Daily Dose Of Jazz…
Joki Freund was born Walter Jakob Freund on September 5, 1926 in Höchst, Frankfurt am Main, Germany. He began playing the accordion as a child, switching to tenor saxophone after World War II ended.
Early in the postwar era, he played with Joe Quitter, Carlo Bohlander, Gerry Weinkopf, Joe Klimm, and Jutta Hipp, before forming his own ensemble. He began performing with American musicians, including Donald Byrd, Art Taylor, and Doug Watkins during their European festival appearances.
He went on to play with and arranged for Albert Mangelsdorff in the jazz orchestra of Hessischer Rundfunk, and Erwin Lehn in the Süddeutscher Rundfunk orchestra. He played with the Frankfurt Jazz Ensemble on soprano saxophone in the 1970s, also performing as a leader around this time.
Saxophonist Joki Freund, who predominantly played in a quintet setting but also in orchestras or big bands, transitioned on February 15, 2012 in Schwalbach am Taunus, Germany.
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Daily Dose Of Jazz…
Fred Hess was born in Abington, Pennsylvania on September 3, 1944 but was raised in New Jersey. He studied at Trenton State College with his early studies with saxophonist Phil Woods, a stint with bandleader Fred Waring, and composing music for the world premiere of a Sam Shepard play.
As a composer, his influences encompass avant-garde classical sources, as well as Anthony Braxton and the members of the AACM. Moving to Boulder, Colorado in 1981, he founded the Boulder Creative Music Ensemble. Fred then completed further studies at the University of Colorado, Boulder, taking his doctorate in composition in 1991.
He recorded his debut album Sweet Thunder in 1991 and by 2012 had sixteen albums as a leader in his catalog. He was the Director of Music Composition at Metro State College in Denver, Colorado.
In addition to his own projects as a leader, BCME, The Fred Hess Group and the Fred Hess Big Band, he was the founding director of Denver’s Creative Music Works Orchestra and was a member of drummer Ginger Baker’s Denver Jazz Quintet, as well as ensembles led by trumpeter Ron Miles.
His playing was influenced by Lester Young, John Coltrane, the Association for the Advancement of Creative Musicians, and Eric Dolphy. Tenor saxophonist Fredd Hess transitioned on October 27, 2018.
Bestow upon an inquiring mind a dose of a Abington saxophonist to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
John Zorn was born September 2, 1953 in New York City, New York and attended the United Nations International School, where he studied piano, guitar and flute from an early age. Exposed by his families musical tastes in classical, world, jazz, French chansons, country doo-wop and rock and roll records, he spent his teenage years exploring classical and film music, listening to The Doors and playing bass in a surf band. He explored experimental and avant-garde music as well as cartoon soundtracks and film scores. He went on to teach himself orchestration and counterpoint by transcribing scores and studied composition under Leonardo Balada.
After discovering Anthony Braxton’s album For Alto when he was studying composition at Webster College in St. Louis, Missouri, Zorn began playing saxophone and attended classes taught by Oliver Lake. While at Webster, he incorporated elements of free jazz, avant-garde and experimental music, film scores, performance art and the cartoon scores of Carl Stalling into his first recordings.
Leaving Webster after three semesters, John lived on the West Coast before returning to Manhattan where he gave concerts in his apartment and other small NY venues, playing saxophone and a variety of reeds, duck calls, tapes, and other instruments. He immersed himself in the underground art scene, assisting Jack Smith with his performances and attending plays by Richard Foreman
Zorn entered New York City’s downtown music scene in the mid-1970s, collaborating with improvising artists while developing new methods of composing experimental music. Over the next decade he performed throughout Europe and Japan and recorded on independent US and European labels. In 1986 he received acclaim with the release of his radical reworking of the film scores of Ennio Morricone, The Big Gundown, followed by Spillane, an album featuring his collage-like experimental compositions. Spy vs Spy and Naked City both demonstrated his ability to merge and blend musical styles in new and challenging formats.
Having spent time in Japan in the late 1980s and early ’90s John returned to Lower East Side Manhattan to establish the Tzadik record label in 1995, enabling him to establish independence, maintain creative control, and ensure the availability of his growing catalog of recordings. He prolifically recorded and released new material for the label, issuing several new albums each year, along with recordings by many other artists.
