Daily Dose Of Jazz…
Morty Corb was born Mortimer Gerald Corb on April 10, 1917 in San Antonio, Texas. He played four years with Bob Crosby’s television program, Morty also worked extensifly as a studio session musician in studios, appearing on some 300 recordings. He worked in Disneyland bands after moving to California in 1947.
Particularly interested in scary, haunted house stuff, in 1973 Morty developed the “Hallowed Haunting Grounds”, a trick or treating evening with a special flair for theatrical effects that made his homemade shenanigan impressive even to the Tinsel Town crowd.
His name has been mentioned alongside Wrecking Crew studio bassist Carol Kaye, he curbed his session availability as the rock and roll era progressed or perhaps regressed. The bassist instead went to work at Disneyland, playing in the attraction’s bands but also mingling with special effects folk.
Corb’s long career began in 1946 and lasted until his death. He performed and recorded with Pete Fountain, Ella Fitzgerald, Nat King Cole, Pearl Bailey, Louis Armstrong, Claude Thornhill, Kid Ory, Jack Teagarden, Benny Goodman, Pete Kelly, Barney Kessel, Claire Austin, George Van Eps, Eartha Kitt, Mel Lewis, Earl Grant, Red Nichols, Wild Bill Davison, Muggsy Spanier, Plas Johnson, Gene Krupa, Louie Bellson, Jonah Jones, and Billy May among numerous others.
Double bassist Morty Corb, whose only album as a leader recorded in Los Angeles, California was his 1957 Strictly From Dixie featuring His Dixie All Stars, passed away on January 13, 1996 Las Vegas, Nevada..
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Daily Dose Of Jazz…
Oliver Edward Mitchell was born April 8, 1927 in Los Angeles, California. He was the son of Harold Mitchell, lead trumpeter for MGM Studios, who taught him to play the trumpet.
Mitchell would go on to play in big bands for Harry James, Buddy Rich and Pérez Prado, among others, as well as the NBC Symphony Orchestra. In the 1960s, he joined The Wrecking Crew, a group of studio and session musicians who played anonymously on many records for popular singers of the time, as well as theme songs for television, film scores, and advertising jingles.
Mitchell was an original member of Herb Alpert’s Tijuana Brass. He would go on to have his own bands, Ollie Mitchell’s Sunday Band, and the Olliephonic Horns
Moving to Puako, Hawaii in 1995 he founded the Horns. In 2010, he published his memoir, Lost, But Making Good Time: A View from the Back Row of the Band. He stopped playing the trumpet toward the end of his life, due to macular degeneration and hand problems from an automobile accident.
Trumpeter Ollie Mitchell, who recorded with Chet Baker, Harry James, Stan Kenton, Irene Kral, Shorty Rogers, Pete Rugolo, Dan terry and Gerry Wilson among others, suffered from cancer and passed away on May 11, 2013.
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Daily Dose Of Jazz…
Pat La Barbera, born Pascel Emmanuel LaBarbera on April 7, 1944 in Mt. Morris, New York. He moved to Toronto, Ontario, Canada in 1974, and is a member of the faculty at Humber College.
La Barbera began working with Elvin Jones in 1975, touring Europe with him in 1979. While working with Buddy Rich, he also worked in groups led by Woody Herman and Louie Bellson.
Playing with Carlos Santana, Pat has played a major role in the development of a generation of Canadian saxophonists. In 2000, he won a Juno Award for Best Traditional Instrumental Jazz Album for Deep in a Dream.
Tenor, alto and soprano saxophonist, clarinetist, and flautist Pat LaBarbera, most notable for his work as a soloist in Buddy Rich bands from 1967 to 1973, continues to perform and educate.
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Daily Dose Of Jazz…
Salvatore Nistico was born on April 2, 1940 in Syracuse, New York. He started playing alto saxophone, switching to tenor in 1956, and briefly played baritone saxophone. From 1959 to 1961, he played with the Jazz Brothers band, with Chuck Mangione and Gap Mangione.
Nistico played in the 1962–65 Woody Herman group, considered one of his best bands, with Bill Chase, Jake Hanna, Nat Pierce, and Phil Wilson. In 1965, he joined Count Basie but returned on many occasions to play with Herman. Around that time he was also a member of Dusko Goykovich’s sextet with other musicians associated with the Herd, such as Carl Fontana, Nat Pierce, and Michael Moore.
He also played with Nat Adderley, Don Ellis, Buddy Rich, and Stan Tracey. Moving to Europe in his latter years he worked with mostly European musicians as Joe Haider, Isla Eckinger, Billy Brooks, Fritz Pauer. He went on to record with the Larry Porter/ Allan Praskin Band and Three Generations Of Tenor Saxophone with Johnny Griffin, Roman Schwaller, Paul Grabowsky, Roberto DiGioia, Thomas Stabenow, Joris Dudli and Mario Gonzi. The first live performance from 1985 was released under the band’s name on JHM Records Switzerland.
Nistico’s solo work is a contrast to his big band work, with his solo work more oriented towards bebop, as heard on the Heavyweights recording on Riverside Records. Tenor saxophonist Sal Nistico, who was associated for many years with Woody Herman’s Herd, passed away on March 3, 1991, in Berne, Switzerland.
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Daily Dose Of Jazz…
Ola Onabulé was born in Islington, London, England on March 30, 1964 and at the age of seven he was sent to Lagos, Nigeria, where he spent the next ten years in school. When he was seventeen he returned to the UK to study at Millfield School, then attended law school, almost completing a three-year degree before deciding to enroll at Middlesex Polytechnic for an arts degree. While studying, he began to perform in London clubs and venues, writing and performing his own material.
Onabulé’s career spans nearly two decades, releasing his music on his own label, Rugged Ram Records, after recording for Elektra and Warner Bros. His debut album, More Soul Than Sense, was released in 1995.
He has performed internationally, performed with Germany’s WDR Big Band and the SWR Big Band and appeared with the German Film Orchestra Babelsberg in Potsdam for a concert. Ola has played the main stages of the Montreal Jazz Festival and Vancouver Jazz Festival. A return to Canada in 2010 he performed at Victoria Jazz Festival, Vancouver Jazz Festival, and the Edmonton Jazz Festival. His list of credits reads like a who’s who of bog bands and small combos and continues to grow.
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