Daily Dose Of Jazz…

Charlie Queener was born in Pineville, Kentucky on July 27, 1921 or 1923, the actual year of his birth is in question. During the Forties he worked with the Muggsy Spanier Orchestra, Harry James Orchestra, Benny Goodman Orchestra, Joe Marsala Orchestra, and Glen Gray among others.

Between 1946-50 Queener settled into Nick’s in New York and then spent much of his career freelancing with Dixieland all-stars. Among his associations were Bobby Hackett, Billy Butterfield, Jimmy McPartland, Ruby Braff, Max Kaminsky, Wingy Manone from 1954 to 1960, Wild Bill Davison and with Clarence Hutchenrider on and off from 1958 to 1973, to name a few.

He worked into the 1990s, also composed orchestral works starting in the mid-1960s but never led a record session of his own. Pianist Charlie Queener, who played in Dixieland, swing and mainstream settings, died in July 1997.

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Daily Dose Of Jazz…

Yve Evans was born in El Paso, Texas on July 20, 1950 into an Army family and was around music while growing up as her mother was a gospel singer. When she was three years old she made her first recording of The Lord’s Prayer acapella. In addition to the church music, she began singing and memorizing songs from the radio including all the cartoon favorites like the Mickey Mouse Club.

She learned to play the piano at the age of nine while rehabilitating from injuries she sustained after being struck by a car. The family followed her dad to Germany at age 12 and she began taking lessons from piano virtuoso Frau Anna Benkel, who introduced her to her love of classical piano. In 1964 Yve was hit by a truck and told she would never walk again or have children. The doctors were wrong and while bedridden at home she would still sit up to practive her piano lessons, take a correspondence course in behavioral psychology plus her regular homework.

Yve eventually walked again and began producing in addition to performing and pursuing the art of storytelling while living in Germany. She spent her summers from age13 to 16 playing in a big band, light opera productions and touring Germany with choral groups. At 16 after moving back to America a teacher attempted to discourage her to not rely on a career in music. She continued in the high school and University choral, mentored and encouraged by Carmen Dragon and Jester Harriston.

Evans cites Sarah Vaughn, Ernie Andrews, Joe Williams, Ella Fitzgerald, June Christie, Della Reese, Bobby Darin and Rosemary Clooney as her main influences. As a pianist, she has leaned over the shoulders of, swapped chord changes with and stolen licks from Dorothy Donegan, Bill Evans, Erroll Garner, George Gafney, Carmen McCrae and Shirley Horn.

Vocalist and pianist Yve Evans, who has seven live recordings and is a Grammy nominated artist, continues to tell stories through her music, sing on the local jazz scene and perform around the world at festivals.

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Daily Dose Of Jazz…

Alain Samba was born on July 10th in Pointe Noire, Congo Brazzaville. His early music experiences began with him playing different kinds of percussion native to the region such as sanza (kalimba), kikongui, marimba and drums. He was influenced by listening to both African and European music. At the age of 8 he moved to France where he studied saxophone and harmony at the American School of Modern Music in Paris.

His music is inspired mostly by the jazz of Duke Ellington, John Coltrane, Charles Parker, Wes Montgomery, Nat King Cole, Ella Fitzgerald and Wayne Shorter, and the music of his native region of Congo such as bantous’ music, lari , téké , mbochi and of course the pygmies polyrhythms and polyphonies.

Since the 90’s he has performed in Paris, France clubs, and all around Europe. He created the Art Ensemble of Africa to illuminate the struggle of world citizenship with the same love of music and sharing. In Stockholm, Sweden he teaches saxophone, harmony and polyrhythms and has played with musicians from around the world based in Sweden. such as Rene Martinez, Celso Paco, Pepe Espinosa, Tropicana se, Marianne Fuglevaag, Derrick Walker, Emilio Estrada, and Jorge Arruda to name a few.

Saxophonist, composer, pianist and percussionist Alain Samba, whose main instruments are tenor and soprano saxophones, continues to mix modern jazz with traditional African music.

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Daily Dose Of Jazz…

Richard Simon was born in Kansas City, Kansas on July 5, 1949 and left a comfortable position as a college English professor to take up the upright bass at age 30. He apprenticed with the elder elite of the Los Angeles, California jazz scene, including Red Callender and John Clayton, and soon began working with Buddy Collette, Teddy Edwards, Plas Johnson and Art Hillery, as well as LA Philharmonic’s Abe Luboff.

Richard has played traditional jazz with Pete Fountain, swing with Ken Peplowski, and be-bop with Richie Cole. He has recorded with Al Viola, Houston Person, Rebecca Kilgore, Gerald Wiggins and Chico Hamilton, toured Japan three times and performed twice with the King of Thailand. He worked frequently with vocalists Sue Raney, Maria Muldaur, Maxine Weldon, as well as the late vocalists Ernie Andrews, Lorez Alexandria and Keely Smith, and Rosemary Clooney.

Deeply involved in jazz education, Simonhe is the program director for JazzAmerica, a non-profit organization that provides tuition-free jazz instruction after school and in summer WorkChops.

Bassist Richard Simon continues to perform, record and educate.

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Daily Dose Of Jazz…

Nick Drozdoff was born on June 28, 1953 in Glencoe, Illinois. Holding degrees in music, engineering and physics, in 1978 he began his professional career in Maynard Ferguson’s band. Leaving the band in 1981 he ran his own contracting business and after completing his masters in classical trumpet, he began leading a double life in 1991 when he took on a day gig as a high school physics teacher at Winnetka’s New Trier High School.

After leading a double career existence and garnering awards as a high school science teacher, Nick developed endorsement deals as a jazz trumpeter at night. Retiring from teaching he pursued his musical passion. Now he spends time in Door County, Wisconsin and in the Northern Suburbs of Chicago where he regularly performs in both locations. He  lives equal time in both places, depending on his performance and lecture/masterclass schedule.

His latest project centers on his new band, The Variable D Postulate Ensemble. This band is minimally a quartet of drums, guitar, keybaord and trumpet. It is primarily jazz driven but not exclusively. Drozdoff built a studio where he does his recording and has built connections as a trumpeter all over the world.

He has recorded with Grilly Brothers, Marshall Vente, Doug Lofstrom, Chuchito Valdes, and Guy Fricano. He is currently on call as solo trumpet with the Chicago Grandstand Big Band, The Jazz Consortium Big Band and the Starfall Big Band. Trumpeter Nick Drozdoff frequently appears as a classical soloist for churches, recitals andleads one of the Chicago area’s finest brass quintets.

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