Daily Dose Of Jazz…
Anat Fort was born March 8, 1970 near Tel Aviv, Israel. She studied music at William Paterson University in Wayne, New Jersey and moved to New York City in 1996 to develop her skills in jazz improvisation under the guidance of pianist Paul Bley and study composition with Harold Seletsky before releasing her debut self-produced album Peel in 1999.
Signing with ECM Records, her first album A Long Story, released in 2007 arose from an association with drummer Paul Motian. This was followed by And If in 2010, the first album with her regular working group, the Anat Fort Trio.
Pianist and composer Anat Fort has recorded several acclaimed albums, has performed across Europe and the United States, and continues to pursue her jazz endeavors.
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Daily Dose Of Jazz…
Jean-Claude Naude was born on March 7, 1933 in Amiens, France. He attended the Amiens conservatory and played early in his career as a trumpeter for Raymond Fonsèque’s orchestra and with Georges Arvanitas.
By 1955 Naude was working with Maxim Saury, an association that would last a decade. He also played piano with Raymond Fonsèque in a trio with trombonist Luis Fuentes.
In the second half of the 1960s Jean~Claude led his own big bands and played with Gerard Badini, Jacky Samson, and Andre Paquinet. The 1970s saw him playing with Claude Bolling and in the 1980s with Bob Quibel.
Pianist and trumpeter Jean~Claude Naude transitioned on January 9, 2008.
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Daily Dose Of Jazz…
George Sylvester “Red“ Callender was born on March 6, 1916 in Haynesville, Virginia. He made his recording debut at 19 with Louis Armstrong’s band. In the early 1940s, he played in the Lester and Lee Young band, and then formed his own trio. Through the 1940s, he recorded with Nat King Cole, Erroll Garner, Charlie Parker, Wardell Gray, Dexter Gordon, Uffe Baadh and many others.
After a period spent leading a trio in Hawaii, Callender returned to the mainland, settling in Los Angeles, California. He became one of the first black musicians to work regularly in the commercial studios, including backing singer Linda Hayes on two singles. He would later turn down offers to work with Duke Ellington’s Orchestra and the Louis Armstrong All-Stars.
On his 1957 Crown LP Speaks Low, Callender was one of the earliest modern jazz tuba soloists. Keeping busy up until his death, some of the highlights of the bassist’s later career include recording with Art Tatum and Jo Jones, playing with Charles Mingus at the 1964 Monterey Jazz Festival, working with James Newton’s avant-garde woodwind quintet on tuba, and performing as a regular member of the Cheatham’s Sweet Baby Blues Band.
He reached the top of the British pop charts as a member of B. Bumble and the Stingers. In 1964, he was introduced and highlighted in performance with entertainer Danny Kaye on his television variety show, in a duet on the George and Ira Gershwin song, Slap That Bass.
He worked with an array of pop, rock and vocal acts as a member of The Wrecking Crew, a group of first-call session musicians in Los Angeles, California. Double bassist Red Callender, who also plays tuba, transitioned from thyroid cancer at his home in Saugus, California on March 8, 1992.
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Daily Dose Of Jazz…
George Arthur Probert, Jr. was born on March 5, 1927 in Los Angeles, California and was an autodidact on his instruments. He first played with Bob Scobey from 1950 to 1953 and then went on to play with Kid Ory’s Creole Jazz Band.
Between 1954 and 1969, George played in the Firehouse Five Plus Two Dixieland Revival Band, an ensemble formed by Walt Disney Studios animators. They recorded with Disney composer George Bruns in 1957 and again in 1968.
Probert led his own bands from 1973, touring America and Europe. In 1997 he toured England, Germany & the Netherlands with Big Bill Bissonnette’s International Jazz Band. The all-star group featured Anthony “Tuba Fats” Lacen of New Orleans & British pianist Pat Hawes.
Clarinetist, soprano saxophonist and bandleader George Probert, who also worked as a television and movie music editor, transitioned on January 10, 2015 in Monrovia, California.
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The Quarantined Jazz Voyager
My choice this week is the album No Problem by the Chet Baker Quartet featuring Duke Jordan. The album was produced by Nils Winther, recorded at Sweet Silence Studios, Copenhagen, Denmark on October 2, 1979 and released the following year on the Steeplechase label. The recording engineers were Freddy Hansson and Thomas Brekling, with Tom West holding down the assisting engineer role.
This session came during Baker’s resurgence from losing his embouchure from a beating that broke his tooth, more than likely related to an attempted drug buy, though the story is a bit hazy. After getting dentures he developed a new embouchure in the Seventies and began a more mellow and wavering playing style. There’s always his signature vocals present during this period in his career.
Track List | 51:19 All compositions by Duke Jordan- No Problem ~ 9:45
- Sultry Eve ~ 7:04
- Glad I Met Pat ~ 5:08
- Kiss of Spain ~ 7:15
- The Fuzz ~ 6:05
- My Queen Is Home to Stay ~ 7:13
- Jealous Blues ~ 8:48 (Bonus Track On CD)
- Chet Baker ~ trumpet
- Duke Jordan ~ piano
- Niels-Henning Ørsted Pedersen ~ bass
- Norman Fearrington ~ drums
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