Daily Dose Of Jazz…
Freddy Martin was born Frederick Alfred Martin on December 9, 1906 in Cleveland, Ohio and was raised mostly in an orphanage and by various relatives. He started out playing drums, then switched to C-melody saxophone, finally landing on the tenor saxophone.
Martin led his own band while he was in high school, then played in various local bands. Earning enough money through music to enter Ohio State University, he opted to perform and wound up becoming an accomplished musician. After working on a ship’s band, he joined the Mason-Dixon band, then joined Arnold Johnson and Jack Albin, with whom he made his first recordings in 1930.
Freddy’s career got started when he filled in one night for a date Guy Lombardo couldn’t make. Though the band did well, it broke up and he didn’t put another together until 1931 at the Bossert Hotel in Brooklyn, New York. Here he pioneered the “Tenor Band” style that swept the sweet-music industry and spawned imitators in hotels and ballrooms nationwide.
He would go on to make his debut for Columbia Records in 1932, then record for Brunswick, Bluebird, and Victor Record labels. He would play NBC radio’s Maybelline Penthouse Serenade and have his million copies gold record hit Tonight We Love with Clyde Rogers on vocals. Martin recorded A Lover’s Concerto two decades before The Toys made it popular as a R&B hit, as well as many other classical pieces were arranged for his jazz band.
Nicknamed “Mr. Silvertone” by saxophonist Johnny Hodges, Chu Berry named him his favorite saxophonist, and so did Eddie Miller. He had a good ear for singers and at one time or another employed Merv Griffin, Buddy Clark and Helen Ward. His popularity led him to Las Vegas, Hollywood performing in a handful of movies, while still playing hotels, radio and a tour of one-nighters called The Big Band Cavalcade.
Returning to California he would lead Guy Lombardo’s band when he was hospitalized and led his own band until the early 1980s, although by then, he was semi-retired. Tenor saxophonist and bandleader Freddy Martin passed away at age 76 on September 30, 1983, in a Newport Beach hospital after a lingering illness.
Put A Dose In Your Pocket
More Posts: saxophone
Daily Dose Of Jazz…
Dr. Michael White was born on November 29, 1954 in New Orleans, Louisiana. He is a classically trained clarinetist who began his jazz musical career as a teenager playing for Doc Paulin’s Brass Band in New Orleans. He was a member of an incarnation of the Fairview Baptist Church Marching Band.
Kid Sheik Colar, discovered him after hearing him onstage performing in Jackson Square in the French Quarter. He began working with the musician regularly following the encounter. A staunch jazz traditionalist, he can be heard on Wynton Marsalis’s 1989 album The Majesty of the Blues. Wynton also appears on White’s 1990 album titled “Crescent City Serenade”, along with Wendell Brunious and Walter Payton.
Michael has led several bands in the New Orleans area, and has accompanied various artists on other recording projects. Since 1979 he has played in the Young Tuxedo Brass Band. During the 1980s he led a band called The New Orleans Hot Seven.
In 1981, White founded The Original Liberty Jazz Band with the express intent of preserving the musical heritage of New Orleans. They perform an end-of-year concert at the Village Vanguard every year since the early 1990s, and in 2006 with former Presidents George H. W. Bush and Bill Clinton in attendance they performed at Tulane University commencement.
Putting on his education cap Michael is also a college professor who formerly taught Spanish, now teaches African-American Music at Xavier University, holds the Rosa and Charles Keller Endowed Chair in the Humanities of New Orleans Music and Culture. As a continuing component of his performances he also serves as guest director at several Jazz at Lincoln Center concerts relating to traditional New Orleans jazz.
Give A Gift Of Jazz – Share
More Posts: clarinet
Daily Dose Of Jazz…
Joris Teepe was born in the Hague, Netherlands on November 27, 1962. He studied the bass at the Conservatory of Amsterdam and in 1992 the left-handed bassist moved to New York City. He recorded his debut album as a leader the following year, with co-leader tenor saxophonist Don Braden, trumpeter Tom Harrell, pianist Cyrus Chestnut and Carl Allen on drums.
