Daily Dose Of Jazz…

Jeremy Bacon was born in New York City, New York on December 16, 1959 into a musical family that were big jazz fans. His father sang with the New York Choral Society and The Occasional Singers, an avant-garde group led by folk singer Gil Robbins. Her uncle designed album covers for Thelonious Monk, Cannonball Adderley and numerous others for Riverside Records.

Taking piano lessons as a child he went on to  study in high school at the Center for Open Education and then jazz improvisation and composition at Oberlin. After college, Jeremy became the protégé of pianist Don Pullen. He worked regularly in a trio led by bassist Charles Fambrough, which rotated drummer Jeff “Tain” Watts, trumpeters Johnny Coles and Michael Philip Mossman, saxophonists Joe Ford and Ralph Bowen, and guitarist Pat Martino.

He was musical director for Joey Arias’ Billie Holiday show at Carnegie Hall and accompanied many vocalists, including Kristin Chenoweth and Jeanie Bryson, daughter of Dizzy Gillespie. He recorded two albums as a leader Cloud Hands and Cage Free: Free Range, and Travels with the band Big Train. Bacon lent his talents to three recordings with saxophonist Joey Cavaseno, and one with vocalist Queen Esther.

Having established himself on the East Coast, a move to the Pacific Northwest in 2018 opened a new audience, performing regularly as a leader and accompanist. He taught piano on the faculty of Cornish College of the Arts, accompanied dance classes in the theater department, and performed with Seattle JazzED at many regional elementary schools.

Jazz pianist Jeremy Bacon died at Franciscan Hospice House in Tacoma, Washington  on July 8, 2024, after months of treatment for metastatic colon cancer. He was 64 years old.

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Requisites

Zoot ~ Zoot Sims Quartet | By Eddie Carter

I’d just completed a long week and wanted to hear something soothing after dinner. I chose Zoot (Argo LP 608), a 1957 album by The Zoot Sims Quartet. John Haley Sims was born in Inglewood, California and began playing the clarinet and drums at an early age. By age thirteen, he started the tenor sax and later joined the big bands of Kenny Baker, Bobby Sherwood, and Benny Goodman. He got his nickname Zoot while playing with Kenny Baker and later gained attention in Woody Herman’s orchestra as one of the four brothers’ sax section. The personnel on this date are Zoot Sims on alto sax (track: B3) and tenor sax (A1 to B2, B4), Johnny Williams on piano, Knobby Totah on bass, and Gus Johnson on drums. My copy is the 1975 Japanese Mono reissue (Cadet MJ-1013M).

The first side opener, 9:20 Special by Earle Warren, begins with the quartet’s delightfully relaxing melody. Zoot is the first to whet the listener’s appetite in the opening reading. Johnny takes the baton for a light-hearted solo next. Knobby follows with a few well-placed bass notes, and Gus shares the finale with Zoot in a short conversation ahead of the theme’s reprise. The Man I Love by George and Ira Gershwin opens with the rhythm section’s tasteful background accompanying Zoot’s tenderly warm tone in the opening chorus and the saxophonist’s first reading. Johnny is equally thoughtful and sensitive in the following interpretation. Zoot adds a few soothing last thoughts, like gentle raindrops hitting the ground, into a mellow ending.

55^th and State, an original by Zoot Sims, moves the beat upward to a medium bounce for the ensemble’s theme. Zoot leads off with an inspired improvisation, then passes the torch to Johnny, who follows with a rousing performance. Gus wraps up the finale, sharing a lively conversation with Zoot, leading to the theme’s return. Blue Room by Richard Rodgers and Lorenz Hart is an old show tune from the twenties. The quartet rises to the occasion, getting into an infectious groove on the melody. Zoot rolls out ideas effortlessly in the opening statement. Johnny extends the joyous mood in the following interpretation, and then Gus engages in a short exchange with Zoot, leading to the ending theme and conclusion.

Side Two begins with Gus’s Blues, an original by Gus Johnson that Johnny introduces, segueing to the foursome’s easygoing melody. Zoot sets a swinging groove on the opening performance. The pianist follows the leader with a bright, bouncy interpretation, and then the saxophonist returns for a closing presentation that disappears into nothingness. The group takes on another old chestnut with their rendition of That Old Feeling by Sammy Fain and Lew Brown. After the quartet establishes the opening ensemble, Zoot launches into one of his best solos on the album. Johnny responds with a compelling reading, and then the saxophonist delivers the last word in a short sermon before the group takes the song out.

