Requisites

One Flight Up ~ Dexter Gordon | By Eddie Carter

This next entry from the library is an album I first heard in 1967 during one of my Saturday stops to Record Rendezvous in Cleveland, Ohio. It introduced me to tenor saxophonist Dexter Gordon who steps into the spotlight with his second LP recorded after moving abroad, One Flight Up (Blue Note BLP 4176). It follows an excellent 1963 quartet album titled Our Man In Paris.  Gordon was a staple on the jazz scene since the Bebop era in the forties while a member of Billy Eckstine’s Big Band and would become a major influence for two future giants, John Coltrane, and Sonny Rollins.

He chose to move abroad because he was treated much more fairly than here in the United States and was considered an equal rather than a second-class citizen. There was also plenty of work in some of the best jazz clubs Europe and France had to offer.  Dexter is assisted here by Donald Byrd on trumpet, Kenny Drew on piano, Neils-Henning Orsted Pedersen on bass, and Art Taylor on drums. My copy used in this report is the 1967 US Liberty Records Stereo reissue (BST 84176).

Side One opens with Byrd’s Tanya occupying the entire first side and giving Dexter, Donald, and Kenny plenty of solo space. The rhythm section charts its course with a brief introduction developing into a haunting theme led by both horns. Dexter works his magic on the opening chorus with nearly six-minutes of joyful bliss. Donald shows off his chops next with a brilliant-toned performance that keeps the listener’s interest throughout. Kenny turns in one of his very best performances on the finale with Neils-Henning and Art providing the articulate foundation into the out-chorus and gentle dissolve.

Side Two commences at a slightly faster beat than Tanya with Coppin’ The Haven by Drew. The trio makes a casual, laid-back introduction evolving into Byrd and Gordon’s comfortable groove on the theme. Dexter opens with a terrific performance, then Donald takes over for a reading as smooth as a sled on fresh snow. Kenny shows he’s perfectly at home on the closer with a sharp interpretation possessing a light, refreshing beat before the ensemble reassembles for the climax.

The album concludes with the 1939 standard, Darn That Dream by Jimmy Van Heusen and Eddie DeLange, introduced in the Broadway musical, Swingin’ The Dream. This is a beautiful quartet performance by Dexter and the trio who give an intimate introduction to the melody. Dexter is the centerpiece here and his lead solo is captivating. Kenny draws the listener further into the song’s spell on the closer with a tender climax.

The album was recorded by the French engineer, Jacques Lubin, and the sound quality is spectacular with a mesmerizing soundstage transporting your listening chair to the studio alongside the musicians. Gordon’s career lasted nearly forty years, making some amazing records for a host of labels including Bethlehem, Prestige, Savoy, and SteepleChase. However, it was the five years he recorded for Blue Note (1961-1966) that are among the most precious jewels in his rich discography. He passed away on April 25, 1990, at sixty-seven from kidney failure and cancer of the larynx.  If you’re a fan of Dexter Gordon or Donald Byrd, I highly recommend One Flight Up by Dexter Gordon, an album I feel is an essential addition for any jazz library that you shouldn’t miss!

~ Our Man In Paris (Blue Note BLP 4146/BST 84146) – Source: Discogs.com

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Daily Dose Of Jazz…

Pleasant Joseph, known as Cousin Joe, was born on December 20, 1907 in Wallace, Louisiana. He worked at Whitney Plantation throughout his childhood.

Until 1945 Cousin Joe toured Louisiana, and it was in that year he participated in the King Jazz recording sessions organized by Mezz Mezzrow and Sidney Bechet.

In the 1970s, he toured extensively throughout the United Kingdom and Europe, both individually and as part of the American Blues Legends ’74 revue organised by Big Bear Music. He recorded the album Gospel-Wailing, Jazz-Playing, Rock’n’Rolling, Soul-Shouting, Tap-Dancing Bluesman From New Orleans for Big Bear.

Blues and jazz singer Cousin Joe passed away on October 2, 1989 in his sleep from natural causes in New Orleans, at the age of 81.

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Daily Dose Of Jazz…

Albert Francis Jones was born on December 18, 1930 in Philadelphia, Pennsylvania and started to play the drums at the tender age of three. In 1949 he played with Lionel Hampton and with Dizzy Gillespie in 1951~1953 that included four tours of Europe.

In the early Fifties he also worked with Joe Carroll, Miles Davis, Milt Jackson, and Wade Legge. Later that decade he played with Arnett Cobb and accompanied Billie Holiday, Sarah Vaughan, and Dinah Washington.

After touring Europe with alto saxophonist Jackie McLean and the Living Theater of New York in 1962, he permanently moved to Belgium. There he led a group with Jean Fanis and Roger van Haverbeke, that became the house band in a Belgian club. This ensemble played with visiting musicians such as Dexter Gordon, Milt Jackson, Art Farmer, Clark Terry. and Dany Doriz.

Drummer Al Jones passed away in April 1976.

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Daily Dose Of Jazz…

John Ore was born on December 17, 1933 in Philadelphia, Pennsylvania. Attending the New School of Music in Philadelphia from 1943 to 1946, he studied cello followed this with studies on bass at Juilliard.

In the 1950s he worked with Tiny Grimes, George Wallington, Lester Young, Ben Webster, Coleman Hawkins, Elmo Hope, Bud Powell and Freddie Redd. From 1960 to 1963 he played in Thelonious Monk’s quartet, and then with the Les Double Six of Paris in 1964.

Later in the 1960s he returned to Powell’s band, also recording with Teddy Wilson. In the 1970s he worked with Earl Hines and was with the Sun Ra Arkestra in 1982.

Following this he became less active, never recorded an album as a leader, however recorded fifty~one albums as a sideman with not only the above but with Hank Mobley, Cecil Payne, Bud Powell, Sun Ra, Charles Tyler, Lester Young, Eric Alexander, Billy Bang, Andrew Cyrille, Earl Hines, Marva Josie, Steve Lacy, Freddie Redd, and Hampton Hawes. Bassist John Ore passed away on August 22, 2014.

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Daily Dose Of Jazz…

Turk Murphy, born Melvin Edward Alton Murphy on December 16, 1915 in Palermo, California. Serving in the Navy during World War II, during which he played and recorded with Lu Watters and Bunk Johnson. In 1952, he headed Turk Murphy’s Jazz Band, which included pianist Wally Rose, clarinetist Bob Helm, banjoist Dick Lammi, and tubist Bob Short, and had a residency at San Francisco North Beach’s Italian Village. The band appeared twice on The Ed Sullivan Show, in 1959 and 1965.

1979 saw Robert Schulz joining the band for eight years with various members joining as others departed. They included trumpeters Don Kinch and Leon Oakley; pianists Pete Clute and Ray Skjelbred; banjoist Carl Lunsford, tubist and trombonist Bill Carroll, singers Pat Yankee and Jimmy Stanislaw.

Murphy was the singer for the 1971 Sesame Street cartoon shorts, The Alligator King and No. 9 Martian Beauty, animated and produced by his friend Bud Luckey. Murphy arranged and performed on many of Luckey’s other Sesame Street animated shorts.

Murphy’s band played his nightclub, Earthquake McGoons, which opened in 1960 and moved three times before closing in 1984. He got an opportunity to play Carnegie Hall in 1987. Trombonist and bandleader Turk Murphy, who played traditional and Dixieland jazz, passed away on May 30, 1987 in San Francisco, California.