Daily Dose Of Jazz…
Paul Hession was born on September 19, 1956 in Leeds, West Yorkshire, England where his parents bought him a guitar when he was seven and encouraged his musical development by getting him in the church choir. His first paid gigs were weddings. He started playing drums around fourteen and was mainly self taught working himself through the different musical genres until he reached jazz.
After several years of playing jazz he turned to free improvisation and formed Art, Bart & Fargo with saxophonists Alan Wilkinson and Peter Malham. While living in London, England he played with numerous improvisers and formed a trio with Chris Green and Roberto Bellatalla. Returning to Leeds in the mid-Eighties he continued playing and running music workshops.
By the time he turned thirty he made a solo recording and tour and continued to play and record solo. He started working with electroacoustic dimensions as a soloist. Hession went on to run the Improvised Music Workshop in the late 1980s and a decade later founded Improvised Music Leeds, a workshop that was founded to teach drumming to youth.
Paul created his next trio, Hession/Wilkinson/Fell which became his most prolific group. They recorded for the Canadian Broadcasting Corporation and broadcast on the radio program Two New Hours. He toured the United States and parts of Canada before returning to Europe and playing several cities and festivals.
In 2018 he received his doctorate from the University of Leeds for research into augmenting solo percussion with analogue and digital electronics. Another trio later with Hans Peter Hilby and Michael Bardon, he remains active.
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Daily Dose Of Jazz…
Joëlle Léandre was born September 12, 1951 in Aix-en-Provence, France on Opera Street across from a theatre. She studied the standard double-bass repertoire intensively in her hometown conservatory and at the Conservatoire National Superieur de Musique de Paris. By her late teens she was subbing in the bass sections of large classical ensembles. Drawn to Paris jazz clubs, she wasn’t involved in the scene because her pizzicato playing off-putting the jazz field’s standard.
Her appreciation of improvisation came from her chance discovery of Bowin’ Swingin’ Slam, by swing bassist Slam Stewart. Around the same time Joëlle received a one-year scholarship to study at the Center for Creative and Performing Arts in Buffalo, New York. Not only was she exposed daily to serious music from composers and travelled to New York to listen to improvisers.
She began her career in the early 1970s when she was still a student at the Conservatoire National Supérieur de Musique in Paris, France. She studied with renowned bassist Jean-Louis Rassinfosse and developed a unique style that fused avant-garde jazz with classical music. In 1974, she formed the ensemble Musica Elettronica Viva with Italian composer and electronic musician Luciano Berio.
Collaborating with many on the avant-garde jazz scene including John Cage, Anthony Braxton, Derek Bailey, Anthony Braxton, George E. Lewis, India Cooke, Steve Lacy, Sylvie Courvoisier, John Zorn and Cecil Taylor, among others. She is also a founding member of the improvising trio Fish Music with saxophonist Evan Parker and drummer Barry Guy. Aside from performing as a soloist, her bands have been trio, quartet configurations.
In 1983 she became a member of the European Women Improvising Group (EWIG), which evolved from the Feminist Improvising Group. In the early 1990s she co-founded the feminist improvising trio Les Diaboliques, with Irène Schweizer and Maggie Nicols.
Double bassist, vocalist, and composer Joëlle Léandre remains active in new music, avant~garde and free improvisation.
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Daily Dose Of Jazz…
Irene Aranda was born in Jaén, Andalucía, Spain on September 2, 1980 and started to play piano at age seven under the guidance of her maternal grandparents. She graduated from the Conservatory of Music in Granada and complimented her classical training by attending piano performance and composition classes with Gerardo López Laguna, Guillermo González, Fernando Puchol, Pilar Bilbao, Antonio J. Flores and Javier Darías, among the most notable.
She was self-taught in jazz and free improvisation, she later studied with Peter Zack, Eduard Simons, Chano Domínguez, Nikky Illes, Mike Ph. Mosman, Greg Hopkins, David Pastor, Jordi Farrés Tomás, Pete Churchill, Perico Sambeat, Tony Reedus, etc.
Her first work as a leader, Interfrequency 23 7, brought her great critical acclaim which led her to participate in numerous festivals. Since her debut release in 2007 she has released six more albums.
Freed from stereotypes, Irene has gone on to perform and collaborate with Paolo Fresu, Toots Thielemans, Maria Pia De Vito, Baldo Martínez and Bojan Z among others. Aranda has played with Don Malfon, Brandon López, Markus Breuss, Johannes Nästestjö, Samuel Blasser, Germán Díaz, Agustí Fernández, Joanna Mattrey, Lucía Martínez, Javier Carmona, Núria Andorrà, Marc Egea and numerous others.
Pianist, improviser, composer Irene Aranda continues to swim against the stream of pianists with her creativity and exploration in her music.
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Daily Dose Of Jazz…
Bronisław Suchanek was born August 30, 1948 in Bielsko-Biała, Poland. During his studies at the Secondary Music School he was a member of the Andrzej Zubek Quartet and from 1967 to 1971 he studied at the Academy of Music. In 1969, while still a student, he began collaborating with Tomasz Stańko’s quintet and recorded two albums and were among the first musicians to inaugurate the first Music Workshop in Chodzież, Poland.
He made his debut on the music scene playing in the Silesian Jazz Quartet, which he co-founded with pianist Andrzej Zubek, trumpeter Bogusław Skawina, Jerzy Jarosik on flute and saxophone, and drummer Kazimierz Jonkisz.
At the end of 1972, Bronisław went with the Klan Band to Finland where he took part in a concert as part of the Helsinki Festival and presented the premiere of free-jazz and rock. In 2016, GAD Records released an album titled Live Finland 1972 with a recording of this concert. In the 1970s he was a member of the Polish Radio Jazz Studio Orchestra.
He has performed and recorded both in Poland and abroad with American jazz musicians such as Don Cherry and Rick Stepton. In the second half of the decade he emigrated to Sweden, where he played in the Swedish Jazz Radio Group. He operated in Scandinavia for over a dozen years, collaborating with the bands Sound of Flowers and Birka.
The 1980s saw him giving concerts and recording albums in Germany and Austria with different formations. In 1995 Suchanek moved to the United States where he taught at the Maine School of Music and played in the Woody Herman Big Band and the Artie Shaw Orchestra.
He recorded an album titled Sketch in Blue in a duet with Dominik Wania. In 2010 he recorded an album titled Jerzy Wasowski Songbook together with Bogdan Hołownia, Jerry Veimola and Joe Hunt. He collaborated with the New Bedford Symphony Orchestra.
Double bassist Bronisław Suchanek, who was awarded the Silver Medal for Merit to Culture – Gloria Artis, continues to perform and record in the free jazz and straight-ahead mediums.
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Daily Dose Of Jazz…
Denman Maroney was born on July 25, 1949 in Durfort-et-Saint-Martin-de-Sossenac, Occitanie, France. He went on to receive his Bachelor of Arts from William College and his Masters of Fine Arts in composition and piano from the California Instute of the Arts.
He plays what he calls hyperpiano involves stopping, sliding, bowing, plucking, striking and strumming the strings with copper bars, aluminum bowls, rubber blocks, plastic boxes and other household objects. This is sometimes done with one hand while the other hand is used to play the keys.
He received a grant from the National Endowment for the Arts for his work and worked on a new soundtrack to go with German horror film The Cabinet of Dr. Caligari. As an educator he held a position of adjunct professor at Ramapo College of New Jersey in 2010 and is currently at Fairleigh Dickinson University.
Pianist and composer Denman Maroney continues to explore and create music.
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