The Quarantined Jazz Voyager
CHET BAKER PLAYS THE BEST OF LERNER & LOEWE
The fat lady has not received her phone call to even begin warming up as the country races back to the way things were more than a year ago. It took three years to get past the Spanish Flu pandemic a hundred years ago because people didn’t want to adhere to the systems put in place. The Delta variant is here with a vengeance causing 21+ thousand new cases here in Florida this past weekend and the numbers are still being counted. I’ve had friends exposed to this variant with fortunate test results clearing them. I am socially distancing when out, wearing my mask and quarantining myself at home. I hope you are doing the same.
This week’s pick is the 1959 album Chet Baker Plays the Best of Lerner and Loewe. The trumpeter features show tunes by the composer and lyricist, and was released on the Riverside label. The recording sessions were produced by Orrin Keepnews at the Reeves Sound Studios in New York City. Tracks 2,6,7,8 were recorded on July 21st and 1,3,4,5 took place on July 22, 1959.
Track Listing | 43:02
- I’ve Grown Accustomed to Her Face ~ 4:16
- I Could Have Danced All Night ~ 3:43
- The Heather on the Hill ~ 5:04
- On the Street Where You Live ~ 8:37
- Almost Like Being in Love ~ 4:53
- Thank Heaven for Little Girls ~ 4:35
- I Talk to the Trees ~ 5:51
- Show Me ~ 6:30
Personnel
- Chet Baker ~ trumpet
- Herbie Mann ~ flute, tenor saxophone
- Zoot Sims ~ tenor saxophone, alto saxophone
- Pepper Adams ~ baritone saxophone
- Bob Corwin (tracks 1 & 3-5), Bill Evans (tracks 2 & 6-8) ~ piano
- Earl May ~ bass
- Clifford Jarvis ~ drums
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Daily Dose Of Jazz…
Albert Laurence Di Meola was born July 22, 1954 in Jersey City, New Jersey and grew up in Bergenfield, New Jersey where he got his education through high school. When he was eight years old, he was inspired by Elvis Presley and the Ventures to start playing guitar. His teacher directed him toward jazz standards.
Attending Berklee College of Music in the early 1970s, by nineteen he was hired by Chick Corea to replace Bill Connors in the pioneering jazz fusion band Return to Forever with Stanley Clarke and Lenny White. He recorded three albums with the band, all of which cracked the Top 40 U.S. Billboard pop albums chart. After the group disbanded in 1976, Al set out on a solo recording career demonstrating his mastery of jazz fusion, flamenco, and Mediterranean music.
His debut solo album Land of the Midnight Sun in 1976 led to his follow-up His 1977 sophomore album Elegant Gypsy that went gold. His early albums were influential among rock and jazz guitarists. He went on to explore Latin music within jazz fusion, the electronic side of jazz, and along with Jan Hammer and Jeff Beck composed the Miami Vice theme.
Throughout his career he explored his acoustic side, world music and modern Latin styles in addition to jazz and rediscovering his love of the electric guitar in 2006, In 2018, Di Meola was awarded an honorary doctorate of music from his alma mater, Berklee College of Music.
Guitarist Al Di Meola, who cites his jazz influences as guitarists George Benson, Kenny Burrell, Clarence White and Doc Watson, continues to push the envelope with his music.
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Daily Dose Of Jazz…
Ellen Radka Toneff was born on June 25, 1952 in Oslo, Norway. She was the daughter of the Bulgarian folk singer, pilot and radio technician Toni Toneff, and grew up in Lambertseter and Kolbotn. She studied music at Oslo Musikkonservatorium (1971–75), combined with playing in the jazz rock band Unis.
From 1975 to 1980 she led her own Radka Toneff Quintet, with a changing lineup including musicians like Arild Andersen, Jon Balke, Jon Eberson and Jon Christensen, among others. From 1979 she cooperated with Steve Dobrogosz, and in 1980 she participated in the Norwegian national final of the Eurovision Song Contest with the song Parken by Ole Paus.
Toneff was awarded the Spellemannsprisen 1977 in the category best vocal for the album Winter Poem, and posthumously received the Norwegian Jazz Association’s Buddypris in 1982. The Radka Toneff Memorial Award is funded with royalties from the albums Fairytales and Live in Hamburg. A biography of her life was published in 2008.
