Daily Dose Of jazz…

Peanuts Hucko was born Michael Andrew Hucko in Syracuse, New York on April 7, 1918.  He moved to New York City in 1939 where he played tenor saxophone with Will Bradley, Tommy Reynolds, and Joe Marsala until 1940.

After a brief time with Charlie Spivak, he joined the Glenn Miller Army Air Force Band while serving in Europe during World War II. During this time, Peanuts began to concentrate on the clarinet. He was featured in Miller’s hard-driving versions of Stealin’ Apples and Mission to Moscow. Post-war, he played in the bands of Benny Goodman, Ray McKinley, Eddie Condon and Jack Teagarden. From 1950 to 1955, he was busy in New York as a studio musician for CBS and ABC.

He continued working with Goodman and Teagarden, When he visited Tokyo, Japan in 1951 as the lead alto saxophonist in Benny Goodman’s Orchestra, he listened to clarinetist Shoji Suzuki and his Rhythm Aces. With Suzuki and his band, they recorded the song Suzukake No Michi, which broke sales records in Japan. He then joined the Louis Armstrong All-Stars for two years from 1958 to 1960.

Hucko led his own group at Eddie Condon’s Club from 1964 to 1966. He became known for his work with Frank Sinatra as the clarinet soloist on Cole Porter’s What Is This Thing Called Love?, which was featured on Sinatra’s album In the Wee Small Hours. In 1964, he opened his own nightclub Peanuts Hucko’s Navarre, in Denver, Colorado which featured his singer wife Louise Tobin and Ralph Sutton. From 1966, he was featured regularly at Dick Gibson’s Colorado jazz parties where he appeared with the Ten Greats of Jazz, later called the World’s Greatest Jazz Band.

The Seventies saw Peanuts leading the Glenn Miller Orchestra and toured across the U.S. and abroad. He also toured with the Million Airs Orchestra, and appeared with the Lawrence Welk Orchestra. The next decade he toured with his Pied Piper Quintet before going into semi-retirement with his wife in Denton, Texas. He recorded his last session Swing That Music in 1992 featuring Tobin, trumpeter Randy Sandke, and pianist Johnny Varro.

As a composer he wrote or co-wrote See You Again, A Bientot, Peanut Butter, Blintzes Bagel Boogie, Falling Tears, First Friday, Tremont Place, and Sweet Home Suite. Big band clarinetist Peanuts Hucko, who sometimes played saxophone, transitioned in Fort Worth, Texas on June 19, 2003 at the age of 85.

ROBYN B. NASH

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Daily Dose Of Jazz…

Manfred Schoof was born April 6, 1936 in Magdeburg, Germany and studied music in Kassel and Cologne, Germany where one of his teachers was the big band leader Kurt Edelhagen.

Schoof performed on Edelhagen’s radio program and toured with Gunter Hampel In the 1960s he started a free jazz band with Alexander von Schlippenbach and Gerd Dudek which became the basis for Manfred Schoof Orchestra. From 1969 to 1971 he was a member of the George Russell Orchestra.He has also worked with Jasper Van’t Hof and the Globe Unity Orchestra.

He composed classical music for the Berlin Philharmonic. His group has participated in performances of Die Soldaten, an operatic work by the contemporary composer Bernd Alois Zimmermann. He was featured in a profile on composer Graham Collier in the 1985 Channel 4 documentary Hoarded Dreams.

Since 2007 he has been chairman of the Union Deutscher Jazzmusiker. Trumpeter and composer Manfred Schoof has been a professor in Cologne since 1990.

ROBYN B. NASH

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Daily Dose Of Jazz…

Jake Hanna was born in Roxbury, Massachusetts on April 4, 1931 and first performed in Boston, Massachusetts. He was the house drummer at Storyville nightclub in Boston, Massachusetts for a number of years in the 1950s and 1960s. Through the decades beginning in the late Fifties he played with Toshiko Akiyoshi, Maynard Ferguson, Marian McPartland, and Woody Herman’s Orchestra.

