Daily Dose Of Jazz…

Roy Crimmins was born in London, England on August 2, 1929. Originally self-taught, he was later mentored by the American bass trombonist with the Philarmonia Orchestra, Ray Premru, and the then Ted Heath principal trombonist, Don Lusher. He turned professional when he joined the Mick Mulligan band in 1952.

Collaborating with Alex Welsh in 1954, the pair started their own band and recorded with American guest stars such as the clarinetist Pee Wee Russell and Wild Bill Davison. For the next decade they performed until Roy moved to Germany in 1965 where he kept a consistent line-up and a regular group. Residing in Switzerland from 1970 until 1977 he formed his own band under the pseudonym Roy King and recorded three albums.

Touring Europe extensively during this era, he had his own television show in Vienna, Austria for five years. The late 1970s saw Crimmins returning to England and working once again with Welsh until he died in 1982. In the mid-1980s he was approached to join his Benny Goodman and Duke Ellington orchestras,interpreting the original Lawrence Brown, Tricky Sam Nanton and Juan Tizol trombone solos. He performed at the Nice and North Sea Jazz Festivals.

As an advisor to the Mayor of Eilat, Israel, his involvement in this venture led to the renowned Red Sea Jazz Festival. Soon after, Roy and his family moved to Tel Aviv, Israel where he established the Israel Jazz Ensemble, and was commissioned by Musica Nova to write a concerto, which premiered in the Tel Aviv Museum of Art to great acclaim. His music is still broadcast regularly.

Trombonist, composer and arranger Roy Crimmins, whose career spanned over fifty years, passed away on August 27, 2014 at the age of 85. He is buried on a hill overlooking the Sea of Galilee.

BRONZE LENS

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Daily Dose Of Jazz…

Kamil Hala was born on August 1, 1914 in Most, Czechoslovakia. During the late Fifties he led his own orchestra. He was a member of the Czechoslovak Radio Dance Orchestra beginning in 1960, starting as a pianist and later as its  arranger and conductor. After the orchestra split in 1963 he was the conductor of the Czechoslovak Radio Jazz Orchestra until the 1990s.

Pianist composer, arranger, and conductor Kamil Hala passed away on October 29, 2014 in Prague, Czechoslovakia.

BRONZE LENS

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Daily Dose Of Jazz…

William E. Clark was born July 31, 1925 in Jonesboro, Arkansas. He worked professionally starting shortly after World War II, playing drums with Jimmy Jones, Dave Martin, Mundell Lowe, and George Duvivier. 

He was principally active in the 1950s, working with Lester Young, Mary Lou Williams, Lena Horne, Hazel Scott, Duke Ellington, Don Byas, Arnold Ross, Bernard Peiffer, George Shearing, Toots Thielemans, Ronnell Bright, Jackie Paris, and Rolf Kuhn. Later in his career Bill worked with Eddie Harris and Les McCann.

Drummer Bill Clark, known for his versatility playing Dixieland, swing, bebop, avant-garde and fusion, passed away on July 30, 1986 in Atlanta, Georgia.Share a dose of a Jonesboro drummer to inspire inquisitive minds to learn about musicians whose legacy lends their genius to the jazz catalog…

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Daily Dose Of Jazz…

Roy Lee Porter was born on July 30, 1923 in Walsenburg, Colorado and when he was eight his family moved to Colorado Springs. He began playing drums in rhythm and blues bands while a teenager, then attended Wiley College in Texas briefly, where trumpeter Kenny Dorham was a fellow student.

Replacing Joe Marshall he joined Milt Larkin’s band in 1943. After military service, Roy settled in Los Angeles, California and soon was in demand by some of the pioneers of bebop. He worked with Teddy Bunn and Howard McGhee, making his first recordings with the latter. In 1946, he backed Charlie Parker on such Dial classics, A Night In Tunisia, Yardbird Suite, Ornithology and Lover Man.