Zoot switches to alto sax for Oscar Pettiford’s Bohemia After Dark. It’s a swinger from the word go, and this point is emphasized when the saxophonist takes charge during the foursome’s theme. Zoot continues cooking with confidence on the lead solo. Johnny meets the challenge head-on in a concise presentation, then turns it back over to Zoot, who delivers the knockout punch preceding the brisk reprise and climax. The closing track is Woody ‘n’ You, Dizzy Gillespie’s tribute to Woody Herman that takes off with the quartet’s brisk theme. Zoot opens with an enthusiastic performance. Johnny matches him in agility on the following statement. Knobby has a short stint next, and then Zoot and Gus share the exclamation point before the theme reprise and finale.

Dave Usher produced the album, but it’s unknown who the recording engineer was for the session. The album’s sound quality possesses a solid soundstage despite a minor issue during Knobby’s bass solo on Woody ‘n’ You, where the bass sounds distorted; the remainder of the album is excellent. Zoot Sims’s successful career as a leader and sideman lasted forty years, recording on various labels with many exceptional jazz musicians. He passed away from lung cancer on March 23, 1985, at the age of fifty-nine. If you’re a fan of Cool Jazz, I offer Zoot by The Zoot Sims Quartet for your consideration on your next record-shopping trip. This album of originals and standards is superbly performed and should become a welcome addition to your library!

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Daily Dose Of Jazz…

Bruce David Gertz was born on December 15, 1952 in Providence, Rhode Island. He first learned to play guitar, then switched to bass guitar as a teenager, playing with local blues and rock groups.

He studied music formally at New England College and Berklee College of Music in the 1970s. After graduating from Berklee in 1976 he taught music there; he is now a professor of music. He worked with George Garzone in the Overtones in the late Seventies and was a co-leader of ensembles with Jerry Bergonzi from 1978 to 1989.

He has worked with Mike Stern both in the Bergonzi ensembles and with Stern’s own quartet. From 1982 to 1985 he was house bassist for the Willow Jazz Cafe in Somerville, Massachusetts. In the 1990s he worked with John Abercrombie, Joey Calderazzo, Ken Cervenka, Adam Nussbaum, Danilo Perez, Dan Reiser, Kurt Rosenwinkel, George Schuller, and others.

Double and electric bassist Bruce Gertz continues to perform.

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Daily Dose Of Jazz…

Karen Street was born on December 13, 1959 in the United Kingdom (UK) and started playing the accordion at the age of 7.  She went on to study at Bath University, RWMCD and in London, England with the late Ivor Beynon, a pioneer of the classical accordion. She studied music at Welsh College of Music and Drama and Guildhall School of Music. She became the British Virtuoso Champion in 1981/2 and competed in the Coupe Mondiale World Championship in Hamburg, Germany and Folkstone, UK.

Karen has created a niche for herself in the UK jazz scene and is a regular member of Mike Westbrook’s groups, works with Tim Garland as well as part of Lammas playing alongside Geoff Keezer, Joe Locke and Avishai Cohen.

As a saxophonist Street was a member of the all girl saxophone quartet The Fairer Sax and is now a member and co-leader of Saxtet with her husband Andy Tweed.

Karen’s composing is specialized by writing music for the saxophone, from solos to large ensembles. Her composition for solo accordion, In The Ballroom With The Rope, took first prize at the London Accordion Festival, Composition Competition in 2001. The same year she released her debut recording, Finally A Beginning.

Besides jazz, Karen has played across genres with the likes of Bryan Ferry, Grace Jones, Andrea Bocelli, Kate Westbrook, BBC Philharmonic, Icebreaker, and the Strictly Come Dancing Live Tour band for three seasons.

Accordionist, saxophonist and flutist Karen Street is currently a freelance musician playing across a wide variety of genres.

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Daily Dose Of Jazz…

Les Fish was born on November 24, 1955 in Boston, Massachusetts. As a teenager in the 1970s he was into rock and played guitar in various bands throughout the greater Boston area. He performed jazz-rock influenced original compositions in shows from the North Shore to Cape Cod.

Enrolling at Berklee College of Music, Fish studied and formed his own jazz fusion group, and made money splitting his time between teaching guitar, nightclub gigs and recording jingles for local television stations. After Berklee and studying with jazz guitar greats Mick Goodrick and Barry Galbraith, he met his future wife Lori Starr and formed the band Amante.

Touring full time for eighteen years with Amante, they worked at top hotels around the world and still performs throughout New England. The inspiration for the recording, Les Fish and The Latin Jazz Cats came three years ago, when he was touring in Cuba.

Returning from Cuba, Les returned home to seek out the best musicians to transfer his vision into reality.. At Berklee he recruited two-time Latin Grammy winning bassist Oscar Stagnaro, saxophonist George Garzone, pianist Osmany Paredes, his son Lee on drums and percussionist and bandleader Eguie Castrillo.

He has performed with many artists including Tito Puente, Arturo Sandoval, Steve Winwood, Danilo Perez, Warren Wolf, Gary Burton, Julian Lage, John Ellis, David Gilmore and Ryan Scott, among others. Guitarist Les Fish continues to perform and record.

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