Daily Dose Of jazz…
Joe Bushkin was born on November 7, 1916 in New York City and began his career playing trumpet and piano with New York City dance bands. He acquired a lot of experience performing with Frank LaMare’s Band at the Roseland Ballroom in Brooklyn, New York.
In 1935 he joined Bunny Berigan’s band, played with Eddie Condon from 1936 to 1937, and with Max Kaminsky and Joe Marsala, before rejoining Berigan in 1938. He then left to join Muggsy Spanier’s Ragtime Band in 1939. From the late Thirties through to the late 1940s he also recorded with Eddie Condon as well as performing on radio and television. After his World War II service he worked with Louis Armstrong, Bud Freeman and Benny Goodman.
Best-known for his composition Oh! Look at Me Now with John DeVries, composed when he was working in Tommy Dorsey’s band. The song would become Frank Sinatra’s first hit. In his 60s, Bushkin’s semi-retirement was ended by an offer from Bing Crosby for them to tour together in 1976 and 1977. He also appeared on Crosby’s 1975 Christmas TV special with Fred Astaire, performed in a concert series at New York’s St. Regis Hotel in 1984 that celebrated his 50 years in show business.
Pianist Joe Bushkin passed away in Santa Barbara, California on November 3, 2004, three days shy of his 88th birthday, which he had dreamed of celebrating the 88 piano keys.
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Daily Dose Of Jazz…
Andy McGhee was born on November 3, 1927 in Wilmington, North Carolina. Graduating from the New England Conservatory in 1949 the saxophonist worked for a short time with trumpeter Roy Eldridge and local Boston musician Fat Man Robinson. After marrying in 1950, McGhee served in the Army in Korea and at Fort Dix, New Jersey where he played in an Army band and gave lessons to other musicians.
From 1957 to 1963 McGhee worked with Lionel Hampton’s band, touring the United States, Europe, and the Far East. During his tenure with Hampton, he composed the song, McGhee, that was recorded on The Many Sides of Lionel Hampton. He went on to work with Woody Herman from 1963 to 1966.
Joining the faculty of Berklee College of Music in 1966, Andy taught saxophonists Bill Pierce, Javon Jackson, Donald Harrison, Antonio Hart, Sam Newsome, Richie Cole, Greg Osby, and Ralph Moore. While devoting his time to teaching, McGhee wrote the instruction books Improvisation for Saxophone and Flute: The Scale/Mode Approach and Modal Strategies for Saxophone.
In the late Seventies he teamed again with Lionel Hampton and the Lionel Hampton Alumni Band as part of The Boston Globe Jazz Festival, performing with Bob Wilber, Ernie Wilkins, Teddy Wilson, Alan Dawson and Terri Lynne Carrington. and Hampton on vibraphone. The early 1990s, saw McGhee touring again with Lionel Hampton as member of the Golden Men of Jazz tour with Harry “Sweets” Edison, Clark Terry, Benny Bailey, Al Grey, and Benny Golson.
In 2006 he was awarded an Honorary Doctorate of Music from Berklee College of Music. On October 12, 2017, tenor saxophonist and educator Andy McGhee passed away at the age of 89.
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Daily Dose Of Jazz…
Theodore Malcolm Nash was born on October 31, 1922 in the Boston suburb of Somerville, Massachusetts. His goal was to become a classical flutist until he began playing saxophone in his early teens. His professional career began when he went on the road with a succession of dance bands, landing the solo tenor chair with the Les Brown band in 1944 where he rapidly made a name for himself.
His playing was notable for his mastery of the extreme altissimo register of the saxophone. He authored Ted Nash’s Studies in High Harmonics for Tenor and Alto Saxophone published in 1946, that is still in print.
In the late 1940s Ted became part of the thriving Hollywood movie and television recording industry. In 1956 he recorded with Paul Weston’s orchestra the hit album Day by Day, with vocals by his former colleague and close friend, Doris Day.
He was featured on The Music from Peter Gunn soundtrack album performing the bluesy, high-energy alto sax solo on the theme as well as the wistful alto sax solo on the second bridge of Dreamsville. Henry Mancini composed The Brothers Go to Mother’s from Peter Gunn as a feature for Ted and and his trombonist Dick.
From the mid 50s through the end of the Sixties he recorded sixteen albums with Georgie Auld. Henry Mancini, Elmer Bernstein, Pete Rugolo, Lalo Schifrin. Saxophone, flute and clarinet Ted Nash, who was a first-call session musician in the Hollywood recording studios, passed away on May 12, 2011.
Daily Dose Of Jazz…
Sterling Bruce Conaway was born on October 26, 1900 in Washington, D.C. and learned to play the banjo and mandolin. His early career was spent playing with fellow Washingtonian Duke Ellington in their hometown. Relocated to Chicago, Illinois he joined the band of Carroll Dickerson.
He played in Cyril Fullerton’s band in 1924 and recorded with Helen Gross on ukulele. By the late 1920s he moved to Europe where he worked with Eddie South, Noble Sissle, Freddy Johnson, Freddy Taylor, and Leon Abbey. During this period in his career Sterling led several groups as well.
1936 saw him in Bombay, India playing with Crickett Smith, however, three years later returned to the United States. Banjoist and mandolinist Sterling Conaway continued to perform in big bands and leading his own groups until his passing away in November 1973.
Daily Dose Of Jazz…
Cyril Blake was born October 22, 1900 in Trinidad and moved to England about 1918, where he sometimes performed under the stage name of “Midnight,” and quite often appearing well after midnight. He was an essential part of the freewheeling music scene of London in the decades both before and after World War II.
He became well versed in jazz, blasted away in rhythm & blues bands of various ethnic persuasions. and played in a British group called the Southern Syncopated Orchestra. Being a trumpet player and was working in both London and Paris clubs whilst the ’20s roared helped to skyrocket his career.
Working in Paris, France and London as a musician throughout the 1920s, in the 1930s he played in the bands of Leon Abbey, Happy Blake, Rudolph Dunbar, Leslie Thompson’s Emperors of Jazz, Joe Appleton, and Lauderic Caton. 1938 saw Cyril putting together his own band, which was centred on Jig’s Club in London but was also the house band for several other venues around Soho. He recorded several times with this ensemble and in the 1940s led his band behind Lord Kitchener for recordings on Parlophone Records, playing in a calypso style.
Late in his life he returned to Trinidad, where he continued to lead bands. Trumpeter Cyril Blake, along with Bertie King, Lauderic Caton and Brylo Ford were credited in the Who’s Who of British Jazz by John Chilton and influenced generations of British jazz musicians, passed away of an illness on December 3, 1951.
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