Daily Dose Of Jazz…
Jon-Erik Kellso was born on May 8, 1964 in Dearborn, Michigan and began playing jazz music very young in life, while receiving some formal training in classical idioms.
He moved from Detroit, Michigan to New York City in 1989 to join Vince Giordano and the Nighthawks. He has recorded many movie and TV soundtracks with the group, including the Grammy Award-winning soundtrack for Boardwalk Empire, The Aviator, Bessie, Ghost World, and Revolutionary Road.
He has performed and/or recorded with J.C. Heard, Catherine Russell, Cecile McLorin Salvant, Kat Edmonson, Milt Hinton, Ruby Braff, Marty Grosz, Bob Haggart, Dick Hyman, Wynton Marsalis, Ken Peplowski, Bucky Pizzarelli, Bob Wilber, Howard Alden, Wycliffe Gordon, and Kenny Davern among other jazz musicians.
Not limited to the genre he has also played and recorded with Linda Ronstadt, Leon Redbone, Maria Muldaur, Elvis Costello, Dave Van Ronk, and many others, appearing on over one hundred records. Since 2007 Kellso has led The EarRegulars at the historic Ear Inn in Manhattan on Sunday nights, and has recorded two acclaimed albums. Trumpeter Jon~Erik Kellso, who is a prolific session player, continues to perform and record.
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Requisites
Nippon Soul ~ Cannonball Adderley Sextet | By Eddie Carter
This morning’s discussion is about an album I first heard when I lived in Cincinnati, Ohio, in 1988. Two of my favorite record shops to visit each weekend were Everybody’s Records and Record Theatre. At the latter store, Nippon Soul (Riverside RM 477/RS 9477) by The Cannonball Adderley Sextet was playing over the loudspeakers, which blew me away, and I picked it up immediately. It was recorded during the group’s first Japanese tour in July 1963 at Tokyo’s Sankei Hall and released the following year. The personnel is Nat Adderley on cornet, Julian “Cannonball” Adderley on alto sax, Yusef Lateef on flute (track: A1), oboe (track: B3), and tenor sax (tracks: A2, A3, B1, B2), Joe Zawinul on piano, Sam Jones on bass, and Louis Hayes on drums. My copy is the 1966 US Stereo reissue (Riverside RLP 9477).
Side One opens with Cannonball’s introduction of the title tune, Nippon Soul, an original by the altoist that begins with the sextet’s carefree melody. Nat sets the solos in motion with an infectiously swinging interpretation; then, Cannonball delivers a statement of delightful pleasure. Yusef’s flute compliments both horns on the following performance, and Joe scores a direct hit in the closer ahead of the theme’s reprise and ending. Cole Porter’s jazz standard, Easy To Love, moves briskly from the two-instrument introduction by Cannonball and Louis into the ensemble’s rapid delivery of the melody. Cannonball takes off like a race car covering a great distance in the opening solo, then engages in a vigorous exchange with Hayes into the sextet’s closing chorus, ending abruptly.
The first side finale, The Weaver by Yusef Lateef, is a dedication to a friend, Lee Weaver. Cannonball briefly introduces the song; then, the rhythm section gives an exhilarating introduction featuring each of the horns in the melody. Cannonball opens the solos energetically, then Yusef’s tenor sax enters slowly but expands into an ambitious performance of fierce intensity. Nat delivers an equal amount of heat on the following statement, and Joe enters the spotlight last with a lively aggressiveness preceding the ensemble’s quick reprise and climax. Side Two starts with Tengo Tango, Julian, and Nat’s original that’s suitable for dancing. The sextet opens the melody collectively; then, Cannonball gives a funky solo before the theme returns and the dance ends.
Come Sunday by Duke Ellington comes from his Black, Brown, and Beige suite. It opens with a gorgeous duet between Joe and Sam, the featured performers in this rendition. Joe shows a light touch in his playing that characterizes the beauty of this song to perfection, complimented by Sam’s bass and the front line’s subtle support into a tender ending. Brother John by Yusef Lateef is his tribute to John Coltrane and features him on the oboe as he leads the group through the melody. Yusef takes flight first with an adventurous opening solo. Afterward, Cannonball briefly comments, then Nat blazes into the second statement with considerable agility. Cannonball follows with a swiftly paced presentation, and Joe has one of his best moments ahead of Yusef’s theme restatement and finale.
Orrin Keepnews produced Nippon Soul, but who recorded the album is unknown. However, don’t let that dissuade you. The sound quality is exquisite, with an excellent soundstage that places the listener in the Sankei Hall audience as the musicians perform. If you’re a Cannonball Adderley fan, I invite you to check out Nippon Soul the next time you’re out vinyl shopping. It’s a fantastic set capturing The Cannonball Adderley Sextet at the top of their game, and despite being sixty years old, it sounds as fresh today as when it was first released. This album also complements their New York and San Francisco live releases and is highly recommended for a spot in your library!
