Daily Dose Of Jazz…
James Archibald McLin was born in Brooksville, Florida on June 26, 1908. He started on piano before picking up the banjo, then later the guitar. He played locally in Florida before relocating to New York City in 1928. He played both guitar and banjo in the early 1930s for James P. Johnson, Ward Pinkett, and Roy Eldridge.
Later in the decade he recorded with Willie “The Lion” Smith, Buster Bailey, Midge Williams, and Billie Holiday. In the early 1940s he worked with Sidney Bechet, Dave Nelson, and Claude Hopkins, then played trombone and mellophone in a military band while serving in the United States Navy during World War II. After his discharge he worked again with Hopkins and played guitar for The Ink Spots.
Banjoist and guitarist Jimmy McLin transitioned on December 15, 1983 in St. Petersburg, Florida.
Daily Dose Of Jazz…
Eddie Blair was born into a musical family in Johnstone, Renfrewshire, Scotland on June 25, 1927. His father played cornet and violin and as the ten year old took after his father picking up the cornet. Playing with the Johnstone Silver Band gave him the musical grounding that facilitated dance band work before he joined the Royal Signals in 1945.
After demobilization in 1948 Blair attended Glasgow College of Technology, playing with jazz and dance bands in the evenings. He got his first brief taste of London, England with the Ken Mackintosh Band before returning to college. By 1951 his work with Mackintosh and Glasgow pianist George Scott Henderson, whose quintet won the runner-up 1949 Melody Maker ‘All Britain’ contest, had come to the notice of Johnny Dankworth, who invited Blair to replace the Germany-bound Deuchar.
After four years with Dankworth’s Seven and Orchestra, Eddie joined Ted Heath for 11 years, recording regularly and touring the US in 1956 but also recording with Johnny Keating, the Swinging Scots big band, Vic Lewis, Tubby Hayes, Stan Tracey and Ronnie Scott.
Along with Jimmy Deuchar and Aberdonian Bobby Pratt they formed the all-Scottish trumpet section on Hayes’ Jazz for Moderns and his absolute dependability made him a natural for session work. TV programs including The Avengers, Jimmy Rushing, Sacha Distel, blues band Savoy Brown and Mike Oldfield’s sister, Sally all figured in his performing and subsequent session recordings.
At sixty-five in 1992, he retired to concentrate on skiing and golf. Trumpeter Eddie Blair, who in the late 1940s and 1950s became absorbed into the London jazz scene and whose style influenced Deuchar and Kenny Wheeler, transitioned on Boxer Day, December 26, 2020 at age 93 in Rustington, West Sussex, England.
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Daily Dose Of Jazz…
Wilhelm Josef Grah was born on June 24, 1928 in Bergisch-Gladbach, Germany. He led his own quintet from 1949 to 1953, then performed and recorded with Fatty George 1954-1959. I
During the 1960s he moved to Austria where he hosted a radio show in Vienna. He officially became a citizen in 1970. In the 1970s he played with the Austrian Barrelhouse Jazz Band and also led his own quintet.
Pianist and vibraphonist, who led a trio, quintet, sextet, big band and orchestra, transitioned on September 17, 1996 in Vienna.
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The Quarantined Jazz Voyager
This week the Jazz Voyager is choosing from the library of rare gems seldom heard on this side of the pond. Thanks to the internet, as you listen to the twenty-nine minutes of the album, remember to keep vigilant about the safety of your health and others. On the turntable is the hard bop Jazz De Chambre, a 1954 recording by double bassist Buddy Banks.
Buddy Banks, originally a saxophonist who switched to bass, had arrived in Europe after World War II. On this session he is accompanied by drummer Roy Haynes, pianist Bob Dorough, and guitarist Jimmy Gourley. The leader takes the spotlight in a subtle take of Yesterdays, though a strange clicking mars an otherwise swinging “I Love You.” Banks’ group also offers serviceable interpretations of modern pieces like Gerry Mulligan’s Line for Lyons and Milt Jackson’s Bag’s Groove.
The album was recorded at Geneix Studio in Paris, France and was produced by Frank Ténot. The liner notes were provided by Alain Tercinet with English translation by Martin Davies.
Tracks | 32:56- A Night In Tunisia (Dizzy Gillespie / Frank Paparelli) ~ 4:26
- Almost Like Being In Love (lan Jay Lerner / Frederick Loewe) ~ 3:19
- Bag’s Groove (Milt Jackson) ~ 3:47
- Yesterdays (Otto Harbach / Jerome Kern) ~ 3:29
- I Love You (Cole Porter) ~ 5:58
- Line For Lyons (Gerry Mulligan) ~ 3:46
- You Go To My Head (J. Fred Coots / Haven Gillespie) ~ 4:29
- Buddy Banks Blues (Buddy Banks) ~ 3:27
- Bob Dorough ~ piano
- Buddy Banks ~ double bass
- Jimmy Gourley ~ guitar
- Roy Haynes ~ drums
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Daily Dose Of Jazz…
Luther Thomas was born on June 23, 1950 in St. Louis, Missouri. Known for his free jazz playing and drawing from funk. Coming out of the Black Artists Group (BAG) of St. Louis in the late Sixties, he was one of the original voices from a scene that also bred such names as Oliver Lake, Julius Hemphill, Baikida Carroll, John Zorn and Joseph Bowie.
Luther played in the Human Arts Ensemble with Charles Bobo Shaw in the 1970s, and led a group called Dizzazz in the early 1980s. He played saxophone for James Chance and the Contortions.
As a leader he had recording sessions from the early 1970s he has recorded eleven albums. They have been reissued on CD as part of Atavistic Records’ Unheard Music Series. In 1998 he settled in Denmark and became a cult musician in Christiania Freetown, performing there weekly.
Alto saxophonist and multi-instrumentalist Luther Thomas was a completely intuitive improvisor and a free spirit who reached a level of intensity on the saxophone reached by very few others, transitioned at the age of 59 on September 8, 2009 in Denmark.
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