Daily Dose Of Jazz…
John Calvin Jackson was born May 26, 1919 in Philadelphia, Pennsylvania to a concert singer mother. He played piano from childhood, taking lessons with a private teacher. He went on to study at Juilliard and New York University.
At the beginning of his career Jackson worked with Frankie Fairfax. Moving to Los Angeles, California from 1943–47 he worked in Hollywood as an assistant director of music for MGM on productions including Meet Me in St. Louis and Anchors Aweigh.
1947 saw Calvin recording with Phil Moore and also as a solo pianist for Discovery Records. The following summer he played with singer Mildred Bailey and dancer Avon Long at Café Society in New York City. In 1950, he moved to Toronto, Canada where he often played on television and radio. Throughout the 1950s and early 1960s he released several LPs for labels such as Columbia Records.
Returning to Los Angeles in 1957 he resumed work as a composer and orchestrator for television and hit musicals like Where The Boys Are and The Unsinkable Molly Brown, which was Oscar-nominated for best adapted score. Occasionally he could be seen on screen as a piano-playing character.
Jackson arranged for Ray Charles at one point, receiving an arrangement and co-producer credit for Charles’ 1964 release Sweet & Sour Tears . By the early 1980s, he moved to San Diego County, where he lived in semi-retirement where he gave music lessons on a piano in his apartment. In 1984 he sat in as a guest at the Sunday night jam sessions Jeannie and Jimmy Cheatham hosted at the Bahia resort on Mission Bay, playing piano and harmonica between sets and occasionally with the band.
He was working on arrangements for a 31-piece concert jazz orchestra in Point Loma when he developed a heart ailment and was taken to the hospital. Pianist, composer, and bandleader Calvin Jackson transitioned on December 9, 1985 at age 66.
More Posts: history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Buddy Petit was born Joseph Crawford on May 25, 1897 in White Castle, Louisiana. His early life is somewhat mysterious but he was adopted by trombonist Joseph Petit, whose name he took.
Taking Freddie Keppard’s place in the Eagle Band, a place earlier held by Buddy Bolden, when Keppard left town. Briefly lured to Los Angeles, California by Jelly Roll Morton and Bill Johnson in 1917, but objecting to being told how to dress and behave differently from what he was accustomed to he returned to New Orleans, Louisiana.
Buddy spent the rest of his career in the area around greater New Orleans and the towns north of Lake Pontchartrain, not venturing further from home than Baton Rouge and the Mississippi Gulf Coast.
Okeh Records offered him a chance to record on their 1925 field trip to New Orleans, but Petit held out for more money and was never recorded. Danny Barker and Louis Armstrong said that it was a great loss to jazz history that there are no recordings of Petit.
After over-indulging in food and drink, cornetist Buddy Petit, which was sometimes spelled Buddie, transitioned on July 4, 1931.
More Posts: cornet,history,instrumental,jazz,music
Daily Dose Of Jazz…
Sylvester Ahola was born on May 24, 1902 in Gloucester, Massachusetts. His parents, Sophia and John Ahola, were born in Finland. He became most popular in England rather than the United States.
He first began performing with Frank Ward and His Orchestra. In 1925 he started playing with Paul Specht and His Orchestra, with whom he did a two-month-long tour of England that following year. For the next couple of years he performed with bands like The California Ramblers and Adrian Rollini and his band.
1927 saw Ahola moving to England and landing a job playing with the Savoy Orpheans. He went on to gig with Bert Firman and Bert Ambrose. The British Musicians’ Union, unhappy to see a foreigner land so many jobs and attain so much success, effectively prohibited him from playing with anyone other than Bert Ambrose. This forced him to eventually leave in 1931 and return to New York City.
Throughout the rest of his career he never again achieved the level of success he had enjoyed during his time in England. Trumpeter and cornetist Sylvester Ahola, also known as Hooley, transitioned on February 13, 1995.
More Posts: bandleader,cornet,history,instrumental,jazz,music,trumpet
Daily Dose Of Jazz…
Richard Alan Beirach was born on May 23, 1947 in New York City, New York and initially studied both classical music and jazz. While still attending high school, he took lessons from pianist Lennie Tristano. He later studied at the Berklee College of Music, however, after one year he left and began attending the Manhattan School of Music. While there, he studied with Ludmilla Ulehla.
In 1972, graduating from the Manhattan School of Music he took with him a Master’s Degree in Music Theory and Composition. Beirach’s style is influenced by Art Tatum, Bill Evans, McCoy Tyner, and Chick Corea along with his earlier classical training and many touches of his individualism all its own.
He recorded 57 albums as a leader and as a sideman with George Adams, John Abercrombie, John Scofield, Chet Baker, Dave Liebman, Jeremy Steig, Steve Davis, Laurie Antonioli, and the Ron McClure Trio he recorded 17. Pianist and composer Richie Beirach continues to perform, compose and record.
More Posts: bandleader,composer,history,instrumental,jazz,music,piano
Daily Dose Of Jazz…
Charles Robert Munro was born on May 22, 1917 in Christchurch, New Zealand. While in his teens he became quite proficient on several saxophones and by 21 had moved to Sydney, Australia where he played in the bands led by Myer Norman and Wally Parks. In addition he worked as a sideman on various nightclub, theater, and ship gigs.
Serving in the military during World War II, Charlie went on to work with Wally Norman at the Roosevelt nightclub in Sydney. In 1950 he played with Bob Gibson, then joined the Australian Broadcasting Commission’s dance band in 1954, continuing to perform with the group through 1976 as a composer and arranger.
He worked extensively with Bryce Rohde in the 1960s, participating in many of Rohde’s Australian jazz experiments. He led his own bands toward the end of his career, and also worked with Georgina de Leon.
Saxophonist and flutist Charlie Munro, who also played the cello and delved into free jazz movement, transitioned on December 9, 1985, in Sydney.
More Posts: arranger,bandleader,cello,composer,flute,history,instrumental,jazz,music,saxophone