Daily Dose Of Jazz…
Lou Stein was born on April 22, 1922 in Philadelphia, Pennsylvania. By 1942 he had joined Ray McKinley’s band in 1942. While serving military service he played with Glenn Miller’s Army Airforce Band stateside during World War II but never went overseas.
After the war, he worked with Charlie Ventura in 1946 and 1947 and became a session musician. Lou performed with the Lawson-Haggart Band, Benny Goodman, Sarah Vaughan, the Sauter-Finegan Orchestra, Louie Bellson, Red Allen, Coleman Hawkins, and Lester Young.
Recording as a bandleader, in 1957 Stein had a U.S. Top 40 hit with Almost Paradise, which peaked at No. 31 on the Billboard Hot 100. His cover version of Got a Match made the Cashbox Top 60 in 1958. His most famous composition was East of Suez.
He played with Joe Venuti and Flip Phillips from 1969 to 1972. From 1954 to 1994 he recorded sixteen albums as a leader and through the Fifties, he recorded with Louis Bellson, Woody Herman, Lee Konitz, Joe Newman, Charlie Parker, Cootie Williams. Pianist and composer Lou Stein, who was comfortable in swing, bop, Dixieland, and commercial settings, passed away on December 11, 2002.
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Daily Dose Of Jazz…
Billy James born William James on April 20, 1936 in Pittsburgh, Pennsylvania. He first came on the jazz scene in the Fifties when he began working with the Lionel Hampton Orchestra, with the bandleader thinking the 15-year-old James was already playing at professional standards. He would then go to work with Booker Ervin. In the early 1960s with played and recorded with James Moody, Candido Camero, Gene Ammons, Sonny Stitt, Don Patterson, and Eddie “Lockjaw” Davis.
With Patterson, he frequently recorded as a duo, and James led his own groups in the latter half of the 1960s. He worked further with Stitt during this time as well as with Eric Kloss. Further associations also include Eddie Harris, Houston Person, Grant Green, and Pat Martino.
Billy’s most illustrious performances including the Patterson side righteously titled Boppin’ and Burnin’ and even better, the Boss Tenors in Orbit! sessions in which Stitt duels with Ammons.
Drummer Billy James, whose most distinctive aspect of drumming is an extremely well-disposed shuffle that he seems able to reinvent endlessly, chorus after chorus, passed away on November 20, 2009.
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Daily Dose Of Jazz…
Sam Noto was born on April 17, 1930 in Buffalo, New York, where he learned to play the trumpet. While still in his early twenties he was invited to join Stan Kenton’s band as the lead trumpeter, playing with him full-time until 1958. He returned to the Kenton band in 1960 after a year-long stint touring Europe with Louie Bellson and Pearl Bailey in 1959.
Between 1964 and 1967 for two separate periods, Sam was also a member of the Count Basie Orchestra. He worked primarily in Las Vegas, Nevada after 1969. It was while living and working in Vegas, he became acquainted with trumpeter Red Rodney who was influential in Noto’s prolific recording career with Xanadu.
Relocating to Toronto in 1975 he quickly became a first-call studio player and member of Rob McConnell’s “The Boss Brass” for a number of years in the ‘80s. Noto established his own successful groups including the Sam Noto Quintet, performing frequently throughout Toronto in the ‘90s and early 2000s.
He recorded six albums as a leader and another eighteen as a sideman working with Count Basie, Stan Kenton, Rob McConnell, Frank Rosolino, Red Rodney, Don Menza, Buddy Rich, Joe Romano, Charlie Parker, Mel Lewis, Dizzy Gillespie, Louie Bellson, and Kenny Drew. He has had recording associations with Xanadu, Muse, Capitol, Sea Breeze, Dot, Coliseum, Reprise, Supermono, and Unisson record labels.
Now residing in Fort Erie, Ontario, trumpeter and bop soloist Sam Noto continues to play in and around the Toronto area, as well as closer to home in Buffalo, New York jazz clubs.
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Daily Dose Of Jazz…
Sy Johnson was born on April 15, 1930 in New Haven, Connecticut and learned to play the piano in his youth. He first performed in New York City with Charles Mingus at the jazz club Showplace, with Booker Ervin on tenor, Ted Curson on trumpet, Dannie Richmond on drums, and Mingus on bass. and on his first night with Mingus, Eric Dolphy performed on alto, bass clarinet, and flute.
In 1971, eleven years later, Mingus gave Johnson Let My Children Hear Music to arrange, which featured two Mingus pieces, Shoes of the Fisherman’s Wife (Are Some Jiveass Slippers) and Don’t Be Afraid, the Clowns Afraid Too. The album’s emergence was heralded with a live concert, Mingus And Friends At Philharmonic Hall, also arranged by Johnson and released as an album.
Performing We Did It on Soul Train in 1973 and continued to work with Mingus until his death from Lou Gehrig’s disease in 1979. Mingus recorded two of Johnson’s compositions, Wee and For Harry Carney, and nominated Johnson for a Guggenheim award following his own in Jazz Composition.
Johnson continues to work with Sue Mingus arranging charts for all the Mingus repertory ensembles—the Mingus Big Band, the Mingus Orchestra and the Mingus Dynasty. He would go on to collaborate with arrangements for Joe Williams, Frank Sinatra, Wes Montgomery, Roy Eldridge, Ben Webster, Quincy Jones, Benny Goodman, Count Basie, Mel Torme, Terry Gibbs, Lee Konitz and Sarah Vaughan, among others.
He has also worked on Broadway and in films such as the1984 movie The Cotton Club. Arranger Sy Johnson is also a jazz photographer, writer, pianist, singer, and teacher.
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Three Wishes
When the Baroness asked Art Davis what he would have as his three wishes he said:
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“Tho be successful and to help people.”
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“To have anything and everything I want.”
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“To be loved and admired by everyone.”
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*Excerpt from Three Wishes: An Intimate Look at Jazz Greats ~ Compiled and Photographed by Pannonica de Koenigswarter
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