Daily Dose Of Jazz…

Tony DiGregorio was born June 1, 1958 in Poughkeepsie, New York and started playing guitar at age 10. He later received informal lessons with uncle, Oscar DiGregorio, Louis E. Bruno, Gene Bertoncini, and Mark Diorio. He received his B.A.in music from Aaron Copland School of Music at Queens College. He studied classical guitar with Dennis Cinelli, composition with Schoenberg, harmony/counterpoint, piano and solfeggio with Paul Caputo, and improvisation/composition with Marty Ehrlich.

As a composer Tony created and performed incidental music for experimental theater productions of The Room, The Lady Aoi, and Journey into the Night in New York City and San Francisco, California with bassist Gerard Zanonico and clarinetist Robert Rossette.

From 1985 to 1994 DiGregorio played with the Swing Now Trio with various special guests Charlie Persip, Teddy Charles, Max Kaminsky, Chuck Wayne, Gene Bertoncini, Buddy Tate, Tom Harrell, Eddie Barefield, Mel Lewis, and Bobby Watson just to name a few.

Since 1994 Tony has worked with Laurel Watson, Hill Greene, Ken Filiano, Theo Wilson, Nicki Parrot, John Rasczka, Dave Hopkins Trio, Marco Katz, Tim Hays, and others including a performance of Terry Rielly’s “In C” with The Styrenes in 2003.

Guitarist and composer Tony DiGregorio continues to compose, perform and record.

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Daily Dose Of Jazz…

James J. Snidero was born in Redwood City, California on May 29, 1958 and grew up in the Washington, D.C. suburb of Camp Springs, Maryland. He then attended the University of North Texas, performed in the One O’clock Lab band and then moved to New York City in 1981. Once there he recorded and toured with Jack McDuff from 1981 to 1982, then joined Toshiko Akiyoshi’s Jazz Orchestra in 1983 after she moved to New York.

Snidero was a working member of Frank Sinatra’s band from 1991 to 1995 and Eddie Palmieri’s band beginning 1994. He performed with the Frank Wess Sextet, the Mingus Big Band, and Walt Weiskopf. He has worked as a sideman for David Hazeltine, David Murray, Mike LeDonne, Joe Magnarelli, Maria Schneider, Mel Lewis, Jim Rotondi, Brian Lynch, Conrad Herwig, and Tom Varner.

He recorded and performed with his own quintet and over time had various musicians including trumpeters Brian Lynch, Tom Harrell and Tim Hagans; pianists Benny Green and Mulgrew Miller; double bassists Peter Washington and Dennis Irwin; and the drummers Billy Hart and Louis Hayes, Gene Jackson, and Adam Nussbaum.

As an educator Jim has held professor positions at the New School University, Indiana University and Princeton University. He has written five series of jazz etude books and produced courses in jazz improvisation and performance for The Jazz Conception Company.

Saxophonist Jim Snidero Snidero, who has recorded 27 albums as a leader and thirty-three as a sideman, continues to perform throughout the United States, Europe, and Japan.

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Daily Dose Of Jazz…

Edo Castro was born on May 24, 1957 in San Francisco, California to mother Aida Saberi, the only child from her first marriage. He attended Grattan Elementary, Herbert Hoover Junior High and J. Eugene McAteer High School, all in the city by the bay. Growing up during the tumultuous 1960s, where from an early age he was exposed to a myriad of musical styles, listening not only to rock and roll, R&B, but classical music, folk and jazz.

The first jazz albums came to him via his uncle, a recording engineer pioneer Reice Hamel. From these, Edo was first exposed to and enthralled by the sounds of Vince Guaraldi, Hugh Masekela, Ahmad Jamal, Bill Evans, Ramsey Lewis and Paul Desmond. He initially studied piano and violin, but when a friend suggested he try the electric bass, he knew he had found his instrument.

Castro attended Humboldt State University in northern California. Nearly three years later he bought an acoustic bass and auditioned for the music department at San Jose State University. So inspired by the musicians he met and their sound, he moved to Chicago, Illinois in 1982, and studied at DePaul University for a year, then completed his studies at the American Conservatory of Music, earning a Bachelor of Arts in 1987 with a focus on jazz studies and electric bass.

Returning to the Bay Area in 1990, Edo has performed and recorded with among others David Amram, Roy Haynes, Fareed Haque, David Onderdonk, Ed Thigpen, Johnny Griffin, Joel Harrison, Deborah Winters, Jill Knight, Bethany Pickens, Armando Peraza, Caren Armstrong, Percy Howard, Mark Egan, Yves Carbonne, and David Friesen.

Bassist Edo Castro has performed across Europe, Asia and South America. He continues to perform and record.

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Jazz Poems

SHAKING HANDS WITH MONGO

Mongo’s open hands

huge soft palms

that drop the hard seeds

of conga with a thump,

shaken by the god of hurricanes,

raining mambo coconuts

that do not split

even when they hit the sidewalk,

rumbling incantation

in the astonished dancehall

of a city in winter,

sweating in a rush of A-train night,

so that Chano Pozo,

maestro of the drumming Yoruba heart,

howling Manteca in a distant coro,

hears Mongo and yes,

begins to bop

a slow knocking bolero of forgiveness

to the nameless man

who shot his life away

for a bag of tecata

in a Harlem bar

forty years ago

Martín Espada | 1957

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Daily Dose Of Jazz…

Jan Leder was born May 19, 1958 and raised in New York City and pursued her love for improvisation after twelve years of studying classical music. She studied for three years with pianist Lennie Tristano and then continued her jazz studies with pianist Connie Crothers for over ten years. A self-styled course of study in jazz history at SUNY Purchase led to her compilation of the first comprehensive history of women in jazz titled Women in Jazz: A Discography of Instrumentalists 1913-1968.

In February 1997 Monad Records released her first recording, Passage To Freedom, which was recorded live at the Five Spot in New York City. In 1999 Jan recorded Nonchalant, a collection of mostly original melodies.

Ms. Leder leads her own jazz ensembles in the New York City area, appearing at nightclubs, festivals, cultural functions and other public and private engagements. Her repertoire includes standard bebop, swing, blues and bossa novas as well as her own unique jazz compositions and those of her musical colleagues, including drummer/big band leader Art Lillard, with whom Jan collaborated on numerous compositions, mostly writing lyrics to his catchy songs.

From 1987 to 2012 Jan was a member of the flute section in Art Lillard’s Heavenly Band. Jan was also a member of a group of jazz flutists called the NY Jazz Flutet that included Dotti Anita Taylor, Elise Wood, Michele Smith and Chip Shelton along with drummer Art Lillard.

She entertains at healthcare facilities, teaches workshops and seminars, plays at fundraisers and jazz festivals. She has toured around the world, and composed pop, r&b, theater and film music. Leder has worked with the 9th Street Stompers, a popular local jazz band, playing their unique variety of jazz styles in parades, street fairs and other venues.

Flutist Jan Leder, who is a writer and publisher member of the American Society of Composers, Authors and Publishers and a member of the National Association of Music Publishers, continues to perform, compose and teach jazz improvisation.

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