Daily Dose Of Jazz…
James Hal Kemp was born March 27, 1904 in Marion, Alabama. He studied and learned to play the saxophone and clarinet and while at the University of North Carolina at Chapel Hill he formed his own campus jazz group, the Carolina Club Orchestra. They recorded for English Columbia and Perfect/Pathé Records in 1924 and toured Europe that same summer under the sponsorship of bandleader Paul Specht.
Kemp returned to UNC in 1925 and put together a new edition of the Carolina Club Orchestra, featuring classmates and future stars John Scott Trotter, Saxie Dowell and Skinnay Ennis. By 1927 he turned professional and turned over the orchestra to Kay Kyser.
Basing his band in New York City, Hal’s group included Trotter, Dowell, and Ennis, and later joined by trumpeters Bunny Berigan and Jack Purvis. The sound was 1920s collegiate jazz and in the Thirties he toured Europe again and recorded regularly for Brunswick, English Duophone, Okeh and Melotone record labels.
During the height of the Depression in 1932 Kemp changed the orchestra’s style to a dance band. He incorporated an early version of the echo effect using large megaphones for the clarinets, muted trumpets and a double-octave piano. Vocalists with the band during the 1930s included Ennis, Dowell, Bob Allen, Deane Janis, Maxine Gray, Judy Starr, Nan Wynn and Janet Blair.
Hal’s band was one of the most popular bands in the 1930s and was often featured performing on NBC and CBS radio shows. The band also appeared in numerous motion-picture short subjects and was featured in the 1938 RKO film Radio City Revels. He had hits with There’s A Small Hotel, Lamplight, I Got A Date With An Angel, You’re The Top, Lullaby Of Broadway and Where or When.
On December 19, 1940, alto saxophonist, clarinetist, bandleader, composer and arranger Hal Kemp while driving from Los Angeles to a booking in San Francisco, his car collided head-on with a truck. Breaking a leg and several ribs, one of which punctured a lung, he developed pneumonia while in the hospital and died two days later in Madera, California. He was inducted into the Big Band and Jazz hall of Fame in 1992.
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Daily Dose Of Jazz…
Donald Orlando Bailey was born on March 26, 1933 in Philadelphia, Pennsylvania into a musical family. His father Morriswas a drummer, his brother Morris Jr a saxophonist and his nephew Victor is a bassist.
Bailey got his big break in the jazz world and is probably best known as the drummer in the Jimmy Smith Trio from 1956 to 1964. He also performed and recorded with The Three Sounds on the Blue Note Records label.
Known in the jazz world as Duck Bailey, he performed with John Coltrane in their early Philly years. He worked as a sideman for Sarah Vaughan, Carmen McRae, Hampton Hawes, Sonny Rollins, Freddie Hubbard, Jimmy Rowles, Blue Mitchell, Red Mitchell, Roy Ayers, George Braith, Harold Land, Jack Wilson, Kenny Burrell, Grant Green, Buster Williams and Bobby Hutcherson among others.
In the mid 70s, he moved to Japan where he lived for six years and in 1978, released an album called So in Love for Trio Records. The session featured Hideo Ichikawa, Hideyuki Kikuchi, Yoshio Ikeda, Takaaki Nishikawa and Toshihiko Ogawa. This date featured Bailey playing harmonica, received rave reviews and is a sought after jazz collectible. His last project Blueprints of Jazz Vol.3 featuring Donald Bailey had him in the company of Charles Tolliver on trumpet, pianist George Burton, and tenor saxophonist Odean Pope issued in 2009.
Settling in Montclair, California, he performed around San Francisco Bay area until his late 70s. Drummer Donald Bailey, known as The King of Organ Trio Drummers, passed away in Montclair, California on October 15, 2013 at the age of 80.
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Daily Dose Of Jazz…
Makoto Ozone 小曽根真 was born on March 25, 1961 in Kobe, Japan. He began playing organ at two and by seven was an improviser. He appeared on Japanese television with his father from 1968 to 1970. Impressed with the playing of Oscar Peterson, at twelve he switched to piano. In 1980 he entered the Berklee College of Music.
Makoto later worked with vibraphonist Gary Burton, recording four albums with him. In 1983 he recorded as a leader his debut in 1983 before returning to his native Japan.