~ Jazz Workshop Revisited (Riverside RM 444/RS 9444), The Cannonball Adderley Sextet in New York (Riverside RLP 404/RLP 9404) – Source: Discogs.com ~ Come Sunday, Easy To Love – Source: JazzStandards.com © 2023 by Edward Thomas Carter
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Daily Dose Of Jazz…
Marc Buronfosse was born on May 6, 1963 in Paris, France. His musical training commenced with classical guitar studies at the age of ten, then he began lessons on the upright bass in 1982 with Thierry Barbé while achieving studies in sound engineering and musicology. After receiving a prize at the Conservatoire de Paris XII, he started playing more and more jazz, working with bass players such as Cesarius Alvim, Charlie Haden, Reggie Workman and Henri Texier. He also worked with symphonic orchestras such as the Opéra de Paris and chamber music orchestras on a tour in Japan with the Solistes de Versailles.
1991 saw him obtaining a grant from the French Ministry of Culture and attending for one year in New York at The New School of Music. During this time he worked regularly with Gary Peacock, Marc Johnson and Mark Dresser. He also met and played with Jimmy Cobb, Steve Kühn, John Abercrombie, Lew Soloff, Jim Hall, Tim Berne, Dave Liebman, and Billy Harper and numerous others.
Returning to Paris he plays with Stéphane Guillaume Quartet + Brass Project, René Aubry Septet, Michel Elmalem Quartet, and Gueorgui Kornazov “Horizons” Quintet. As an educator he teaches jazz at the Conservatoire National de Région of Paris. Bassist Marc Buronfosse presently leads a quartet with musicians Benjamin Moussay, Jean Charles Richard and Antoine Banville.
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Daily Dose Of Jazz…
Magnus Öström was born in Västerås, Västmanland, Sweden on May 3, 1965. The son of an artist couple, he was influenced by the musical tastes of his older brother who was into Jimi Hendrix, Deep Purple, The Allman Brothers and Lynyrd Skynyrd. By the age of eight years he had built his first drum set and soon played music with a friend, Esbjörn Svensson.
He attended the musical grammar school in Västerås in 1981 and played with the Svensson trio. Between 1983 and 1985, he studied at the adult education center in Sjövik, Sweden before he continued his studies at the Music Academy Stockholm, Sweden. During this time, he played with various bands on the Stockholm scene and between 1987 and 1992 he was a member of singer Monica Borrfors band.
In 1989 Magnus was back with Svensson, initially in the group Stock Street B , then again in a trio with the bassist Dan Berglund with an album released in 1993. e.s.t. released twelve albums, toured internationally with great success, and played until the accidental death of Svensson.
Öström has worked with Bobo Stenson, Lennart Åberg, Palle Danielsson, Nils Landgren, Stina Nordenstam, Peter Gullin and Steve Dobrogosz as well as numerous American musicians such as Michele Hendricks, Benny Golson, Mulgrew Miller, Stefon Harris, Pat Metheny or Alan Pasqua. In 2010, he founded his own quartet and released their first album Thread of Life, which received an Echo Jazz.
In 2019, the ACT label released Live in Gothenburg for the first time. Drummer Magnus Öström, known for being part of the first Esbjörn Svensson Trio (e.s.t.), continues to perform and record.
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Daily Dose Of Jazz…
Kenn Smith was born Kenneth Lamont Smith on April 27, 1962 in Chicago, Illinois.
As a child of the 60s and Seventies living on the WestSide of his hometownhe first heard the sounds of Motown, Soul, Funk, Country, Jazz and Rock. His school was shows like Hee Haw and Midnight Special, his parents’ record collection, and a neighborhood filled with amateur and professional musicians.
When the family moved to the SouthSide in 1975, Smith began his guitar studies at age 13 with a visit to the local music store purchasing two Mel Bay books. Three years later the family moved to the western suburbs of Maywood, Illinois. At 16 he began classical guitar studies with guitarist Bruce Walters, and later continued studies at Jack Cecchini Studio.
While attending Proviso East High School, he played electric and classical guitar as well as timpani in the Proviso Township Orchestra, electric guitar and bass in the Proviso East High School jazz band, where he received the Louis Armstrong Award for Outstanding Jazz Improvisation during his senior year.
1982 saw Kenn beginning his career teaching guitar at Robinson’s Music Academy in Maywood, as well as performing with local funk and fusion bands. This he did while attending Columbia College of Chicago, studying music management and production. In 1987 he enrolled at the American Conservatory of Music where he studied jazz guitar and composition. In between those years of teaching, performing and study, he became an avid fan of progressive rock and fusion, developing skills as a guitarist, bassist and composer.
In 1986, he began his career as a freelance guitarist and bassist, performing on Chicago’s jazz, blues and rock scene. But it wasn’t till 1989 his professional career took off, working as a guitarist at the Chicago Cotton Club. It was here he later formed his first jazz trio and opened for jazz greats Shirley Horn, Stanley Turrentine, Freddy Cole, and Art Porter. As a jazz side man he played with other jazz greats, Jodie Christian, Guy Fricano, Johnny Frigo, Bobby Broom, Najee and many others.
He would go on tour with the Chi-Lites, start his own label Kenn Smith Music, has written, produced and recorded eight albums, as well as authored an instruction book for electric bass and numerous articles for online magazines such as Mel Bay Bass Sessions, and Bass Musician Magazine.
Guitarist, bassist, composer, educator and journalist Kenn Smith, who is well versed in many styles of music, continues to explore his music.
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