Daily Dose Of Jazz…
Albert Edwin Condon was born November 16, 1905 in Goodland, Indiana and started playing music on the ukulele before switching to guitar. By the time he was sixteen he was in Chicago playing professionally with Bix Beiderbecke, Jack Teagarden and Frank Teschmacher.
In 1928 Condon moved to New York City frequently arranging jazz sessions for various labels, sometimes playing with the artists he brought like Louis Armstrong and Fats Waller. He organized racially integrated recording sessions – when these were still rare – with Waller, Armstrong and Henry “Red” Allen. He played with the Red Nichols band, later forming a long association with Milt Gabler’s Commodore Records in 1938.
From the late 1930s on Eddie was a regular at Nick’s in Manhattan with Pee Wee Russell, Wild Bill Davison and Bobby Hackett. He went on to appear in a short film with Hackett, produced a series of jazz broadcasts from Town Hall during the last years of WWII that gave him national popularity.
From 1945 through 1967 he ran his own New York jazz club, Eddie Condon’s. In the 50s he recorded a sequence of classic albums for Columbia Records, toured Britain, Australia, Japan, the U. S. and performed at jazz festivals throughout the world until 1971. Two years later, Eddie Condon, jazz banjoist, guitarist, bandleader and arranger passed away on August 4, 1973 in New York City.
More Posts: arranger,bandleader,banjo,guitar
Daily Dose Of Jazz…
Milton Mesirow, better known as Mezz Mezzrow was born November 9, 1899 in Chicago, Illinois. The clarinetist and saxophonist has never been ranked as one of the best jazz musicians, organizing and taking part in some magnificent recording sessions involving the best black musicians of the 1930s/40s, including Benny Carter, Teddy Wilson, Frankie Newton, Tommy Ladnier and most importantly Sidney Bechet. His 1938 sessions for the French jazz critic Hugues Panassie, which he is well-known for organizing and financing, involved Bechet and Ladnier and helped spark the “New Orleans revival”.
Mezzrow became better known for his drug-dealing of marijuana than his music. His nicknames “Mezz” and “Muggles” that became slang for marijuana were used in song, the former in the Stuff Smith tune “If You’re A Viper” and the later was the title of a 1928 Louis Armstrong recording and for a brief time was his manager.
In the mid-1940s Mezzrow started his own record label, King Jazz Records, featuring himself in groups that usually included Sidney Bechet and, often, trumpeter Oran “Hot Lips” Page. Mezzrow also can be found and heard playing on six recordings by Fats Waller and his appearance at the 1948 Nice Jazz Festival was a surprise hit.
Following that appearance he made his home in Paris, France and organized many bands that included French musicians like Claude Luter, as well as visiting American artists like Peanuts Holland, Jimmy Archey, Kansas Fields, Lionel Hampton and Buck Clayton, with whom in 1953 he made what is probably his best ever recording: a version of the Louis Armstrong classic “West End Blues”.
Mezz Mezzrow, clarinetist, saxophonist, author and colorful character died on August 5, 1972 in Paris, France.
Daily Dose Of Jazz…
Sidney Bechet was born on May 14, 1897 in New Orleans, Louisiana to a wealthy Creole family. At age six he picked up his brother’s clarinet, learned to play by on his own, eventually playing at a family birthday party exhibited his new talent. Later he would study with renowned Creole clarinetists Lorenzo Tio, Big Eye Louis Nelson and George Baquet. He would be found improvising jazz in many New Orleans ensembles led by John Robichaux, Bunk Johnson and King Oliver.
By the time he was 17 Bechet was touring as far north as Chicago and two years later landed in New York playing with Marion Cook’s Syncopated Orchestra. This led him to Europe and the Royal Philharmonic Hall where he attracted attention with his playing. It was in London that Sidney found the straight soprano and quickly developed a style different from his warm clarinet.
Sidney became one of the first important soloists in jazz, eclipsing Louis Armstrong into the studio by several months, and was possibly the first notable jazz saxophonist. His forceful delivery and well-constructed improvisations characterized his distinctive and wide vibrato playing although his lively and unpredictable temperament did not gain him wide acclaim until well into the late forties.
Returning to New York in 1922 he began recording songs like “Wild Cat Blues” and “Kansas City Man’s Blues” with sessions led by pianist and songwriter Clarence Williams. Over the next three decades Bechet continued to record and tour although his success was intermittent. He relocated to France in 1950, got married and shortly before his death dictated his poetic autobiography “Treat It Gentle”. Sidney Bechet, clarinetist, saxophonist and composer died in Garches, France of lung cancer on May 14, 1959, his 62nd birthday.
Daily Dose Of Jazz…
Freddy Randall was born Frederick James Randall on May 6, 1921 in Clapton, East London, England. Becoming interested in music in school the self-taught musician took up the trumpet at 16, never learned to read music but still achieved a high degree of technical proficiency with a flair and exuberance which marked him out. He began playing in local bands including Albert Bale’s Darktown Strutters and Will De Barr’s Band.
Randall’s heroes were the so-called Dixieland players out of Chicago like Wild Bill Davison and Muggsy Spanier and his own playing reflected their influence as he led the St. Louis Four in 1939. After military service he played Freddy Mirfield and John Dankworth before leading his own Dixieland groups in the late forties that featured many well-known English trad jazz stars of the era.
By 1958 Freddy left music due to lung problems, not resurfacing until ’63 playing with Dave Shepherd and recording for Black Lion Records. Over the course of his career Randall played with visiting American jazz musicians Sidney Bechet, Bud Freeman, Wild Bill Davison, Pee Wee Russell, Bill Coleman and Teddy Wilson.
Freddy Randall, trumpeter and bandleader, died on May 18, 1999 in Teignmouth, Devon at age 78.
More Posts: trumpet
Daily Dose Of Jazz…
Hayes Alvis was born on May 1, 1907 in Chicago, Illinois. He started his career playing drums but switched to tuba and bass after playing with Jelly Roll Morton in 1927-28. He played tuba and arranged for Earl Hines from 1928 to 1930.
Moving to New York City in 1931 Hayes played with Jimmie Noone in the Mills Blue Rhythm Band from 1931-34 and 1936. A very early double-bass solo can be heard on his 1932 recording “Rhythm Spasm”. He also occasionally played baritone saxophone in this ensemble as well, and was the group’s tour manager. From 1935 to 1938 Alvis played with Duke Ellington, working with fellow bassist/tubist Billy Taylor.
After his stint with Ellington, Alvis played with Benny Carter, Joe Sullivan and Louis Armstrong, replacing Pops Foster. From 1942 to 1945 he played in the Army band led by Sy Oliver. After the war, he played with Dave Martin until 1947, and then took a longstanding run as a house musician at the Cafe Society in New York City.
In the 1950s, he played in various swing and Dixieland revival groups, including Wilbur De Paris’s New Orleans Jazz. In the early seventies he played in a trio with Jay McShann and Tiny Grimes.
Never recording as a leader, bassist, tubist and sideman Alvis Hayes died in New York City on December 30, 1972 at the age of 65.
