
Daily Dose Of Jazz…
Nikki Anne Iles was born Nikki Anne Burnham on May 16, 1963 in Dunstable, Bedfordshire, England. Her primary school musical education began when she learned to play the harmonica and the clarinet. At eleven she won a junior exhibition at the Royal Academy of Music, where she studied clarinet and piano from 1974 to 1981. She became a member of the Bedfordshire Youth Jazz Orchestra before going to the Leeds College of Music from 1981 to 1984.
Settling in Yorkshire after graduating from the Leeds College of Music, she married trumpeter Richard Iles and took his name. She joined his band Emanon, with which she played some of her compositions. Iles began playing with several London-based bands, led by Steve Argüelles, Mick Hutton and Stan Sulzmann.
Iles won the 1996 John Dankworth Special Award at the BT Jazz Festival, but following a serious car crash after a gig, she opted to settle in London, England. She went on to be a senior lecturer at Middlesex University, and taught at the University of York, Leeds College of Music, the Guildhall School of Music, and in Bulgaria, Holland, France, and Finland.
Composer, pianist and educator Nikki Iles, who was awarded the British Empire Medal (BEM) at the 2022 New Year Honours for services to music, continues her career as a composer, educator and musician.
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Requisites
My Favorite Things ~ John Coltrane
My Favorite Things was the seventh studio album by jazz musician John Coltrane, recorded on October 21, 24, 26, 1960. Released in 1961 on Atlantic Records, it was the first album to feature him playing soprano saxophone, a gift from Miles Davis while they were on tour in Europe. An edited version of the title track became a hit single that gained popularity in 1961 via radio airplay, thus helping the record become a major commercial success. In 1998, the album received the Grammy Hall of Fame award. Fifty-eight years after its release, in 2018 the album attained gold record status, having sold 500,000 copies.
The title track is a modal rendition of the Rodgers and Hammerstein song My Favorite Things from The Sound of Music. The melody is heard numerous times throughout, but instead of playing solos over the written chord changes, both Tyner and Coltrane take extended solos over vamps of the two tonic chords, E minor and E major played in waltz time. This use of modal jazz is evident throughout the album.
The album consists of four songs with Cole Porter’s Ev’rytime We Say Goodbye following the title track on Side 1, then two from the brothers Gershwin, George and Ira, with Summertime and But Not For Me on Side 2. The length of the album is a mere 40:25 but is well worth the listen and a valued addition to any music library that one desires to build.
In the documentary The World According to John Coltrane, narrator Ed Wheeler remarks on the impact that this song’s popularity had on Coltrane’s career: The recording was a hit and became Coltrane’s most requested tune, and a bridge to his broad public acceptance.
The band features John Coltrane playing soprano saxophone on Side 1 and tenor on Side 2, McCoy Tyner on piano, Steve Davis on the double bass, and rounding out the quartet is drummer Elvin Jones.
The production team was Nesuhi Ertegün ~ producer, Tom Dowd, Phil Iehle ~ engineers, Lee Friedlander ~ photography, Loring Eutemey ~ cover design and Bill Coss wrote the liner notes.
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Daily Dose Of Jazz…
Diego Maroto was born in Mexico City, Mexico on May 9, 1968. He started taking private saxophone lessons in 1985 from teachers Larry Roussell and Alfonso Martínez. Two years later he studied art history at the Universidad Iberoamericana and in 1988 he joined the jazz worksop at the Escuela Superior de Música (INBA), where he learned improvisation, arrangement and composition by Francisco Tellez. His continuing education took him to private lessons from Danny Matusack and Darryl Winsman.
In 1991, Diego became an active member of the International Association of Jazz Educators (IAJE). During this period he participated in worksops and courses with David Liebman, Ernie Watts, Arturo Sandoval, Brian Bromberg, David Baker, Jerry Bergonzi, Ran Blake, Mike Campbell, Bill Dobbins, Andy Laverne, Don Sickler and Chris Vandala.
He has recorded and performed on projects with some of Mexico’s top jazz musicians like Eugenio Toussaint, Agustin Bernal, Enrique Neri, Fernando Toussaint, Cristobal López, Chilo Moran, Miguel Salas, Francisco Téllez, Iraida Noriega, and Big Band Arte 01, to name a few. In 2004, Maroto recorded his debut solo album Mundo Paralelo. He has performed at Dizzy’s in New York, and has shared stages with Antonio Sanchez, George Duke and Stanley Clarke. He has since formed the Diego Moaroto Asian Trio, and recorded a live album in Kuala Lumpur, Malaysia at the No Black Tie jazz club.
As an educator, Diego has given lessons, clinics and seminars in important schools and institutions in Mexico. Tenor saxophonist Diego Maroto continues to perform, record, tour and teach.
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Jazz Poems
DARK TO THEMSELVES
Invent, experiment–Jazzthat doesn’t swing but dances tight
as a drumhead so taut it mightexplode: whole notes cleaved
into sixteenths with a single blow, melodiesrecoded as arpeggios. Say, what he calls this
composition? Tiny fingers diviningan architectonic flow, forearms jacking
cracks in the keyboard as wireand wood cry out in agony:
duo follow, ringing changes.Liberate the dissonance without killing
the blues. Unit structure cut it.They don’t teach this joint in the Conservatory.
Varèse via Jelly Roll, serial Waller,harmony ribbons in a Möbius strip. Recut it.
Enough is enough. Brother can’t playhere again, the customers ain’t paying.
Even Miles was giggling in the darkness.It’s always a bitch to be out
front. He summons the basslineof his thoughts in the shadows, tracing a new theory
of silence. Don’t worry about the next gig.Their ears are still learning.
JOHN KEENEfrom Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Kevin Hays was born in New York City on May 1, 1968 and was the youngest of four children. Raised in Greenwich, Connecticut, he began studying the piano at the age of six after hearing his amateur father play. He was initially interested in rock music and other things that he heard on the radio, and became more interested in jazz in his early teens. Initially self-taught, he later took lessons with Lou Stein, and attended several Interlochen Music Camps.
Hays played locally from 1982. He began playing in New York City in 1985 while still in high school, then had a period in Nick Brignola’s band. He attended the Manhattan School of Music for a semester in 1986 before dropping out to concentrate on performing. His debut recording as a leader came in 1990 with the album El Matador on the Japanese label Jazz City.
He played regularly with a number of Bob Belden’s ensembles from the late 1980s, and in the 1990s he toured Japan and recorded with the Harper Brothers and worked with Steve Wilson, Benny Golson, Joshua Redman, Seamus Blake, and Eddie Henderson.
Between 1991 to 1993 he recorded three albums for SteepleChase Records. After SteepleChase, Kevin signed an album deal with Blue Note Records who initially released three of his albums as a leader. In 1995 he toured with saxophonist Sonny Rollins.
His trio with bassist Doug Weiss and drummer Bill Stewart have played together for 15 years. Hays also recorded under Stewart’s leadership, performed and recorded duets with pianist Brad Mehldau, released a duo album with Lionel Loueke and he has released a solo album. His New Day Trio, with Rob Jost on bass and Greg Joseph on drums, also finds Kevin singing on their first release, New Day.
Pianist Kevin Hays, who has more than twenty albums to his credit as leader or co-leader, continues to perform and record.
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