Daily Dose Of Jazz…
Ike Sturm was born June 29, 1978 and was raised in a musical home in Wisconsin, learning from his father, renowned composer and arranger, Fred Sturm. He studied jazz and classical bass and composition while earning undergraduate and graduate degrees at the Eastman School of Music. In addition, he studied privately with legendary bassist Dave Holland.
Sturm went on to serve as Music Director for the Jazz Ministry from 2004-2021, commissioned him to compose Jazz Mass, a work for voices, strings and soloists that merges diverse musical languages into a powerfully unified aesthetic. The piece was released to critical international acclaim, named Best Albums of the Year by Downbeat and has been performed across the U.S., Scandinavia and Europe.He has performed with Gene Bertoncini, Theo Bleckmann, Ingrid Jensen, Donny McCaslin, Bobby McFerrin, Ben Monder, Maria Schneider and Kenny Wheeler. He has played on four Downbeat award-winning recordings, several Steve Reich releases on Canteloupe and Nonesuch Records and performed with Alarm Will Sound and the International Contemporary Ensemble, along with numerous creative ensembles in New York.
Bassist Ike Sturm currently leads a new worshiping community in New York City called Finding Our Way Home. He was commissioned by Montview Presbyterian Church in Denver, Colorado to write a new large-scale piece called River for 100 voices, string orchestra and the Ike Sturm Ensemble.
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Daily Dose Of Jazz…
Nick Drozdoff was born on June 28, 1953 in Glencoe, Illinois. Holding degrees in music, engineering and physics, in 1978 he began his professional career in Maynard Ferguson’s band. Leaving the band in 1981 he ran his own contracting business and after completing his masters in classical trumpet, he began leading a double life in 1991 when he took on a day gig as a high school physics teacher at Winnetka’s New Trier High School.
After leading a double career existence and garnering awards as a high school science teacher, Nick developed endorsement deals as a jazz trumpeter at night. Retiring from teaching he pursued his musical passion. Now he spends time in Door County, Wisconsin and in the Northern Suburbs of Chicago where he regularly performs in both locations. He lives equal time in both places, depending on his performance and lecture/masterclass schedule.
His latest project centers on his new band, The Variable D Postulate Ensemble. This band is minimally a quartet of drums, guitar, keybaord and trumpet. It is primarily jazz driven but not exclusively. Drozdoff built a studio where he does his recording and has built connections as a trumpeter all over the world.
He has recorded with Grilly Brothers, Marshall Vente, Doug Lofstrom, Chuchito Valdes, and Guy Fricano. He is currently on call as solo trumpet with the Chicago Grandstand Big Band, The Jazz Consortium Big Band and the Starfall Big Band. Trumpeter Nick Drozdoff frequently appears as a classical soloist for churches, recitals andleads one of the Chicago area’s finest brass quintets.
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Daily Dose Of Jazz…
Robert Roland “Rob” Schneiderman was born in Boston, Massachusetts on June 21, 1957. He began professional jazz career in San Diego, California around the age of 16, when he played piano for visiting soloists such as Eddie Harris, Sonny Stitt, Harold Land, Charles McPherson and Peter Sprague. He continued to collaborate intermittently with Harris, until the latter’s death in 1996, and with McPherson.
In 1982, Rob moved to New York City, where he performed and toured with J.J. Johnson, Chet Baker, Art Farmer, Clifford Jordan, James Moody and Zoot Sims. A performance fellowship from the National Endowment for the Arts in 1987 featured him with George Coleman, Jimmy Heath, Claudio Roditi, and Slide Hampton. The collaboration with Slide Hampton resulted in his debut album New Outlook, the first of ten recordings to date as a leader for the Reservoir label.
Schneiderman has played as sidemen for Billy Higgins, Rufus Reid, Brian Lynch, Ralph Moore, Peter Washington, Lewis Nash, Akira Tana, Billy Hart, Gary Smulyan and Ben Riley.
As a jazz educator, he has been in residence at the Stanford Jazz Workshop. He was an adjunct professor in the jazz departments of William Paterson University with Rufus Reid and Queens College with Jimmy Heath. He has also been on the faculty of the Jazzschool in Berkeley, California.
Pianist Rob Schneiderman, who also works as a professor and chair of mathematics at Lehman College of the City University of New York, continues to perform and record.
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Jazz Poems
MUSIC FOR HOMEMADE INSTRUMENTS
improvising with Douglas Ewart
I dug your artless, I dug you out. Did you re-do? You dug me less, art. You dug, less do art. You dug me, less art. Did you re-do? If I left art out, you dug. My artless dug-out. You dug, let art out. Did you re-do, dug-out canoe? Easy as a porkpie piper-led cinch. Easy as a baby bounce. Hop on pot, tin pan man. Original abstract, didyou re-do it? Betting on shy cargo, strutting dimpled low-cal strumpets employ a hipster to blow up the native formica. Then divide efficiency on hairnets,flukes, faux saxons. You dug me out, didn’t you? Did you re-do? Ever curtained to experiment with strumpet strutting. Now curtains to milk laboratory. Desecrated flukes & panics displayed by mute politicians all over this whirly-gig. Hey, you dug! Art lasts. Did you re-do? Well-known mocker of lurching unused brains, tribal & lustrous diddlysquats, Latin dimension crepe paper & muscular stacks. Curtains for perky strumpets strutting with mites in the twilight of their origami funkier purses. Artless, you dig. Did you re-do? For patting wood at flatland, thanks. For bamboozled flukes at Bama, my seedy medication. Thanks for my name in the yoohoo. Continental camp-out, percolating throughout the whirly-gig on faux saxon flukes. You dig art, didn’t you? Did you re-do?
Harryette Mullen
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
John Morell was born into a family of guitarists on June 2, 1958 in Niagara Falls, New York. His father was his first teacher and together they would play jazz with him leading and his father accompanying him and then they would switch.
As he matured he began composing and controlling the setting. His most recent recording Trading Places is an album that swings with a more contemporary sound. Morell often played with drummer John Guerin and added organist and keyboardist Steve Bohanon to make a trio.
He and Guerin have played on 40 films and countless TV soundtracks or at recording sessions for albums. The guitarist figures he’s played on 40 films, and countless TV soundtracks and recordings.
In 1968 Berkeley, California he played a concert with the Gil Evans Orchestra and the Miles Davis Quintet. For four years beginning in 1970, John was a member of the Shelly Manne outfit. Then, for a period of time Morell gave up playing to focus on building furniture. Though it paid the bills it wasn’t satisfying and he returned to music, operating his own studio and continued to flourish in a side career as a woodworker.
Guitarist, organist and composer John Morell, best known for his work with drummer Shelly Manne’s sextet, continues to perform and record.
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