Porter played on Los Angeles’ Central Avenue with such bebop players as Dexter Gordon, Wardell Gray and Teddy Edwards, and in San Francisco, California with Hampton Hawes and Sonny Criss. He organized a big band and went on the road in 1949 that included Art Farmer, Jimmy Knepper and Eric Dolphy.

During the 1950s he was inactive as a jazz musician due to drug problems and returned to music only infrequently afterwards. Drummer Roy Porter passed away on January 24 or 25, 1998 in Los Angeles.

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The Quarantined Jazz Voyager

The Delta variant is causing a rise in new cases of Covid~19 and is much easier to contract. The modus operandi of the day is continuing my exercise of social distancing, quarantining myself at home and wearing my mask whenever I am in public places. I hope you are doing the same.

I offer up my latest selection is the tenth album and sixth on Concord from Nnenna Freelon. It is her 2005 album Blueprint Of A Lady: Sketches Of Billie Holiday. It was her tribute to the late great vocalist. The album was recorded March~April 2005 at the Fantasy Studio in Berkeley, California, and released on the Concord Jazz label that same year.

Though her arrangements may not reflect the melodies we are historically familiar with, Freelon has an inimitable way of taking us on a journey that brings her own sensibilities to interpret these songs with refreshing renditions that may appeal to old fans and hopefully garner new enthusiasts.

Track Listing | 1:02:46

  1. I Didn’t Know What Time It Was (Lorenz Hart, Richard Rodgers) ~ 4:18
  2. What a Little Moonlight Can Do (Harry M. Woods) ~ 5:13
  3. Don’t Explain (Billie Holiday, Arthur Herzog, Jr.) ~ 4:03
  4. God Bless the Child (Holiday, Herzog) ~ 5:21
  5. Strange Fruit (Abel Meeropol) ~ 2:20
  6. Willow Weep For Me (Ann Ronell) ~ 2:52
  7. Balm in Gilead (Traditional) ~ 4:49
  8. Them There Eyes (Maceo Pinkard, Doris Tauber, William Tracey) ~ 5:09
  9. Only You Will Know (Nnenna Freelon, Brandon McCune) ~ 3:41
  10. You’ve Changed (Bill Carey, Carl Fischer) ~ 5:24
  11.  Now or Never (Billie Holiday, Curtis Reginald Lewis) ~ 2:55
  12. Lover Man (Jimmy Davis, Roger (Ram) Ramirez, James Sherman) ~ 4:14
  13. Left Alone (Billie Holiday, Mal Waldron) – 5:02
  14. Little Brown Bird (Interlude) (Nnenna Freelon, Brandon McCune) ~ 1:32
  15. All of Me (Gerald Marks, Seymour Simons) ~ 5:53
Personnel 
  • Nnenna Freelon ~ arranger, producer, vocals
  • Brandon McCune ~ arranger, fender rhodes, Hammond B3, piano, trumpet
  • Beverly Botsford ~ arranger, percussion
  • Wayne Batchelor ~ arranger, acoustic bass guitar, acoustic bass
  • Kinah Boto ~ drums
  • André Bush, Julian Lage ~ guitar
  • Doug Lawrence ~ tenor saxophone
  • Christian Scott ~ trumpet
  • Jessica Ivry ~ cello
  • Mary Fettig ~ alto flute, alto saxophone, baritone saxophone, rhythm arrangements
  • John Clayton ~ horn arrangements
Production
  • Nnenna Freelon/Ed Keane – producer
  • Josiah Gluck – engineer, audio engineer, mixing 
  • Jesse Nichols – assistant engineer, mixing
  • Nick Phillips – audio production, producer
  • George Horn – mastering
Design
  • Abbey Anna – art direction
  • Terri Apanasewicz – hair stylist
  • Rudy Calvo – make-up
  • Danielle Brancazio – package design
  • Randee Saint Nicholas – photography

CALIFORNIA JAZZ FOUNDATION

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