Her 1982 album Fairytales was voted the best Norwegian album of all time. Vocalist Radka Toneff, considered one of Norway’s greatest jazz singers, committed suicide with an overdose of sleeping pills and was found in the woods of Bygdøy outside Oslo on October 21, 1982.
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Daily Dose Of Jazz…
Jamaaladeen Tacuma was born Rudy McDaniel on June 11, 1956 in Hempstead, New York. Raised in Philadelphia, Pennsylvania he showed interest in music at a young age, taking up the electric bass and performing with the organist Charles Earland in his teens.
Through Earland, he came to know the record producer Reggie Lucas, who introduced Jamaaladeen to Ornette Coleman in 1975 at age 19. As the electric bassist for Coleman’s funky harmolodic Prime Time group, he rose to prominence quickly. During the 1980s he was playing a Steinberger bass that helped him create his readily identifiable sound.
His work with Prime Time got him an appearance with the band on Saturday Night Live in 1979. He went on to work with James “Blood” Ulmer, Walt Dickerson, Chuck Hammer, David Murray, and collaborated with The Golden Palominos in 1983. Tacuma recorded his first solo album as a leader, Show Stopper, that same year.
During the 1980s Jamaaladeen started to perform in a relatively straightforward funk/R&B setting with his group Cosmetic. He received the highest number of votes ever for an electric bassist in the “talent deserving wider recognition” category of the Down Beat magazine critics poll.
Though maintaining a low profile since the early 1990s, he has remained active but has maintained a lower profile. He has made numerous solo and collaborative recordings, returning to the jazz spotlight with an appearance on the World Saxophone Quartet’s Political Blues.
In 2007, he joined with Grant Calvin Weston and guitarist Vernon Reidto form the power trio Free Form Funky Freqs. He recorded two albums with Basso Nouveau. He has received numerous awards and fellowships and since 2015 he has presented the annual Outsiders Improvised & Creative Music Festival in Philadelphia. Bassist Jamaaladeen Tacuma continues to tour, produce and record worldwide.
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Daily Dose Of Jazz…
Hugh Marsh was born June 5, 1955 in Montreal, Quebec, Canada and brought up in Ottawa, Ontario, where he learned to play the violin from the age of five. While in high school, when trying to play the saxophone he was led to exploring jazz, funk and rhythm and blues. With his father’s encouragement, he transferred these improvisation skills to the electric violin.
By 1978, Marsh was invited by jazz musician Moe Koffman to perform with him in a concert series at the Art Gallery of Ontario in Toronto. This led to gigs at top Toronto clubs and to perform with Canadian jazz musicians Doug Riley, Claude Ranger, Sonny Greenwich and Don Thompson. In 1979 he joined Bruce Cockburn, recording and touring with him.
In 1984, he recorded his independent album The Bear Walks and was distributed by Duke Street Records. He was joined by Doug Riley on keyboards, Peter Cardinali on bass, and Michael Brecker on tenor saxophone. His next recording ventured into other genres mixed with jazz. Since 1990 HUgh has recorded and toured with Celtic songstress Loreena McKennitt, contributing to six multi-platinum albums and a number of world tours. He has worked with Turkish Sufi deejay Mercan Dede, and has worked with Turkish artists Ihsan Ozgen, Kani Karaca, Goksel Baktagir and Ozcan Deniz.
Marsh would go on to collaborate on film scoring projects with composers Harry Gregson Williams and Don Rooke, and with Hans Zimmer on scores for Tears of the Sun and The Da Vinci Code.
In 2004 he joined clarinetist Don Byron’s new quartet “Swiftboat”, along with bassist Kermit Driscoll, and drummer Pheeroan Aklaff. He toured as a member of trumpeter Jon Hassell’s new quartet with bassist Peter Freeman and percussionist Steve Shehan. A four-time winner of the Jazz Report Award for violinist of the year and a three-time recipient of the National Jazz Award for violinist of the year, he has been nominated for a 2007 Juno Award in the best contemporary jazz album category.
Violinist Hugh Marsh continues to perform and record across genres, regularly performing with Rheostatics.
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