Daily Dose Of Jazz…

Ron Collier was born on July 3, 1930 in Coleman, Alberta, Canada and began his musical training in Vancouver, British Columbia, Canada. He was a member of the Kitsilano Boys’ Band. He studied music privately in Toronto with Gordon Delamont and was the first jazz musician to receive a Canada Council grant that led him to study orchestration in New York in 1961 and 1962.

He formed the Ron Collier Jazz Quartet, which performed in the 1950s at the Stratford Festival and on CBC’s Tabloid with Portia White, and in 1963 with the Winnipeg Symphony Orchestra.

Duke Ellington performed with the Ron Collier Orchestra on the 1969 album North of the Border in Canada. The album included his compositions and those by several Canadian composers. He also created orchestrations for a number of Ellington’s concerts and recordings.

He composed the scores to three films in the 1970s and began directing a student orchestra at Toronto’s Humber College. His band won the Big Band Open Class at the Canadian Stage Band Festival in 1982. He would go on to perform in and lead a number of jazz groups.

Trombonist, composer, and arranger Ron Collier, who was made an Officer of the Order of Canada, died on October 22, 2003 in Toronto, Canada at the age of 73.

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Jazz Poems

COLTRANE, SYEEDA’S SONG FLUTE

For M & P.R.

When I came across it on the

piano it reminded me of her,

because it sounded like a

happy, child’s song.

COLTRANE

To Marilyn, to Peter,

playing , making things: the walls, the stairs,

the attics, bright nests in nests;

the slow, light, grave unstitching of lies,

opening, stinking, letting in air

you bear yourselves in, become your own mother

and father

your own child.

You lying closer.

You going along. Days.

The strobe-lit wheel stops dead

once, twice in a life: old-fashioned rays:

and then all the rest of the time pulls blur,

only you remember it more, playing.

Listening here in the late quiet you can think

great things of us all, I think we will all, Coltrane,

meet speechless and easy in Heaven, our names

known and forgotten, all dearest, all come

giant-stepping

out into some wide, light, merciful mind.

John

Coltrane, 40, gone

right through the floorboards,

up to the shins, up to the eyes,

closed over,

Syeeda’s happy, child’s song

left up here, playing.

from Jazz Poems ~ Selected and Edited by Kevin Young

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Daily Dose Of Jazz…

Mat Marucci was born Mathew Roger Marucci III  on July 2, 1945 in Rome, New York into a musical family with his sister Mena, a concert pianist and his brother Ed, a trumpeter. He was classically trained on the piano and switched to drums at the age of 19.

After graduating high school from St. Aloysius Academy in 1963, Marucci studied drums with Dick Howard in Auburn, New York for two years. Receiving a business management degree at Auburn Community College in 1965, he relocated to the west coast four years later. Attending Sacramento City College in California, he received his associate degree in music, in 1973.

In addition to recording and performing, Marucci has authored several books on drumming for both Ashley Publications and Mel Bay Publications. His recordings and books have garnered four and five star reviews in JazzTimes, Jazziz, Modern Drummer, DownBeat and DRUM! magazines. He also wrote articles for several magazines and jazz websites.

In his role as a jazz educator, Mat has been a professor at several California colleges in Sacramento and Berkeley and an applied drum set instructor at the Sacramento Traditional Jazz Society.

Drummer Mat Marucci, who has lived between New York City, Los Angeles and Sacramento and has recorded seventeen albums as a leader and eight as a sideman, continues to explore and perform.

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Daily Dose Of Jazz…

Martin Vallely was born in Belfast, Ireland on July 1, 1962. His musical history spans a career working with Cork bands Soon and No Sangoma to working with acclaimed indie oufit Dear Wolf in Germany with whom he recorded.

As a bandleader he put together a quartet that recorded and released three albums beginning in 2008 with Debut, his maiden voyage receiving critical acclaim as a jazz composer. The following year Waltzin and in 2010 he released Gloves Off.

As a singer/songwriter, Martin also released two cds of his own songs as the band Glen River, first 12 in 2009 and After The Fall in 2010 which showcases his songwriting abilities. He is a half of an excellent duo called The Apologists.

Bassist, composer, songwriter, producer and educator Martin Vallely presently resides in Cork, Ireland where he continues to perform and teach.

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Requisites

Happy Frame of Mind ~ Horace Parlan | By Eddie Carter

Horace Parlan has always been one of my favorite pianists, and this morning’s record from the library is a 1963 recording session that remained shelved until 1976. Happy Frame of Mind (Blue Note BST 84134) is a sextet date that was initially released as a two-record set by Booker Ervin. It finally hit the stores a decade later with its original cover and catalog number. The supporting cast is a stellar one: Johnny Coles on trumpet, Booker Ervin on tenor sax, Grant Green on guitar, Butch Warren on bass, and Billy Higgins on drums. My copy is the 1991 Toshiba EMI Japanese Stereo reissue sharing the original catalog number.

Side One opens with Home Is Africa by Ronnie Boykins. Butch and Billy get things started ahead of the ensemble’s haunting melody. Johnny is up first with a relaxing reading; then Booker gives a gorgeous solo. Grant makes an effective contribution next. Horace gives the song’s most inventive improvisation before the sextet’s closing chorus ends as it begins. A Tune For Richard by Booker Ervin gets busy with Billy’s lively introduction to the ensemble’s brisk melody. Johnny leads the charge, then Booker takes flight next. Grant delivers the third message effectively, and Horace ends with a spirited interpretation preceding the theme’s restatement and close.

Back From The Gig by Horace Parlan is the pianist’s reference to returning home from a particularly difficult gig, and the sextet begins with an easygoing melody. Horace’s opening solo flows with feeling, then Grant builds a perfect melodic line in the following reading. Booker follows with a statement that’s warm and heartfelt, and Butch takes over for a tender finale leading back to the climax. Dexi by Johnny Coles begins Side Two at a brisk clip with a quick melody into Johnny’s opening solo that sets the table. Booker is given considerable space for an impressive statement next. Horace follows with a soulful interpretation, and Grant takes a quick turn, preceding the quick reprise and fadeout.

Kucheza Blues by Randy Weston maintains an upbeat pace with the trio’s introduction to the front line’s jaunty theme. Horace leads the way with a refreshing solo. Booker follows, fueling the second statement with enthusiastic choruses. Johnny sinks his teeth into the third reading, and Butch walks swiftly toward the closing chorus and fade out. Horace’s Happy Frame of Mind is a happy rocker that the sextet has fun in the melody. Grant takes the lead and beautifully executes the first solo. Horace follows with a thoroughly enjoyable reading. Booker improvises freely in the third spot; then Johnny shares the finale with Billy before the sextet returns to take it out.

Alfred Lion produced the initial session, and Rudy Van Gelder was the recording engineer. The reissue’s sound quality is superb, with a vivid soundstage that brings the musicians to your listening room with excellent fidelity. Happy Frame of Mind is an overlooked jewel in Horace Parlan’s discography. If you’re a fan of Horace Parlan and don’t own the two-record set, Back From The Gig, I invite you to seek out Happy Frame of Mind on your next record shopping trip. It’s a wonderful album with a stellar supporting cast that I hope more jazz fans will discover!

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