Daily Dose Of Jazz…

Axel Dörner was born on April 26, 1964 in Cologne, Germany and studied piano in the Dutch town Arnhem, Netherlands and at the Music Academy in Cologne. From 1991 he studied trumpet with Malte Burba, and during his studies collaborated with trumpeter Bruno Light as the Street Fighters Duo.

The duo expanded to form the Street Fighters Quartet and the Street Fighters Double Quartet, with members including Matthias Schubert, Bruno Leicht, and Claudio Puntin. He formed the Axel Dörner Quartet with Frank Gratkowski, Hans Schneider, and Martin Blume, and played with saxophonist Matthias Petzold on the albums Lifelines and Psalmen Und Lobgesänge.

Living in Berlin, Germany since 1994 and is an integral part of the city’s scene of new improvisational and experimental music. Besides playing solo and in his trio TOOT with Phil Minton and Thomas Lehn, he has played with Otomo Yoshihide, and in the groups Die Anreicherung, Ig Henneman Sextet, Ken Vandermark’s Territory-Band, Hedros, and the London Jazz Composers’ Orchestra.

A versatile musician, he has worked in the idiom of bebop, playing on pianist Alexander von Schlippenbach’s album Monk’s Casino, featuring interpretations of the complete compositions of Thelonious Monk.

Trumpeter and pianist Axel Dörner continues to perform and record.

ROBYN B. NASH

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Daily Dose Of Jazz…

Marc Hoffman was born April 16, 1961 in Salisbury, North Carolina. He attended the North Carolina School of the Arts and received a degree in composition. He continued his education at The Dartington International Summer School of Music in Devon, England then studied film composition at the University of Southern California. He studied with David Ott, Sherwood Shaffer, Leo Arnaud and Neil Hefti.

Up until the early 1990s Hoffman wrote concert music, music for theater, pop, Christian music and film composition. Then he focused his attention on jazz and began writing original compositions, both instrumental and vocal, creating his own arrangements of jazz standards. Establishing his own label, Virillion Music, he recorded Long Way Home in 2003 followed by his sophomore album Christmas Time. In 2010 he released Curioso of all-original jazz.

As an educator and author he teaches and lectures on classical, pop and film music and has published two books. He also is an instructor of piano, composition, and voice at Bold Music in the Charlotte, NC area.

Pianist, composer and vocalist Marc Hoffman continues to write concert music, instrumental and vocal jazz pieces, film scores, as well as performing works solo, or with his trio, quartet or quintet and with four- or five-piece bands in a variety of venues.

ROBYN B. NASH

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Jazz Poems

LEAVING SATURN

Sun Ra & His Year 2000 Myth Science

Arkestra at Grendel’s Lair Cabaret, 1986

Skyrocketed—

My eyes dilate old

Copper pennies.

Effortlessly, I play

*

Manifesto of the One

Stringed Harp. Only

This time I’m washed

Ashore, shipwrecked

*

In Birmingham.

My black porcelain

Fingers, my sole

Possession. So I

*

Hammer out

Equations for

A New Thing

Ogommetelli.

*

Ovid & Homer

Behind me, I toss

Apple peelings in

The air & half-hear

*

Brush strokes,the up

Kick of autumn

Leaves, the Arkestra

Laying down for

*

New dimensions,

I could be at Berkeley

Teaching a course—

Fixin’s How to Dress

*

Myth or Generations

Spaceships in Harlem

Instead, vibes from Chi-

Town, must be Fletcher’s

*

Big Band Music—oh,

My brother, the wind—

I know this life is

Only a circus. I’m

*

Brushed aside: a naïf,

A charlatan, too avant-

Garde. Satellite music for

A futuristic tent, says

*

One critic. Heartbreak 

In outer space, says

Another, —lunar

Dust on the brain.

*

I head to New York

New York loves

A spectacle wet pain

Of cement, sweet

*

Scent of gulls swirling

Between skyscrapers

So tall, looks like war

If what I’m told is true

*

Mars is dying, it’s after

The end of the world.

So, here I am,

In Philadelphia,

*

Death’s headquarters,

Here to save the cosmos,

Here to dance in a bed

Of living gravestones.

MAJOR JACKSON 

from Jazz Poems ~ Selected and Edited by Kevin Young

SUITE TABU 200

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Daily Dose Of Jazz…

Matt Lavelle was born on April 11, 1970 in Paterson, New Jersey and  began his music career with Hildred Humphries, a swing era veteran who played with Count Basie and Billie Holiday.

Playing in ensembles led by Sabir Mateen since 2002, three years later Matt began study with Ornette Coleman. He has been a member of the Bern Nix Quartet since 2010 and recorded with Giuseppi Logan the same year.

In 2011 he created the 12 Houses Orchestra. Lavelle is also a visual artist inspired by his Grandfather Fritz Kluber. He is author of the Substack No Sound Left Behind. Matt published a book titled New York City Subway Drama and Beyond, in 2011. In 2013 he published a short story titled The Jazz Musician’s Tarot Deck.

He has recorded nineteen albums as a leader, and another forty-five as a sideman with Nix and Logan as well as Sumari, Eye Contact, Daniel Carter, Bern Nix, Giuseppi Logan, Matana Roberts, William Hooker, Francois Grillot, Steve Swell, Sabir Mateen, Ras Moshe, Assif Tsahar, William Parker, Charles Waters, Barry Chabala, Earth People, Allen Lowe, D3, Julie Lyon, Tom Cabrera, The Cooperative Sound, Stars Like Fleas, Eric Plaks, and Pete Dennis.

Trumpeter Matt Lavelle, who also plays flugelhorn, alto and bass clarinet, continues to perform, record and tour.

ROBYN B. NASH

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Daily Dose Of Jazz…

Gary Bruno was born in New Jersey on March 26, 1962. Showing an interest in music at the age of five he began learning drums and two yers later started studying guitar. Taking weekly lessons he showed prodigious technique and a hunger for learning music. His parents gave him a radio that he took everywhere as early as age three. It only took a short period of guitar lessons that he began to learn the songs of the day from the radio.

By age thirteen Gary had his first professional job with his band. Hired by a family friend he played a Christmas party, and that job was the first of what would become a livelihood. By his junior year in high school he was playing three to four nights a week as well as teaching. All four years of high school also found him playing first chair in the local jazz ensemble and winning outstanding soloist awards two of the four years.

After high school he began to get calls for recording sessions from unsigned local songwriters and local producers creating jingle ads for radio. Local club dates with bands served as his night job, and the days found him teaching, recording and studying guitar. The club dates kept Bruno within the New York, New Jersey, and Pennsylvania area with occasional outside tri-state travel.

Gary landed a seat in the Dave Mason Band, which took his playing to a national & international level. This led to playing Greenpeace concerts with John Denver. Moving to Las Vegas he got gigs playing the Las Vegas Strip as much as six nights a week. Leaving Las Vegas, he settled in Southern California where he currently resides.

Guitarist and educator Gary Bruno will continue composing, recording & performing.

CALIFORNIA JAZZ FOUNDATION

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