Requisites
Live From Los Angeles ~ Oliver Nelson’s Big Band | By Eddie Carter
Submitted for your approval this morning is a 1967 live album by Oliver Nelson’s Big Band, Live From Los Angeles (Impulse A-9153/AS-9153). It was recorded at Marty’s on The Hill over three nights during a six-day engagement. Oliver was a brilliant arranger, composer, and multi-instrumentalist. The band members are Bobby Bryant, Conte Candoli, Buddy Childers, and Freddy Hill on trumpet; Lou Blackburn, Billy Byers, Pete Myers, and Ernie Tack on trombone; Gabe Baltazar and Frank Strozier on alto saxophone; Bill Perkins and Tom Scott on tenor saxophone, Oliver Nelson on soprano saxophone, arranger and conductor, Jack Nimitz on baritone saxophone, Frank Strazzeri on piano, Mel Brown on guitar, Monty Budwig on bass, and Ed Thigpen on drums. My copy is the 1967 U.S. Mono release.
Side One opens with Miss Fine, an original by Oliver Nelson named in honor of his sister. The band begins at a medium beat, with their ensemble playing admirably tight during the opening and concluding chorus. Freddy Hill delivers a captivating performance in the song’s only interpretation, mesmerizing both the audience and the listener. Milestones by Miles Davis is a high-energy swinger from the start, setting a brisk pace for the big band’s theme. Frank Strozier bursts out of the gate quickly, followed by an intense exchange with Tom Scott. Tom takes flight last with a spirited performance leading to the final theme and ending.
Frank takes center stage in the next tune, I Remember Bird by Leonard Feather, a gentle ballad that begins with the saxophonist presenting the theme and its restatement while the band supports in the background. As the only soloist, he provides delicate softness in a gorgeous interpretation, preceding a beautiful conclusion. Night Train by Jimmy Forrest, Lewis Simpkins, and Oscar Washington is one of two tunes Oliver recorded with Jimmy Smith and Wes Montgomery a year earlier. The ensemble opens and closes similarly. Mel Brown is the featured soloist and serves a healthy portion of soul food for the ears until the band takes it out.
Oliver Nelson’s Guitar Blues gets Side Two underway, giving Mel another opportunity to shine. The band sets things in motion with a feisty melody, then Mel shows up and shows out in an outstanding performance, culminating in the theme’s reprise and a spirited finale. Down By The Riverside is an African-American spiritual that initially received a jazzy makeover from Jimmy, Wes, and Oliver on their collaborative album. After the band establishes the theme in this version, the driving force consists of four trumpeters: Bobby Bryant, Freddy Hill, Conte Candoli, and Buddy Childers, who take four successive solos that nearly bring the house down before the band wraps things up.
The band’s theme, Ja Da by Bob Carleton, brings the album to a gentle close. The slow-paced melody sets the mood for Lou Blackburn’s lone solo while the ensemble provides a warm and heartfelt backdrop. The trombonist’s performance creates a rich tapestry of sound, leading to an elegant theme restatement. Bob Thiele produced Live From Los Angeles, and Wally Heider was the recording engineer. The album’s sound quality is exceptional, immersing the listener in the big band’s performances and making you feel like you’re in the audience. The album adheres to Impulse’s high standards, featuring laminated gatefold covers, distinctive spine color, stunning photography, insightful liner notes, and outstanding music.
Oliver Nelson was also a master of the alto and tenor saxophones. Throughout his career, he arranged numerous albums for jazz and pop musicians and vocalists, showcasing a style combining traditional big band elements with modern jazz innovations. He also recorded for Argo, Flying Dutchman, Prestige, and Verve Records. After moving to the West Coast in 1967, Nelson became sought after for scoring background music for films and television shows. The jazz community deeply mourned his untimely death from a heart attack at the age of forty-three. If you’re in the mood for a terrific big-band live album, I recommend Oliver Nelson’s Big Band Live From Los Angeles the next time you’re record shopping. It’s a thrilling release that promises endless listening pleasure for jazz enthusiasts like me!
~ Jimmy & Wes: The Dynamic Duo (Verve Records V-8678/V6-8678) – Source: Discogs.com
~ Ja Da, Milestones, Night Train – Source: Wikipedia.org
© 2025 by Edward Thomas Carter
More Posts: choice,classic,collectible,collector,history,instrumental,jazz,music,saxophone
Daily Dose Of Jazz…
Michael Nickolas was born on March 23, 1962 in Southington, Connecticut. A move to Boston, Massachusetts in 1980 had him attending the Berklee College of Music. After graduating Cum Laude in 1984, the guitarist became a founding member and leader of one of Boston’s most successful local acts, High Function. The group played extensively at clubs and colleges throughout New England and toured Switzerland, New York City, and recorded an eight song album in Chicago, Illinois.