He performs on saxophone with the groups Naked City, Painkiller, and Masada but more often conducts bands like Moonchild, Simulacrum and several of his Masada-related ensembles. He composes concert music for classical ensembles and orchestras, produces music for opera, sound installations, film and documentary, and tours Europe, Asia, and the Middle East. Composer, conductor, saxophonist, arranger and producer John Zorn continues his exploration of music and adds to his diverse repertoire.
Bestow upon an inquiring mind a dose of a New York City composer to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
Muvaffak “Maffy” Falay was born on August 30, 1930 in Karşıyaka, Turkey and moved later with his family to Kuşadası,Turkey. In 1942 he heard that a teacher would be arriving in Kuşadası to establish a municipal band team and ast the age of 12 started his career in music in Kuşadası Municipality Band. He learned to read music and to play the trumpet with excellent skills with 5 hours of practice per day in just 3 months.
He studied trumpet and piano in Ankara Conservatory and in 1960, he joined the radio orchestra of Kurt Edelhagen in Cologne, Germany. After departing from Edelhagen he toured Europe with the Kenny Clarke/Francy Boland Big Band and played on six of the band’s albums.
Maffy’s next gigs were playing in orchestras led by Benny Bailey, Åke Persson, Phil Woods, Sixten Eriksson and Quincy Jones. By 1965 he decided to move to Sweden where he played for the radio jazz orchestra, and toured around the Americas at the same time. 1970 saw him playing in the Dizzy Gillespie Reunion Orchestra, and he also played with Dexter Gordon, Stan Getz, and Elvin Jones.
In 1971, he formed the band Sevda, featuring Bernt Rosengren, Okay Temiz, Gunnar Bergsten, Ove Gustafsson and Salih Baysal. In 2005, he received the Lifetime Achievement Award at the Istanbul Jazz Festival. Trumpeter Maffy Falay transitioned on February 22, 2022 at the age of 91.
Bestow upon an inquiring mind a dose of a Karşıyaka trumpeter to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…
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Daily Dose Of Jazz…
Leslie Allen was born on August 29, 1902 in Ealing, London, England and at the age of 3, he and his family moved to Canada. As a child, he played clarinet alongside his father in the Queen’s Own Rifles Band and later learned to play the saxophone. He performed with the dance bands of Burton Till and Luigi Romanelli and in 1922 worked briefly in New York City before travelling to England in 1924 as part of a band of fellow Canadians recruited by Hal Swain. Intending his band to play at the Rector’s Club in London, once there, he found it closed.
The band found a residency at the New Prince’s restaurant in Piccadilly and became The New Princes Toronto Band. Under this name, they recorded for Columbia Records for eighteen months with Allen serving as alto saxophonist and occasional vocalist. Between 1926 and 1927, Allen joined several of his NPTB colleagues on a European tour where they performed as Dave Caplin’s Toronto Band under the leadership of banjoist Caplin.
After returning to England in 1927, Allen spent the next five years playing and singing with several leading British dance orchestras, including those of Carroll Gibbons, George Melachrino and Geraldo and making a number of freelance recordings, with duets with Al Bowlly.
In 1932, he joined Henry Hall’s BBC Dance Orchestra as a featured vocalist and enjoyed national hits with The Sun Has Got His Hat On and Auf Wiedersehen My Dear. Parting ways with Hall in 1934, he began a solo career, scoring hits with Tell Me Tonight, Love Is The Sweetest and the children’s ballad, Little Man You’ve Had A Busy Day on which his wife Anne and son Norman had speaking parts.
In 1935, he starred in the musical comedy Heat Wave, subsequently formed his own bands, the Les Allen Melody Four and the male voice singing group, Les Allen & His Canadian Bachelors, with fellow countrymen lead singer Jack Curtis, tenor Herbie King, and baritone and arranger Cy Mack.
During World War II, Les travelled and entertained Canadian troops. After the war, he played the juvenile lead in the 1945 revival of Miss Hook of Holland before returning to Toronto, Canada in 1948, where he started a second career in the office supply trade. Retiring in 1971, alto saxophonist and vocalist Les Allen transitioned in Toronto on June 25, 1996.
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