
Daily Dose Of Jazz…
Nina Michelle was born on May 1, 1968 in Vancouver, British Columbia, Canada. She began studying classical piano at an early age of 5 and after graduating with honours, she received a scholarship to continue her music studies in the music and vocal program at Capillano University in North Vancouver.
In Vancouver she regularly performed with Linton Garner at Rossinis jazz club. Her many tours to Switzerland with drummer Charly Antolini and his Jazz Power. Since 1994 she’s been touring Europe with some of the finest musicians.
In 1998 Nina recorded a soundtrack with the Billy Gorldt Orchestra as well as acted in a Süddeutsche-Rundfunk film production directed by Oliver Storz, Against the End of the Night. Nina’s current work includes a live big band recording with the Munich Swing Orchestra for the Bayerischer Rundfunk as well as a Swinging Christmas recording produced by Max Greger Jr.
She has performed with several big bands, including SWR Big Band in charge of Max Greger, featuring among other solo artists Benny Bailey and Hugo Strasser.
At the moment, Nina’s performing with her own quartet, an international group of well-acclaimed musicians, among them Canadian bassist Rocky Knauer, Tizian Jost and Guido May.
Vocalist Nina Michelle currently lives in Munich, Germany and continues to perform and record.
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Jazz Poems
STARDUST
Lady singsthe blues
the reds, whatever
she can find—
short
changed, a chord—
God bless
the child
that’s got his own
& won’t mind
sharing some—
“BILLIES BOUNCE”
“BILLIES BOUNCE”
Miss Holiday’s up
on four counts
of possession, three-
fifths, the law
—locked up—
licked—the salt
the boot—refused
a chance to belt
tunes in the clubs—
ex-con. Man,
she got it
bad—Brother
can you spare
a dime
bag? MEANDERING
WARMING UP
A RIFF—
she’s all scat,
waxing—
SIDE A
SIDE B
OOH
SHOO DE
OBEE—
detoxec, thawed
in time
for Thanksgiving—live
as ammo, smoking
—NOV. 26 1945—
Day cold as turkey
KEVIN YOUNG
from Jazz Poems ~ Selected and Edited by Kevin Young
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Daily Dose Of Jazz…
Axel Dörner was born on April 26, 1964 in Cologne, Germany and studied piano in the Dutch town Arnhem, Netherlands and at the Music Academy in Cologne. From 1991 he studied trumpet with Malte Burba, and during his studies collaborated with trumpeter Bruno Light as the Street Fighters Duo.
The duo expanded to form the Street Fighters Quartet and the Street Fighters Double Quartet, with members including Matthias Schubert, Bruno Leicht, and Claudio Puntin. He formed the Axel Dörner Quartet with Frank Gratkowski, Hans Schneider, and Martin Blume, and played with saxophonist Matthias Petzold on the albums Lifelines and Psalmen Und Lobgesänge.
Living in Berlin, Germany since 1994 and is an integral part of the city’s scene of new improvisational and experimental music. Besides playing solo and in his trio TOOT with Phil Minton and Thomas Lehn, he has played with Otomo Yoshihide, and in the groups Die Anreicherung, Ig Henneman Sextet, Ken Vandermark’s Territory-Band, Hedros, and the London Jazz Composers’ Orchestra.
A versatile musician, he has worked in the idiom of bebop, playing on pianist Alexander von Schlippenbach’s album Monk’s Casino, featuring interpretations of the complete compositions of Thelonious Monk.
Trumpeter and pianist Axel Dörner continues to perform and record.
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Daily Dose Of Jazz…
Marc Hoffman was born April 16, 1961 in Salisbury, North Carolina. He attended the North Carolina School of the Arts and received a degree in composition. He continued his education at The Dartington International Summer School of Music in Devon, England then studied film composition at the University of Southern California. He studied with David Ott, Sherwood Shaffer, Leo Arnaud and Neil Hefti.
Up until the early 1990s Hoffman wrote concert music, music for theater, pop, Christian music and film composition. Then he focused his attention on jazz and began writing original compositions, both instrumental and vocal, creating his own arrangements of jazz standards. Establishing his own label, Virillion Music, he recorded Long Way Home in 2003 followed by his sophomore album Christmas Time. In 2010 he released Curioso of all-original jazz.
As an educator and author he teaches and lectures on classical, pop and film music and has published two books. He also is an instructor of piano, composition, and voice at Bold Music in the Charlotte, NC area.
Pianist, composer and vocalist Marc Hoffman continues to write concert music, instrumental and vocal jazz pieces, film scores, as well as performing works solo, or with his trio, quartet or quintet and with four- or five-piece bands in a variety of venues.
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Jazz Poems
LEAVING SATURN
Sun Ra & His Year 2000 Myth Science
Arkestra at Grendel’s Lair Cabaret, 1986
Skyrocketed—
My eyes dilate old
Copper pennies.
Effortlessly, I play
*
Manifesto of the One
Stringed Harp. Only
This time I’m washed
Ashore, shipwrecked
*
In Birmingham.
My black porcelain
Fingers, my sole
Possession. So I
*
Hammer out
Equations for
A New Thing
Ogommetelli.
*
Ovid & Homer
Behind me, I toss
Apple peelings in
The air & half-hear
*
Brush strokes,the up
Kick of autumn
Leaves, the Arkestra
Laying down for
*
New dimensions,
I could be at Berkeley
Teaching a course—
Fixin’s How to Dress
*
Myth or Generations
Spaceships in Harlem
Instead, vibes from Chi-
Town, must be Fletcher’s
*
Big Band Music—oh,
My brother, the wind—
I know this life is
Only a circus. I’m
*
Brushed aside: a naïf,
A charlatan, too avant-
Garde. Satellite music for
A futuristic tent, says
*
One critic. Heartbreak
In outer space, says
Another, —lunar
Dust on the brain.
*
I head to New York
New York loves
A spectacle wet pain
Of cement, sweet
*
Scent of gulls swirling
Between skyscrapers
So tall, looks like war
If what I’m told is true
*
Mars is dying, it’s after
The end of the world.
So, here I am,
In Philadelphia,
*
Death’s headquarters,
Here to save the cosmos,
Here to dance in a bed
Of living gravestones.
MAJOR JACKSON
from Jazz Poems ~ Selected and Edited by Kevin Young
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