A second album was released in 1996 followed by his playing and recording with the Intercontinental Jazz Trio, with Shingo Okudaira and Tim Armacost, with Randy Brecker and Chris Potter and groups that almost always included Don Braden.
In the past years he started working with larger big bands like the Groningen Art Ensemble, Brian Lynch and trombonist Conrad Herwig, and the Joris Teepe Big Band. He composes, plays and records are original compositions, but also arranges other people’s material, such as Duke Ellington, Billy Strayhorn and John Coltrane and has written for larger ensembles and symphonic orchestras.
Teepe has collaborated with Joey Berkley, Ron Jackson, Darrell Grant, Antonio Ciacca, Mathilde Santing, Deborah Brown, and Fay Claassen. Active in jazz-education heading up the jazz department at the Prins Claus Conservatory in Groningen, teaches bass at the New Jersey Performing Arts Center and continues to compose, arrange, perform, record and tour.
Inspire A Young Mind
More Posts: bass
Daily Dose Of Jazz…
Seldon Powell was born on November 15, 1928 in Lawrenceville, Virginia. A classically trained saxophonist and flautist who studied at Juilliard in New York City, he went on to work briefly with Tab Smith in 1949 before joining and recording with Lucky Millinder the following year. For the next two years he would spend in the military and upon discharge became a studio musician.
A solid musician with the ability to move between genres from big band to hard bop to soul jazz and R&B, over a forty year career he would record four albums as a leader between 1956 and 1973 and another 60 album sessions as a sideman with Clark Terry, Johnny Hammond Smith, Buddy Rich, Louis Bellson, Neal Hefti, Billy Ver Planck, Sy Oliver,, Erskine Hawkins, Ahmed Abdul-Malik, Richard “Groove” Holmes, Gato Barbieri, Dizzy Gillespie, Gerry Mulligan,Benny Goodman, Woody Herman, roland Hana, Osie Johnson, Freddie Green, Gus Johnson, Sonny Stitt, Friedrich Gulda, Art Farmer, Cal Tjader, Billy Taylor, Ernie Wilkins, Panama Francis, Teri Thornton, Jimmy Forrest, Charlie Byrd, Oliver Nelson and the list goes on.
He recorded for Epic, Roost, Savoy, RCA, United Artists, Lion, Riverside, EmArcy, Golden Crest, Candid, ABC, New Jazz, Impulse, Solid State, Verve, 20th Century, Atlantic, and Sesac record labels. Tenor saxophonist and flautist who concentrated in the swing, progressive and soul jazz, big band and rhythm & blues genres passed away on January 25, 1997 in Hempstead, New York.
Jazz Is Global – Share
Daily Dose Of Jazz…
Lynn Baker was born Malcolm Lynn Baker on November 9, 1955 in Salem, Oregon. When he was seven he started taking piano lessons and by the fifth grade was in band class and in sixth grade his mother bought him a tenor saxophone but didn’t practice much until he got in junior high. It was there that he soon took first chair and held it throughout his high school years.
By 1973 Baker was attending Oregon College of Education but in his sophomore year transferred to the University of Oregon seeking a better jazz program without success. However it offered him the opportunity to play with a young John Zorn, which would have a powerful impact on his music aesthetic. Eventually he would transfer to Western Oregon University, Mt. Hood Community College and finally transferring back to and graduating from Oregon College of Education.
He joined a local Top 40 band led by Ricky Santos for a while, then moved to Eugene, Oregon and joined the Experimental Jazz Ensemble followed by gigs playing with dance bands and a rock/Latin fusion band. An award winning composer, performer and educator Lynn released his debut album Azure Intention in 2010 on the Origin Records label. His sophomore project LectroCoustic followed three years later.
As an educator Baker has taught at Indian University and Carleton College and is currently the director of jazz studies and Commercial Music Program at the Lamont School of Music, University of Denver, directs the Lamont Jazz Orchestra, coaches combos and teaches jazz improvisation and composition, jazz history and jazz technique. Tenor saxophonist Lynn Baker continues to perform in between his teaching duties.
Put A Dose In Your Pocket
More Posts: saxophone