Requisites

My Favorite Things ~ John Coltrane

My Favorite Things was the seventh studio album by jazz musician John Coltrane, recorded on October 21, 24, 26, 1960. Released in 1961 on Atlantic Records, it was the first album to feature him playing soprano saxophone, a gift from Miles Davis while they were on tour in Europe. An edited version of the title track became a hit single that gained popularity in 1961 via radio airplay, thus helping the record become a major commercial success. In 1998, the album received the Grammy Hall of Fame award. Fifty-eight years after its release, in 2018 the album attained gold record status, having sold 500,000 copies.

The title track is a modal rendition of the Rodgers and Hammerstein song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout, but instead of playing solos over the written chord changes, both Tyner and Coltrane take extended solos over vamps of the two tonic chords, E minor and E major played in waltz time. This use of modal jazz is evident throughout the album.

The album consists of four songs with Cole Porter’s Ev’rytime We Say Goodbye following the title track on Side 1, then two from the brothers Gershwin, George and Ira, with Summertime and But Not For Me on Side 2. The length of the album is a mere 40:25 but is well worth the listen and a valued addition to any music library that one desires to build.

In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks on the impact that this song’s popularity had on Coltrane’s career: The recording was a hit and became Coltrane’s most requested tune, and a bridge to his broad public acceptance.

The band features John Coltrane playing soprano saxophone on Side 1 and tenor on Side 2, McCoy Tyner on piano, Steve Davis on the double bass, and rounding out the quartet is drummer Elvin Jones.

The production team was Nesuhi Ertegün ~ producer, Tom Dowd, Phil Iehle ~ engineers, Lee Friedlander ~ photography, Loring Eutemey ~ cover design and Bill Coss wrote the liner notes.

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Daily Dose Of Jazz…

Diego Maroto was born in Mexico City, Mexico  on May 9, 1968. He started taking private saxophone lessons in 1985 from teachers Larry Roussell and Alfonso Martínez. Two years later he studied art history at the Universidad Iberoamericana and in 1988 he joined the jazz worksop at the Escuela Superior de Música (INBA), where he learned improvisation, arrangement and composition by Francisco Tellez. His continuing education took him to private lessons from Danny Matusack and Darryl Winsman.

In 1991, Diego became an active member of the International Association of Jazz Educators (IAJE). During this period he participated in  worksops and courses with David Liebman, Ernie Watts, Arturo Sandoval, Brian Bromberg, David Baker, Jerry Bergonzi, Ran Blake, Mike Campbell, Bill Dobbins, Andy Laverne, Don Sickler and Chris Vandala.

He has recorded and performed on projects with some of Mexico’s top jazz musicians like Eugenio Toussaint, Agustin Bernal, Enrique Neri, Fernando Toussaint, Cristobal López, Chilo Moran, Miguel Salas, Francisco Téllez, Iraida Noriega, and Big Band Arte 01, to name a few.  In 2004, Maroto recorded his debut solo album Mundo Paralelo. He has performed at Dizzy’s in New York, and has shared stages with Antonio Sanchez, George Duke and Stanley Clarke. He has since formed the Diego Moaroto Asian Trio, and recorded a live album in Kuala Lumpur, Malaysia at the No Black Tie jazz club.

As an educator, Diego has given lessons, clinics and seminars in important schools and institutions in Mexico. Tenor saxophonist Diego Maroto continues to perform, record, tour and teach.

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Jazz Poems

DARK TO THEMSELVES

Invent, experiment–Jazz

that doesn’t swing but dances tight

as a drumhead so taut it might

explode: whole notes cleaved

into sixteenths with a single blow, melodies

recoded as arpeggios. Say, what he calls this 

composition? Tiny fingers divining

an architectonic flow, forearms jacking

cracks in the keyboard as wire

and wood cry out in agony:

duo follow, ringing changes.

Liberate the dissonance without killing

the blues. Unit structure cut it.

They don’t teach this joint in the Conservatory.

Varèse via Jelly Roll, serial Waller,

harmony ribbons in a Möbius strip. Recut it.

Enough is enough. Brother can’t play

here again, the customers ain’t paying.

Even Miles was giggling in the darkness.

It’s always a bitch to be out

front. He summons the bassline

of his thoughts in the shadows, tracing a new theory

of silence. Don’t worry about the next gig.

Their ears are still learning.

JOHN KEENE 

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Kevin Hays was born in New York City on May 1, 1968 and was the youngest of four children. Raised in Greenwich, Connecticut, he began studying the piano at the age of six after hearing his amateur father play. He was initially interested in rock music and other things that he heard on the radio, and became more interested in jazz in his early teens. Initially self-taught, he later took lessons with Lou Stein, and attended several Interlochen Music Camps.

Hays played locally from 1982. He began playing in New York City  in 1985 while still in high school, then had a period in Nick Brignola’s band. He attended the Manhattan School of Music for a semester in 1986 before dropping out to concentrate on performing. His debut recording as a leader came in 1990 with the album El Matador on the Japanese label Jazz City.

He played regularly with a number of Bob Belden’s ensembles from the late 1980s, and in the 1990s he toured Japan and recorded with the Harper Brothers and worked with Steve Wilson, Benny Golson, Joshua Redman, Seamus Blake, and Eddie Henderson.

Between 1991 to 1993 he recorded three albums for SteepleChase Records. After SteepleChase, Kevin signed an album deal with Blue Note Records who initially released three of his albums as a leader. In 1995 he toured with saxophonist Sonny Rollins.

His trio with bassist Doug Weiss and drummer Bill Stewart have played together for 15 years. Hays also recorded under Stewart’s leadership, performed and recorded duets with pianist Brad Mehldau, released a duo album with Lionel Loueke and he has released a solo album. His New Day Trio, with Rob Jost on bass and Greg Joseph on drums, also finds Kevin singing on their first release, New Day.

Pianist Kevin Hays, who has more than twenty albums to his credit as leader or co-leader, continues to perform and record.

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Daily Dose Of Jazz…

Peter Curtis was born on April 24, 1970. His formal education bestowed a Bachelor of Music from Berklee College of Music, a Masters of Music from Yale University, and a Doctor of Music in Classical Guitar Performance and Literature with minor fields in Ethnomusicology and Music History from Indiana University.

He has performed or recorded with Claudia Acuna, Lynn Arriale, Seamus Blake, Don Braden, James Carter, Freddy Cole, Barbra Morrison, Eldad Tarmu and Ron Westray of the Jazz at Lincoln Center Orchestra. Peter has played the top jazz clubs in Los Angeles, California, New York’s Carnegie Hall, and on Black Entertainment Television.

Having been to Europe, Curtis has been on club stages in Berlin, Brussels, Budapest, Florence, the Hague, Milan, Paris, Prague and Zurich. With his group, the Peter Curtis Quartet, he recently released his debut album Swing State. His classical chops have sent the guitarist recitals throughout the U.S. and Canada and was awarded the Andres Segovia memorial scholarship from the Banff Centre for the Arts.

Guitarist and composer Peter Curtis, a tenured professor of music at Riverside Community College in Riverside, California, continues to compose, perform and record.

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