Daily Dose Of Jazz…

Eddie Crocetti was born on June 25, 1943 in Baltimore, Maryland. His interest in music came when he heard a band perform in his father’s bar and he was drawn into the world of professional music. His father immediately purchased him his first set of drums and he began studying drums and piano. By the time he was 14 years old, he was playing professionally for the local musicians of the city. He went on to study the organ.

Eddie married at age 19 and began his family all while entertaining and delighting audiences with his own personal musical approach. For the past 25 years he has been playing alongside Dizzy Gillespie, James Moody, Ira Sullivan, Nat Adderley, Joe Venuti, Allen Harris, Toni Bishop, and more. Beyond jazz he has worked with Robert Goulet, Carole Lawrence, The Smother’s Brothers, The Drifters, The Coasters, The Platters, Fats Domino, Lucy Arnaz, Bill Cosby, Donald O’Connor, Patti Page and Julio Iglesias among others.

In 2001, Crocetti found his soulmate and formed the jazz group Perfect Fusion, which includes his new bride. This led to his release of a jazz organ recording. His wife lent vocals to one of his original works.

Organist Eddie Crocetti currently performs in jazz venues across the United States.

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Daily Dose Of Jazz…

Peter Naphtali Lemer was born June 14, 1942 in London, England and studied piano and composition at the Royal Academy of Music with Sven Weber and John Gardner, privately with Thomas Rajna, and then at workshops in London run by Jack Goldzweig. He then went to New York to study double bass with David Walter, attended workshops run by Bill Dixon, and studied piano with Jaki Byard and Paul Bley.

In 1965, Lemer formed a trio with John Stevens and Jeff Clyne, which opened the Little Theatre Club. In 1966, he formed the Peter Lemer Quintet, with drummer Jon Hiseman, tenor saxophonist George Khan, baritone saxophonist John Surman and bassist Tony Reeves. They successfully played a season at Ronnie Scott’s that helped to pave the way for the British free jazz movement of the late 1960s and early 1970s.

In 1969 Peter delved into experimental jazz with the group Spontaneous Music Ensemble,then joined Barbara Thompson that developed into Thompson forming Paraphernalia with husband Jon Hiseman. Paraphernalia became the most frequently performing jazz-oriented group in Europe. By 1974 he joined Gilgamesh, then became an in-demand session player and became a member of rock band Ken Elliot’s Seventh Wave.

The following year he joined Ginger Baker, Mr Snips, and The Gurvitz brothers in the Baker Gurvitz Army. His next move was with Jan Dukes de Grey briefly and then on to Mike Oldfield’s fifty-piece touring band as one of two keyboard players. Most recently Lemer has worked with the band In Cahoots, recording with them as well as with Paraphernalia.

Pianist and keyboardist Peter Lemer currently plays with the Spanish Harlow Orchestra and coaches piano, improvisation, and music technology. He is active in lobbying to end global hunger and poverty.

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Daily Dose Of Jazz…

Michael Stephans was born in Miami, Florida on June 9, 1945. He has performed and recorded with artists including Dave Liebman, Bennie Maupin, Joe Lovano, Bob Brookmeyer, Don Menza, and Alan Broadbent.

Stephans’ first solo recording, Om ShalOM, was critically lauded in 2007 by UK critic Tom Barlow as an album of the year in the December 2007 – January 2008 issue of Jazzwise.

He has received multiple composition grants from the National Endowment for the Arts. In 1974, this association afforded him the opportunity to write the large ensemble composition Shapes and Visions for vibraphonist Karl Berger, which was performed at the Smithsonian Museum of Natural History in Washington, D.C.

In his role as a poet Michael has been published in The Note and Inscape, and received the Rachael Sherwood Poetry Prize by the English department at Cal State Northridge. He is the author of Experiencing Jazz: A Listener’s Companion, and Experiencing Ornette Coleman: A Listener’s Companion.

He is a professor who has taught at Pasadena City College, the University of Miami, and Bloomsburg University of Pennsylvania. Drummer Michael Stephans continues to pursue his career in jazz.

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Daily Dose Of Jazz…

John Von Ohlen was born in Indianapolis, Indiana on May 13, 1941. He began playing trombone in middle school, and continued playing through high school. Graduating from North Central High School in 1960, he briefly studied at North Texas State, but returned to Indianapolis shortly after.

From 1967 to 1968, Von Ohlen toured with Billy Maxted’s Manhattan Jazz Band. He  also worked for Woody Herman in 1967 and 1969, then with Stan Kenton from 1970 to 1972.

John went on to lead the Blue Wisp Big Band in Cincinnati from 1980 to 2018 and his own groups under his name ranging from quartets to big bands. During this period of the 1980s and 1990s, he was a member of a big band led by pianist Steve Allee.

Drummer John Von Ohlen transitioned in Cincinnati, Ohio on October 3, 2018 at the age of 77.

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Daily Dose Of Jazz…

Kaoru Abe 阿部 薫 was born on May 5, 1949 in Kawasaki, Kanagawa, Japan. Self-taught at a young age, at 17 he dropped out of highschool in 1967 to focus on perfecting his playing. The following year he played his first performance at a jazz spot named Oreo.

He generally performed solo but played with notables Motoharu Yoshizawa, Takehisa Kosugi, Yosuke Yamashita, Derek Bailey, and Milford Graves. In 1970, Laoru met guitarist Masayuki Takayanagi and recorded with him.

Abe was prolific, appearing almost every day to jazz spots and concerts. His library consists almost entirely of archival and live recordings, however he has done studio recordings.

His later years saw Kaoru playing different instruments like the bass clarinet throughout his career. By 1976 for two years he was mostly explorative with the harmonica. He was portrayed in Kōji Wakamatsu’s film Endless Waltz by novelist and punk rock singer Kō Machida.

Avant-garde alto saxophonist Kaoru Abe transitioned on September 9, 1978 from Bromisoval overdose causing an acute gastric perforation.

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