz on the Left Bank, at this time. Later in the 1950s in Europe, he played with Harold Arlen (1959–1960) and with the Quincy Jones Orchestra. Becoming Quincy’s assistant at Mercury Records in the Sixties, he arranged for Count Basie albums.

He also led some recording sessions of Duke Ellington standards, toured Europe and Japan alongside Frank Sinatra in 1974, and had extensive credits arranging and conducting for film. Billy won the Drama Desk Award for Outstanding Orchestrations for the City of Angels.

He recorded with Count Basie, Bob Brookmeyer, Al Cohn, Billy Eckstine, Coleman Hawkins, J. J. Johnson, Lee Konitz, Jack McDuff, Gary McFarland, Hal McKusick, Carmen McRae, Joe Newman, Lalo Schifrin, Bud Shank, Charlie Shavers, Julius Watkins, Andy Williams, Cootie Williams, Kai Winding, and Frank Zappa. With four albums as a leader and another twenty-eight as a sideman, trombonist Billy Byers,  passed away in Malibu, California, on May 1, 1996.

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