Daily Dose Of Jazz…
Peter Brötzmann was born on March 6, 1941 in Remscheid, North Rhine-Westphalia, Germany. He studied painting in Wuppertal and was involved with the Fluxus movement but grew dissatisfied with art galleries and exhibitions. He experienced his first jazz concert when he saw Sidney Bechet while still in school at Wuppertal, and it made a lasting impression.
He taught himself to play clarinets, then saxophones and finally the tárogató. Among his first musical partnerships was with double bassist Peter Kowald. His debut recording, For Adolphe Sax, released in 1967 featured Kowald and drummer Sven-Åke Johansson. In 1968 Machine Gun, an octet recording, was released and self-produced under his BRO record label which he sold at concerts. Atavistic reissued the album in 2007.
His 1969 album Nipples, wasn’t followed with another recording as a leader until 1976 which was followed by sixty-one more releases through 2020. Brötzmann was a member of Bennink’s Instant Composers Pool, a collective of musicians who released their own records and that grew into a 10-piece orchestra.
The logistics of touring with the ICP tentet or his octet resulted in Peter reducing the group to a trio with Han Bennink and Fred Van Hove. Bennink was a partner in Schwarzwaldfahrt, an album of duets recorded outside in the Black Forest in 1977 with Bennink drumming on trees and other objects found in the woods.
In 1981, Brötzmann made a radio broadcast with saxophonists Frank Wright and Willem Breuker, trumpeter Toshinori Kondo, trombonists Hannes Bauer and Alan Tomlinson, pianist Alexander von Schlippenbach, drums Louis Moholo, and bassist Harry Miller. This was released as the album Alarm.
During the Eighties, Brötzmann flirted with heavy metal and noise rock, recording with Last Exit and the band’s bass guitarist and producer Bill Laswell. His has released over fifty albums as a bandleader and has appeared on dozens more. His Die Like a Dog Quartet (with Toshinori Kondo, William Parker and drummer Hamid Drake) is loosely inspired by saxophonist Albert Ayler, a prime influence on his music. Since 1997, he has toured and recorded regularly with the Peter Brötzmann Chicago Tentet which he disbanded after an ensemble performance in November 2012 in Strasbourg, France.
He has recorded or performed with Cecil Taylor, Keiji Haino, Willem van Manen, Mats Gustafsson, Ken Vandermark, Conny Bauer, Joe McPhee, Paal Nilssen-Love and Brötzmann’s son, Caspar Brötzmann.
Saxophonist and clarinetist Peter Brötzmann, who has not abandoned his art training and has designed most of his album covers, continues to perform and record.
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Daily Dose Of Jazz…
Joyce Breach was born in Alameda, California on February 27, 1944 and was raised in Kansas City, Missouri. She grew up listening to and admiring Rosemary Clooney, Doris Day, Peggy Lee, Judy Garland, Sarah Vaughan, Abbey Lincoln, and Frank Sinatra. She gleaned from their phrasing and inflections to develop her own indelible style.
After attending West Virginia University she settled in Pittsburgh, Pennsylvania where she made a name for herself in the ’80s and enjoyed a loyal following in Steel Town. Relocating to New York City, where she has made even bigger strides wowing audiences and reviewers at some of Manhattan’s top clubs.
She recorded her debut album Confessions in 1990 on Audiophile Records, and has gone on to record Lovers After All, Songbird, Nothing But Blue Skies, This Moment, Reel Songs, and Love Is the Thing. She has been featured on Loonis McGlohon & Friends’ A Christmas Memory.
As a songwriter Joyce often collaborates with pianist/arranger Keith Ingham and he usually accompanies her live appearances in the New York area, and has performed across the country. She continues to write, performa nd record.
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Daily Dose Of Jazz…
Butch Morris was born Lawrence Douglas Morris on February 10, 1947 in Long Beach, California. Before beginning his musical career, he served in the U.S. Army as a medic in Germany, Japan and Vietnam during the Vietnam War. He came to attention with saxophonist David Murray’s groups in the late 1970s and early 1980s.
>Morris led a group called Orchestra SLANG. The group features drummer Kenny Wollesen, alto saxophonist Jonathon Haffner, trumpeter Kirk Knuffke and others. He performed and presented regularly as part of the Festival of New Trumpet Music, held annually in New York City. He wrote most of the incidental music for the 1989 TV show, A Man Called Hawk, which starred Avery Brooks, with whom he co-wrote the theme music, along with Stanley Clarke. He also played with well-known artist and would-be drummer A.R. Penck in 1990.
The originator of Conduction (a term borrowed from physics), a type of structured free improvisation where Butch directs and conducts an improvising ensemble with a series of hand and baton gestures.
Cornetist, composer and conductor Butch Morris, known for pioneering his structural improvisation method Conduction, transitioned from lung cancer on January 29, 2013, at the age of 65 in New York City.
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Daily Dose Of Jazz…
Barry Sweig was born on February 7, 1942 in Detroit, Michigan. His mother loved music and taught her son to clap on the 2 & 4 as a toddler. He received a ukulele for his fifth birthday, played violin from the age of eight until he was eighteen, but bought himself a guitar for ten dollars when he was 15. His first recording session was at age 17, at Capitol Records.
Drafted in the Army in 1964 Sweig was assigned to NORAD Band where he got the opportunity to study with guitarist Johnny Smith. After his discharge he joined Buddy Rich’s band and after recording an album with Sammy Davis Jr. that led to him joining the latter’s band. Touring with Davis ended fourteen months later and he settled in Los Angeles, California and broke into the music scene where he performed and recorded for a host of who’s who vocalists and musicians.
He played his final gig at The Lighthouse Cafe in Hermosa Beach. Guitarist Barry Sweig, who taught at UCLA, USC, and the University of Texas, El Paso, transitioned on March 15, 2020 of complications from Crohn’s disease.
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Daily Dose Of Jazz…
Paul F. Murphy was born on January 25, 1949 in Worcester, Massachusetts and began playing drums at a very early age and made the acquaintance of Gene Krupa at age six. He went on to study with Krupa, Louis Bellson, and Joseph Levitt, the principal percussionist of the National Symphony Orchestra and director of the Peabody Conservatory.
At age sixteen, Murphy began playing in the Washington, D.C. area with Duke Ellington’s bassist Billy Taylor, who exposed him to the music of pianist Cecil Taylor. At Taylor’s advice he moved to San Francisco, California where he established himself as a bandleader. While there, he met and befriended Cecil Taylor and Jimmy Lyons. At the suggestion of Lyons, he then moved to New York, where he managed Ali’s Alley, a club run by drummer Rashied Ali, and began playing and recording with Lyons’ groups as well as his own quintet. While in New York, Murphy immersed himself in both the experimental jazz and punk rock scenes.
Following Lyons’ untimely death in 1986, Murphy spent time playing drums in Las Vegas, Nevada before returning to San Francisco, where he formed Trio Hurricane with saxophonist Glenn Spearman and bassist William Parker. A move back to the Washington, D.C. area in 1990, and has since collaborated with pianists Joel Futterman and Larry Willis, poet Jere Carroll, and others.
Percussionist, bandleader and composer Paul Murphy, best known for leading a variety of small jazz ensembles, continues to perform and record.
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