The Quarantined Jazz Voyager

Songs Of An Unknown Tongue

With the ever-mutating virus now spreading the Omicron variation, I am watching the detection and rise of this more contagious variants in South Africa, Germany, United Kingdom, Australia, Belgium, Israel, Denmark, Botswana, Italy, Canada, Hong Kong, and the Netherlands. Suspecting that it is already in America, I am getting my booster as precaution, not necessarily to ward off, and continuing my vigilance in remaining socially distant and wearing my mask.

This week I have selected a talented British vocalist Zara Mcfarlane. Her fourth album, Songs Of An Unknown Tongue, was produced by Kwake Bass and Wu-lu, and released on July 17, 2020 on Brownswood Recordings. 

This album pushes the boundaries of jazz meshed with folk and spiritual traditions of ancestral Jamaica. Zara is a part of the British echelon that is converging young and older audiences still seeking the future of jazz.

Tracks | 48:27
   Side One

  1. Everything Is Connected ~ 3:39
  2. Black Treasure ~ 3:38
  3. Broken Water ~ 3:54
  4. Run Of Your Life ~ 3:11
  5. Saltwater ~ 6:22

   Side Two

  1. My Story ~ 6:37
  2. Native Nomad ~ 6:07
  3. State Of Mind ~ 4:52
  4. Roots Of Freedom ~ 7:35
  5. Future Echoes ~ 4:32

Players

  • Zara Mcfarlane ~ Vocals
  • Kwake Bass ~ Percussion, Drums, Drum Machine, Synths, Synth Bass, Guitar, Bass Guitar
  • Wu~Lu ~ Percussion, Synths, Guitar, Bass Guitar
  • Camilo Tirado ~ Percussion
  • Lyle Barton: Rhodes, Biscuit Flute
  • Idris Rahman ~ Tenor Saxophone
  • Robin Hopcraft ~ Trumpet


CALIFORNIA JAZZ FOUNDATION

 

 

 

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George Robert “Rob” Swope  was born on December 2, 1926, in Washington, D.C., the younger brother of trombonist Earl Swope. In 1947 he played with Buddy Rich and recorded with Jerry Wald before playing and getting in the studio with Chubby Jackson in 1948-49.

He worked with Gene Krupa in 1949-50, then with Elliot Lawrence in 1950-51. Swope led his own trio in the D.C. area in the early 1950s, and was a member of The Orchestra, the band which accompanied Charlie Parker in 1953 and Dizzy Gillespie in 1955.

Spending time in New York City in the latter half of the Fifties, he played with Larry Sonn, Boyd Raeburn, Claude Thornhill, Jimmy Dorsey, and Louie Bellson. In the 1960s he worked in Washington, D.C. again, often as a leader. Trombonist Rob Swope passed away on January 9, 1967 in Washington, D.C.

CALIFORNIA JAZZ FOUNDATION

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Jolyon Hunter was born on December 1, 1926 in Ealing, London, England and moved with his actor parents to America in 1935. He studied the French horn at two military schools before switching to trumpet. By 1943 he returned home to Britain and attended the Royal College of Music before joining the war effort in the British Army.

In 1950 Jo left Army service and joined the Kenny Graham Afro Cubists, working with them off and on until 1957. Departing the group, he then worked for a short time with Roy Fox, followed by a five year residence with the Jack Parnell Big Band. He went on to play with Oscar Rabin, replacing Jimmy Deuchar.

Moving to Brighton, he worked with local bands and was an active freelancer on both trumpet and piano. In his later years he worked on cruise ships and played harmonica. Trumpeter and pianist Jo Hunter, who also played pianist and harmonica, passed away on August 14, 2016 at the age of 89.

CONVERSATIONS

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Duane Andrews was born November 30, 1972 in Carbonear, Newfoundland and Labrador and grew up exposed to the island’s mélange of cultural influences and his development as a guitarist reflects that. After graduating from the Jazz Studies program at St. Francis Xavier University with honours, he spent several years studying contemporary music composition at the Conservatoire International de Paris and at the Conservatoire National de Region in Marseille, France.

He combines traditional Newfoundland folk music with jazz similar to the way that guitarist Django Reinhardt infused jazz with Manouche influences. He is a composer for film and television, and has recorded thirteen albums as he continues to compose and explore music.

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George Coleridge Emerson Goode was born on November 29, 1914 in Kingston, Jamaica. His father was a choirmaster and organist and his mother sang in the choir. Moving  to Britain in 1934, the 19-year-old student at the Royal Technical College in Glasgow, Scotland and then went on to read for a degree in engineering at Glasgow University. Already proficient as an amateur classical violinist he turned to jazz and took up the bass after hearing the music of Count Basie, Duke Ellington, Billie Holiday and Louis Jordan and decided to embark upon a musical career.

His primary early influences as a bassist were Walter Page, Slam Stewart and Jimmy Blanton. In London during World War II, Coleridge worked with Johnny Claes, Eric Winstone, Lauderic Caton, Dick Katz, became a founder member of the Ray Ellington Quartet and recorded with Django Reinhardt in 1946, alongside Stephane Grappelli. He went on to play with Tito Burns’ sextet and led his own group, before being invited to join Joe Harriott’s new band in 1958.

By 1967 he was recording with Chris McGregor, Dudu Pukwana, Ronnie Beer, and Laurie Allan on Gwigwi Mrwebi’s Mbaqanga Songs. Through the decade and into the 1970s, Goode worked extensively with pianist/composer Michael Garrick, while performing in the house band at Laurie Morgan’s Sunday jam session into his 90s.

In 2002, he published his autobiography Bass Lines: A Life in Jazz, which chronicled the birth of free form jazz in Britain. He was honoured with the Services to Jazz Award at the Parliamentary Jazz Awards, and at the age of 100, double bassist Coleridge Goode passed away on October 2, 2015.

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