Daily Dose Of Jazz…
Luther Thomas was born on June 23, 1950 in St. Louis, Missouri. Known for his free jazz playing and drawing from funk. Coming out of the Black Artists Group (BAG) of St. Louis in the late Sixties, he was one of the original voices from a scene that also bred such names as Oliver Lake, Julius Hemphill, Baikida Carroll, John Zorn and Joseph Bowie.
Luther played in the Human Arts Ensemble with Charles Bobo Shaw in the 1970s, and led a group called Dizzazz in the early 1980s. He played saxophone for James Chance and the Contortions.
As a leader he had recording sessions from the early 1970s he has recorded eleven albums. They have been reissued on CD as part of Atavistic Records’ Unheard Music Series. In 1998 he settled in Denmark and became a cult musician in Christiania Freetown, performing there weekly.
Alto saxophonist and multi-instrumentalist Luther Thomas was a completely intuitive improvisor and a free spirit who reached a level of intensity on the saxophone reached by very few others, transitioned at the age of 59 on September 8, 2009 in Denmark.
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Daily Dose Of Jazz…
Attila Cornelius Zoller was born on June 13, 1927 in Visegrád, Hungary. As a child, he learned violin from his father, a professional violinist. While in school, he played flugelhorn and bass before landing on the guitar. Dropping out of school he played in jazz clubs in Budapest while Russia occupied Hungary. He fled Hungary on foot through the Austrian mountains with his guitar in 1948 as the Soviet Union was establishing communist military rule. Settling in Vienna, he became an Austrian citizen and started a jazz group with accordionist Vera Auer.
The mid-1950s saw Zoller moving to Germany and playing with Jutta Hipp and Hans Koller. When American jazz musicians passed through, such as Oscar Pettiford and Lee Konitz, they persuaded him to move to the United States. He moved to the states after receiving a scholarship to the Lenox School of Jazz. One of his teachers was guitarist Jim Hall and his roommate was Ornette Coleman, who got him interested in free jazz.
From 1962–1965, Zoller performed in a group with flautist Herbie Mann, then Lee Konitz and Albert Mangelsdorff. Over the years, he played and recorded with Benny Goodman, Stan Getz, Red Norvo, Jimmy Raney, Herbie Hancock, Ron Carter, Shirley Scott, Cal Tjader, Jimi Hendrix, and in New York City jazz clubs in the 1960s with pianist Don Friedman.
During the Seventies he started the Attila Zoller Jazz Clinics in Vermont, later named the Vermont Jazz Center, where he taught until 1998. He invented a bi-directional pickup, designed strings and a signature guitar series. Between the years 1989 and 1998, he played more and more with the German vibraphonist Wolfgang Lackerschmid. They also did recordings together. He performed with Tommy Flanagan and George Mraz in New York City three weeks before his transition in Townshend, Vermont on January 25, 1998.
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Daily Dose Of Jazz…
Mark Whitecage was born on June 4, 1937 in Litchfield, Connecticut and began playing in his father’s family ensemble as early as age six. In his youth he listened a lot to Roy Eldridge, Ben Webster, Lester Young and Stan Getz. He moved to New York City in the 1970s and was loosely associated with the loft scene with INTERface, a quartet with clarinetist Perry Robinson, bassist John Shea and pianist John Fischer. Fortune smiled and he met Gunter Hampel and ong tours with Hampel’s Galaxie Dream Band became a way of life, which helped him to build up a network outside the US.
In the 1980s, he played with Gunter Hampel’s Galaxy Dream Band, Jeanne Lee, and Saheb Sarbib. After touring solo in Europe in 1986, he put together two bands as a leader, Liquid Time and the Glass House Ensemble. By the Nineties he was releasing his first album with Liquid Time which was chosen by Cadence Magazine as one of the year’s best albums.
He worked in the Improvisers Collective from 1994, and began releasing albums on CIMP in 1996. Late in the decade he worked with Anthony Braxton, including in performances of Braxton’s opera, Trillium R. He also played with William Parker, Perry Robinson, Joe Fonda, Dominic Duval, Joe McPhee, Steve Swell, Richie “Shakin'” Nagan and Sikiru Adepoju.
His marriage to clarinetist Rozanne Levine led to him performing together with Perry Robinson in a trio called Crystal Clarinets. Alto saxophonist and clarinetist Mark Whitecage, who recorded fifteen albums as a leader and another 60 as a sideman, transitioned on March 7, 2021.
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Daily Dose Of Jazz…
Phillip Rista Nimmons was born on June 3, 1923 in Kamloops, British Columbia, Canada. He studied clarinet at the Juilliard School and composition at the Royal Conservatory of Music in Toronto, Canada. In 1953 Nimmons formed the ensemble Nimmons ‘N’ Nine, which later he led during his weekly radio show on CBC radio. This ensemble eventually grew to 16 musicians in 1965 and was active intil 1980.
He joined the University of Toronto in 1973 and as an educator, Nimmons has made substantial contributions to the study of jazz. In 1960, Along with Oscar Peterson, he founded the Advanced School of Contemporary Music in Toronto, Canada. He was involved in the development of the jazz performance program at the University of Toronto.
Nimmons received the first Juno Award given in the Juno Awards jazz category, for his album Atlantic Suite. His composition The Torch was commissioned for the 1988 Winter Olympics in Calgary, Alberta, Canada and was performed at the Olympics by a big band led by Rob McConnell.
In 1993, he was made an Officer of the Order of Canada, received the Order of Ontario, the Jazz Education Hall of Fame honor, the Lifetime Achievement Award by SOCAN and the Governor General’s Performing Arts Award, Canada’s highest honour in the performing arts, for his lifetime contribution to popular music.
Clarinetist, composer, bandleader, and educator Phil Nimmons, known for playing in the free jazz and mainstream styles, has recorded seventeen albums as a leader and at 98 is still involved in music.
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Daily Dose Of Jazz…
Pierre Favre was born June 2, 1937 in Le Locle, Switzerland. Not much is known about his childhood or his early music career.
He recorded the album Singing Drums in 1984 on the ECM label with Paul Motian and Nana Vasconcelos. He also appears on John Surman’s album, Such Winters of Memory released the year beore.
He has recorded with several well-known musicians, including Tamia, Michel Godard, Mal Waldron, Paul Giger, Jiří Stivín, Michel Portal, Irene Schweizer, Samuel Blaser, the ARTE Quartett, Barre Phillips and the London Jazz Composers Orchestra.
He has recorded six albums as a leader and drummer and percussionist Pierre Favre continues to explore his craft, perform and record.
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