Daily Dose Of Jazz…
Philipp John Paul Wachsmann was born August 5, 1944 in Kampala, Uganda. Influenced greatly by the music of his country he studied violin with Isolde Menges, and music at Durham University, then received scholarships to study violin and composition at Indiana University in Bloomington. He went on to study composition with Nadia Boulanger in Paris in 1968 where he also attended courses in modern music given by Henri Pousseur, and, by Pierre Boulez in Basel. He subsequently lectured at Durham University 1969/70 and then moved to London to start a performing career.
He pioneered new sounds using the violin and electronics and can be heard on over 100 LPs/CDs on different labels including ECM, and plays worldwide. He performs with most of the musicians working in modern improvisation related music. He has performed and recorded with the Stellari String Quartet, The Imaginary String Trio but also works as a soloist.
He regularly conducts his own pieces with the London Improvisation Orchestra, including Three Draft Pistons’ for violin and electro-acoustic tape. He also works with film, dance and architecture. For many years he was Director of the Electronic Music Studio at Morley College and currently teaches courses in composition at the City Literary Institute.
Avant-garde jazz/jazz fusion violinist Philipp Wachsmann gives regular workshops in improvised music at various places and which have been a starting place for many of today’s performers, founded his own group Chamberpot, and has worked extensively in the free jazz and electronica idioms.
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Daily Dose Of Jazz…
Hamid Drake was born Henry Lawrence Drake on August 3, 1955 in Monroe, Louisiana but his family moved to Evanston, Illinois, when he was a child. There he started playing with local rock and R&B bands, which eventually brought him to the attention of Fred Anderson, an older saxophonist who had also moved to Evanston from Monroe as a child decades before. Drake worked with Anderson from 1974 to 2010 including on his 1979 The Missing Link.
At Anderson’s workshops, he met Douglas Ewart, George E. Lewis and other members of Chicago’s Association for the Advancement of Creative Musicians (AACM). Percussionist Ed Blackwell had a great influence on Drake, during this period. His flowing rhythmic expressions and interest in the roots of the music drew like-minded musicians together into a performance and educational collective named the Mandingo Griot Society, which combined traditional African music and narrative with distinctly American influences.
During the Seventies he met Don Cherry and with Adam Rudolph toured Europe and worked extensively with him from 1978 until Cherry’s death in 1995. It was during this period where they explored the interior landscape of percussion and shared deeply in Mr. Cherry’s grasp of music’s spiritually infinite transformational possibilities.
By the close of the 1990s, Hamid was widely regarded as one of the best percussionists in jazz and improvised music. Incorporating Afro-Cuban, Indian, and African percussion instruments and influence, in addition to using the standard trap set, Drake has collaborated extensively with top free jazz improvisers, performed world music and reggae during his career.
Drummer and percussionist Hamid Drake, who also plays the tabla, continues to perform.
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Daily Dose Of Jazz…
Jasper van ‘t Hof was born on June 30, 1947 in Enschede, Overijssel, Netherlands. He began studying piano at the age of five. He played in jazz bands at school and by 19 was playing at jazz festivals with drummer Pierre Courbois. In 1969, he became a member of Courbois’ early European jazz rock band Association P.C. with German guitarist Toto Blanke.
In 1974, Van’t Hof founded Pork Pie and teamed up with guitarist Philip Catherine, saxophonist Charlie Mariano, drummer Aldo Romano, and bass guitarist Jean-François Jenny Clark, He went on to join the band Eyeball with saxophonist Bob Malach and violinist Zbigniew Seifert.
Jasper had two bands ~ Face to Face with Danish bassist Bo Stief and saxophonist Ernie Watts; and Pili Pili featuring African singer Angelique Kidjo. He played keyboards with Archie Shepp, although he is best known for his solo piano playing.
As part of Piano Conclave he played with pianists George Gruntz, Joachim Kühn, Wolfgang Dauner, and Keith Jarrett. He has recorded more than four dozen albums as a leader and another nineteen as a sideman. Pianist and keyboardist Jasper Van’t Hof, who is a textural player, comfortably blends impressionistic writing with freer concerns, continues to compose, perform and record.
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Daily Dose Of Jazz…
Luther Thomas was born on June 23, 1950 in St. Louis, Missouri. Known for his free jazz playing and drawing from funk. Coming out of the Black Artists Group (BAG) of St. Louis in the late Sixties, he was one of the original voices from a scene that also bred such names as Oliver Lake, Julius Hemphill, Baikida Carroll, John Zorn and Joseph Bowie.
Luther played in the Human Arts Ensemble with Charles Bobo Shaw in the 1970s, and led a group called Dizzazz in the early 1980s. He played saxophone for James Chance and the Contortions.
As a leader he had recording sessions from the early 1970s he has recorded eleven albums. They have been reissued on CD as part of Atavistic Records’ Unheard Music Series. In 1998 he settled in Denmark and became a cult musician in Christiania Freetown, performing there weekly.
Alto saxophonist and multi-instrumentalist Luther Thomas was a completely intuitive improvisor and a free spirit who reached a level of intensity on the saxophone reached by very few others, transitioned at the age of 59 on September 8, 2009 in Denmark.
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Daily Dose Of Jazz…
Attila Cornelius Zoller was born on June 13, 1927 in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist. While in school, he played flugelhorn and bass before landing on the guitar. Dropping out of school he played in jazz clubs in Budapest while Russia occupied Hungary. He fled Hungary on foot through the Austrian mountains with his guitar in 1948 as the Soviet Union was establishing communist military rule. Settling in Vienna, he became an Austrian citizen and started a jazz group with accordionist Vera Auer.
The mid-1950s saw Zoller moving to Germany and playing with Jutta Hipp and Hans Koller. When American jazz musicians passed through, such as Oscar Pettiford and Lee Konitz, they persuaded him to move to the United States. He moved to the states after receiving a scholarship to the Lenox School of Jazz. One of his teachers was guitarist Jim Hall and his roommate was Ornette Coleman, who got him interested in free jazz.
From 1962–1965, Zoller performed in a group with flautist Herbie Mann, then Lee Konitz and Albert Mangelsdorff. Over the years, he played and recorded with Benny Goodman, Stan Getz, Red Norvo, Jimmy Raney, Herbie Hancock, Ron Carter, Shirley Scott, Cal Tjader, Jimi Hendrix, and in New York City jazz clubs in the 1960s with pianist Don Friedman.
During the Seventies he started the Attila Zoller Jazz Clinics in Vermont, later named the Vermont Jazz Center, where he taught until 1998. He invented a bi-directional pickup, designed strings and a signature guitar series. Between the years 1989 and 1998, he played more and more with the German vibraphonist Wolfgang Lackerschmid. They also did recordings together. He performed with Tommy Flanagan and George Mraz in New York City three weeks before his transition in Townshend, Vermont on January 25, 1998.
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