He appeared with the Mort Lindsey Orchestra on Judy Garland’s multi Grammy Award-winning 1961 live album, Judy at Carnegie Hall. He did extensive work as a studio musician both in and out of jazz, including an eleven year period from 1964 to 1975 as the drummer for the big band of the Merv Griffin Show. Jake recorded several albums with Carl Fontana for Concord Jazz in the mid-1970s and also played in Supersax. Later in his career he did much work as a sideman for Concord.

Drummer Jake Hanna transitioned from complications from blood disease on February 12, 2010 in Los Angeles, California at the age of 78.

ROBYN B. NASH

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Daily Dose Of Jazz…

James Wesley “Bubber” Miley was born April 3, 1903 in Aiken, South Carolina into a musical family. At the age of six, he and his family moved to New York City, New York where, as a child, he occasionally sang for money on the streets, and later, at the age of 14, studied the trombone and cornet.

In 1920, after having served in the Navy for 18 months, he joined a jazz formation named the Carolina Five, and remained a member for the next three years, playing small clubs and boat rides all around New York City. After leaving the band at the age of 19, Miley briefly toured the Southern States with a show titled The Sunny South, and then joined Mamie Smith’s Jazz Hounds, replacing trumpeter Johnny Dunn. They regularly performed in clubs around New York City and Chicago, Illinois. While touring in Chicago, he heard King Oliver’s Creole Jazz Band playing and was captivated by Oliver’s use of mutes. Soon Miley found his own voice by combining the straight and plunger mute with a growling sound.

Miley’s talent and unique style were soon noticed in New York’s jazz scene by Duke Ellington who wanted him to jump in for trumpeter Arthur Whetsel. His collaboration with Ellington has secured his place in jazz history. Early Ellington hits, such as Black and Tan Fantasy, Doin’ the Voom Voom, East St. Louis Toodle-Oo, The Mooche, and Creole Love Call, prominently featured Miley’s solo work.

After leaving Ellington’s orchestra in 1929, Bubber joined Noble Sissle’s Orchestra for a one-month tour to Paris, France. After returning to New York, he recorded with groups led by King Oliver, Jelly Roll Morton, Hoagy Carmichael, Zutty Singleton and with Leo Reisman’s society dance band. In 1930, he recorded six songs for Victor Records under the name Bubber Miley and his Mileage Makers, a formation of thirteen musicians including clarinetist Buster Bailey.

His alcoholism terminally affected his life. Trumpet and cornetist Bubber Miley who specialized in the use of the plunger mute, transitioned from tuberculosis on May 20, 1932 on Welfare Island in New York City.

ROBYN B. NASH

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Daily Dose Of Jazz…

Oleg Leonidovich Lundstrem was born April 2, 1916 into a family of musicians in Chita, Transbaikal Oblast. His family moved to Harbin, China when he was five. By 1935, inspired by Duke Ellington’s Dear Old Southland record which he purchased, he joined forces with eight other young Russian amateur musicians and formed the Oleg Lundstrem Orchestra. The following year the band moved to Shanghai, China where they immediately became popular among the public. The band was an important part of Shanghai’s jazz scene until 1947, along with Buck Clayton Orchestra.

After World War II, in 1947 Oleg returned to the Soviet Union and settled in Kazan, where he worked as a violinist in the opera and ballet theatre, while keeping his jazz orchestra as a side act. 1956 saw the Oleg Lundstrem Orchestra moving to Moscow where he was appointed by the Soviet cultural authorities as the orchestra’s art director and conductor.

His orchestra was recognized by the Guinness Book of Records as the oldest continuously existing jazz band in the world, the official name being The State Oleg Lundstrem Chamber Orchestra of Jazz Music.

Composer and conductor Oleg Lundstrem, also spelled Lundstroem or Lundström, transitioned from natural causes at his home on October 14, 2005 in Korolyov, Moscow Oblast at the age of 89.

ROBYN B. NASH

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