After leaving High Function, he co-found and played guitar for the Boston Music Award winning R&B band, Universal Language. In addition to performing, Michael was teaching himself the art of recording, and built a home recording studio, worked as a freelance recording engineer, and has been published numerous times in the international periodical, Recording Magazine.
His home studio, Studio Nine Productions, has clients working on everything from voice over narration sessions to digital audio editing and CD creation. As a composer, Nickolas has licensed original music for NBC, ABC and CBS television’s daytime programming. In prime time, as well as Showtime.
Guitarist Michael Nickolas continues to perform, compose, record and engineer.
More Posts: bandleader,guitar,history,instrumental,jazz,music
Daily Dose Of Jazz…
Antonio Ciacca was born in Wuppertal, Germany March 14, 1969 and raised in Italy. He began playing the piano at the age of seven and studied with Steve Grossman, Jaki Byard, Bruce Barth and Barry Harris.
Ciacca toured Europe with the Larry Smith Quartet in 1995 and 1996, played in Japan with the Eiji Nakayama Quartet in 1998, and toured Europe with Wes Anderson and Steve Lacy in 1999. His study with Jaki Byard in 1998–99, and dedicated the album Hollis Avenue to him.
He founded the Detroit Gospel Singers, and toured Europe with them in 2000. He earned his undergraduate Diploma at the G.B. Martini Conservatory in Bologna, Italy. He became Director of Programming at Jazz at Lincoln Center from 2007 to 2011. Earning his master’s degree in jazz studies at City College in New York City and his DMA, Doctor of Musica Arts at Stony Brook University.
Pianist Antonio Ciacca is currently the adjunct professor of Jazz History at Marymount Manhattan College, and Professor of Jazz Arranging and Composition at the G. Nicolini Conservatory in Piacenza, Italy.
More Posts: arranger,bandleader,composer,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Clarence Lacquese Penn born on March 2, 1968 in Detroit, Michigan and started playing the drums at around eigh years old. In 1986, while still at high school, he attended the Interlochen Arts Academy. He started studying at the University of Miami in Florida that same year, but transferred to Virginia Commonwealth University.
At Virginia Commonwealth he studied with Ellis Marsalis, and played in the pianist’s trio from 1987 to 1991, including for a tour of Japan in 1990. Penn graduated in classical percussion in 1991 and was part of vocalist Betty Carter’s trio from until 1993.
Penn later went on to work with David Sanchez, Jimmy Smith, Slide Hampton, Jimmy Scott, Greg Hatza, Stanley Clarke, Tim Warfield, Bob Berg, Diana Krall, Cyrus Chestnut, and Stephen Scott.
He recorded his debut album, Penn’s Landing, for Criss Cross Jazz in 1997 with some of the tracks he composed. His sophomore album as leader, Play-Penn, was recorded four years later, followed by a third the following year. He took a nine year hiatus from recording then recorded three more albums.
Drummer Clarence Penn, who also plays organ and rhodes, continues to perform and record.
More Posts: bandleader,drums,history,instrumental,jazz,music,organ,rhodes
Daily Dose Of Jazz…
LaVerne Butler was born on February 25, 1962 in Shreveport, Louisiana. The daughter of saxophonist Scott Butler, she was extensively exposed to jazz and rhythm and blues music and with a lot of encouragement from her father.
Leaving Shreveport for New Orleans, Louisiana she attended the University of New Orleans. During this period LaVerne became a fixture in the city’s Dixieland and bebop venues singing with Ellis Marsalis, Alvin Batiste, Henry Butler ( no relation) and James Black, among others. A move to New York City in 1984 had her working as an English teacher, singing in clubs and studying with jazz veteran Jon Hendricks.
Her musical influences were Nancy Wilson and Sarah Vaughan. In 1992 she recorded her debut album No Looking Back for Chesky Records. Her sophomore album for the label was Day Dreamin’ , then planned on signing with Herbie Mann’s Kokopelli label in 1997, but that fell through when the company experienced financial problems. She then was brought into the MaxJazz label for two albums and finally landed with HighNote Records for her 2012 release Love Lost and Found Again.
Vocalist LaVerne Butler, who has yet to receive the recognition her talent deserves, continues to perform around the country.
More Posts: bandleader,history,instrumental,jazz,music,vocal