Ozone has collaborated with vocalist Kimiko Itoh, appearing as a duo at the Montreux Jazz Festival and produced her album Kimiko, winning the 2000 Swing Journal jazz disk grand prix for Japanese vocalist. He has recorded with Ellis Marsalis, Chick Corea, Christian McBride, Jeff “Tain” Watts, Randy Brecker, Paquito D’Rivera, Anna Maria Jopek, Jake Shimabukuro, Misuzu Kanno and Gayle Moran Corea, among others.
He has several recordings as a trio leader or co-leader with Burton that are now coveted imports. Pianist Makoto Ozone continues to perform, record and tour.
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Daily Dose Of Jazz…
Sherman Irby was born and raised in Tuscaloosa, Alabama on March 24, 1968. He found his calling to music at age 12 and in high school he played saxophone and recorded with gospel immortal James Cleveland. Graduating from Clark Atlanta University with a B. A. in Music Education, in 1991, he joined Johnny O’Neal’s Atlanta-based quintet.
1994 saw Irby moving to New York City and immediately became a part of the jazz scene at Smalls jazz club. Catching the attention of Blue Note Records. He subsequently recorded his first two albums, Full Circle in 1996 and Big Mama’s Biscuits in 1998 on the label. He toured the U.S. and the Caribbean with the Boys Choir of Harlem in 1995, and was a member of the Jazz at Lincoln Center Orchestra from 1995 to 1997. During that tenure, he also recorded and toured with Marcus Roberts, Roy Hargrove and was part of Betty Carter’s Jazz Ahead Program.
After a four-year stint with Roy Hargrove, he focused on his own group, in addition to being a member of Elvin Jones’ ensemble and Papo Vazquez’s Pirates Troubadours. Since 2003, Irby has been the regional director for the Jazz Masters Workshop, mentoring young children, and a board member for the CubaNOLA Collective. Saxophonist and composer Sherman Irby formed Black Warrior Records and has released Black Warrior, Faith, Organ Starter and Live at the Otto Club under the new label. Post-bop alto saxophonist Sherman Irby has re-joined Jazz At Lincoln Center Orchestra with Wynton Marsalis and currently continues to perform with his quartet and his group Organomics.
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Daily Dose Of Jazz…
David Frishberg was born March 23, 1933 in Saint Paul, Minnesota. Resisting learning classical piano as a boy, he developed an interest in blues and boogie-woogie by listening to recordings of Pete Johnson and Jay McShann. As a teenager he played in the house band at the Flame in St. Paul where Art Tatum, Billie Holiday and Johnny Hodges appeared. After graduating from the University of Minnesota as a journalism major in 1955, he spent two years in the Air Force.
In 1957, Dave moved to New York City where he played solo piano at the Duplex in Greenwich Village. He first became known for his work with Carmen McRae, Ben Webster, Gene Krupa, Bud Freeman, Eddie Condon, Al Cohn and Zoot Sims.
He later found celebrity writing and performing his own, frequently humorous, songs, including his most famous My Attorney Bernie, and favorites I’m Hip, lyrics only, in collaboration with Bob Dorough, Blizzard of Lies, Do You Miss New York, Peel Me a Grape, Quality Time, Slappin’ the Cakes on Me, and Van Lingle Mungo, the lyrics of which entirely consist of the names of old-time baseball players.
Citing songwriter Frank Loesser as an influence, Frishberg has also worked strictly as a lyricist on a number of occasions collaborating with Johnny Mandel, Alan Broadbent, Al Cohn, Blossom Dearie, David Shire, Julius Wechter, Dan Barrett, Bob Brookmeyer, Gerry Mulligan and Johnny Hodges.
Dave’s tunes have been performed and/or recorded by Blossom Dearie, Rosemary Clooney, Shirley Horn, Anita O’Day, Michael Feinstein, Irene Kral, Diana Krall, Stacey Kent, John Pizzarelli and Mel Torme, among other.
He is also noted for composing the music and lyrics for I’m Just A Bill, the song about the forlorn legislative writ in the ABC Schoolhouse Rock series, as well as Walkin’ on Wall Street, a song that describes how the stock market works, and $7.50 Once a Week, a song about saving and balancing a budget.
Pianist, vocalist, composer and lyricist Dave Frishberg has recorded three albums as a leader, one solo project and has sat in the sideman chair with Jim Goodwin and Rebecca Kilgore on the Arbor Records label.
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