Daily Dose Of Jazz…

Noël Chiboust was born on October 14, 1909 in Thorigny-sur-Marne , Département Seine-et-Marne, France. He began his career as a violinist with Ray Ventura and during the early Thirties played trumpet in the Michel Warlop Orchestra. By 1936 he was involved in the concert series la semaine à Paris, by the Hot Club de France. At this time in his career he also joined the André Ekyan Orchestra until 1938, then played in the Swing Band of Philippe Brun followed by an early 1940s stint with Alix Combelle.

Around the mid 1930s he recorded with Django Reinhardt , Stéphane Grappelli , Bill Coleman and Coleman Hawkins, joined Eddie Brunner in 1938 at Cabaret Bagatelle. The late 1930s saw him giving up the trumpet and joining the tenor saxophone and clarinet sections when he joined the Marcel Bianchi Orchestra.

From 1940 he recorded under his own name for the French label Swing releasing a few 78s.  Starting in 1944 he performed with an orchestral cast including Hubert Rostaing, and with Jack Diéval and Lucien Simoen at Club Schubert. From 1947 to 1950 he had an engagement at Cabaret le Drap d’Or.

He turned his attention to popular music as well as the rock and roll to and by 1959 released several EPs and singles for Polydor Records with songs like Telstar, Dynamite Charleston and Yes Sir That’s My Baby.

Trumpeter, tenor saxophonist, clarinetist, arranger, composer and band leader in the field the swing and popular music era Noël Chiboust passed away on January 17, 1994.


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Daily Dose Of Jazz…

Jack Fallon was born on October 13, 1915 in London, Ontario, Canada and played violin before making double-bass his primary instrument at age 20. During World War II he played in a dance band in the Royal Canadian Air Force, and settled in Britain after his discharge. He joined Ted Heath’s band in 1946 and played bebop in London clubs in his spare time.

1947 saw Fallon playing with Ronnie Scott and Tommy Whittle at the Melody Maker/Columbia Jazz Rally, followed by his working with Jack Jackson, George Shearing and Django Reinhardt. Soon after playing with Reinhardt, he played in a Count Basie ensemble which also included Malcolm Mitchell and Tony Crombie, playing with both of them after leaving Basie. He went on to work together with Hoagy Carmichael and Maxine Sullivan and tour Sweden together with Reinhardt and Stéphane Grappelli.

In the 1950s he accompanied Mary Lou Williams, Sarah Vaughan, and Lena Horne. He was a sideman in the ensembles of Humphrey Lyttelton, Kenny Baker and Ralph Sharon, and was the house bassist at Lansdowne Studios. Working outside of jazz with blues musicians such as Big Bill Broonzy and Josh White, and played with Johnny Duncan’s Blue Grass Boys. As the bass guitar became more popular, Jack became a champion and played both instruments in the latter part of his career.

He became a booker/promoter establishing the booking agency Cana Variety in 1952. Cana booked primarily jazz artists in its early stages but expanded to rock acts by the 1960s, including The Beatles and The Rolling Stones and was requested by the Beatles to play violin on the song Don’t Pass Me By. Bassist Jack Fallon continued to play jazz locally in London, England and in the studios into the 1990s. He published a memoir titled From the Top in 2005, and passed away on May 22, 2006 at age 90 in London, England.


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Born Martin Flachsenhaar, Jr. in New York City on October 7, 1924, Marty Flax played flute, clarinet and trombone in addition to baritone saxophone. He was a mainstay in the bands of Louis Jordan, Dizzy Gillespie, Perez Prado, and Tito Puente. He was also a member of the bands that performed on the soundtracks composed by Raymond Scott.

Marty worked with Les Elgart and Claude Thornhill in the late 1950s, then with Quincy Jones, Melba Liston and Gillespie, including on the State Department tours of the Middle East and South America.

Early in the 1960s he again toured South America with the Woody Herman Orchestra. When not on tour he led a house band at the Cafe Society and worked with Sammy Davis, Jr. and Buddy Rich recording on the Reprise, Norgran and Verve labels.

Baritone saxophonist Marty Flax, a consummate sideman and bandleader who never recorded under his own name, passed away on July 3, 1972.


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Teddy Brannon was born Humphrey Brannon on September 27, 1916 in Moultrie, Georgia. He began learning piano at age nine and played in dance bands in high school while working locally in Newark, New Jersey nightclubs from 1937 – 1942.

Between 1942 to 1945 he was a member of Benny Carter’s ensemble, after which he freelanced on 52nd Street in New York City. The 1950s and 1960s saw Brannon working in the studios with doo wop groups and though he never recorded as a leader, he recorded as a leader with his orchestra in the late Forties and played extensively in the jazz idiom with but not limited to Don Byas, Roy Eldridge, Buddy Rich, Bennie Green, Johnny Hodges, Jonah Jones, Don Newcomb and Illinois Jacquet.

An accomplished accompanied he performed and recorded with such singers as Dinah Washington, Ruth Brown, Billie Holiday, and Babs Gonzales, who was Brannon’s cousin. Pianist Teddy Brannon passed away on February 24, 1989 in Newark, New Jersey.


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Bill Tole was born on September 23, 1937 and raised in Pittsburgh, Pennsylvania. His father was a high school band director, trombonist and pianist, his mother a music teacher, played piano and performed as a vocalist. Graduating from Duquesne University School of Music, he auditioned for the Tommy Dorsey Orchestra, went on tour and then joined the Air Force dance band, The Airmen of Note. He was solo trombonist and assistant leader for four years.

Moving to New York City in the 1960s he played with Broadway shows, headliners artists, club dates and recording during the studio’s prime years. Afterwards, he moved to Los Angeles in 1967 and recorded albums, commercials, television and movies. His career took a turn when a producer put out a casting call for a trombonist to portray Tommy Dorsey in a film starring Liza Minelli and Robert Deniro. They realized their luck with Tole who understood the era of music, professionally played trombone and had his own big band for the movie. He played as sweet as Dorsey, looked the part of the character and his band recorded their version of the soundtrack of New York, New York after the film was completed.

Bill has worked with Ray Anthony, Tex Beneke, Louis Bellson, Les Brown, Bob Crosby, Harry James, Quincy Jones, Nelson Riddle and Si Zentner as well as vocalists Frank Sinatra, Tom Jones, Ella Fitzgerald, Pearl Bailey and Tony Martin, to name a few.

Trombonist Bill Tole, very much in demand, continues to perform, record and tour as a soloist, teacher and clinician across the globe.


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