Daily Dose Of Jazz…

Fritz Pauer was born on October 14, 1943 in Vienna, Austria and began his professional playing career as a teenager, performing with Hans Koller for two years beginning in 1960 before leading his own ensembles in Berlin, Germany. In the 1960s he played with Don Byas, Booker Ervin, Dexter Gordon, Friedrich Gulda, Annie Ross and Art Farmer, recording three albums with the latter as a sideman.

As an educator he taught at the Vienna Municipal Conservatory from 1968-1970, after which he became a member of the ORF-Big Band. The 1970s saw Fritz recording as a leader as well as with Klaus Weiss and Peter Herbolzheimer.

By the mid-1980s Pauer was living in Peru for a brief period, then moved to Switzerland in 1986. Later in life education once again entered his life and he became a university professor. An early 2000s collaboration with Jay Clayton and Ed Neumeister was released as the album 3 for the Road.

Pianist, composer and bandleader Fritz Pauer transitioned on July 1, 2012.

BRONZE LENS

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Buddy Featherstonhaugh was born Rupert Edward Lee Featherstonhaugh on October 4, 1909 in Paris, France. After the family moved to England he studied in Sussex, and had his first professional gig with Pat O’Malley in 1927. He went on to play with Spike Hughes from 1930 to 1932, and toured England in Billy Mason’s band behind Louis Armstrong that same year and in 1933 recorded with a group called The Cosmopolitans. which included Fletcher Allen. In 1935 he recorded with Valaida Snow and two years later with Benny Carter.

During World War II, he led a Royal Air Force band which included in its ranks Vic Lewis, Don McAffer, and Jack Parnell. They went on to record as The BBC Radio Rhythm Club Sextet during 1943-45. After the war Buddy toured Iceland in 1946, and then left the jazz scene, taking up work as a car salesman.

1956 saw his return to playing and recording in a quintet with trumpeter Leon Calvert, Roy Sidewell, Kenny Wheeler, and Bobby Wellins. He also appeared with the band at Butlin’s Holiday Camps in the mid-1950s. He toured the Middle East in 1957, after which he retired.

Saxophonist and clarinetist Buddy Featherstonhaugh, who was an occasional racing car driver who won the 1934 Albi Grand Prix, transitioned on July 12, 1976.

BRONZE LENS

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Roland Alexander was born in Boston, Massachusetts on September 25, 1935 and grew up with his parents and sister, Gloria, in Cambridge, Massachusetts. He earned a bachelor’s degree in music composition from the Boston Conservatory in 1958.

A prolific composer and arranger, Alexander wrote and played for many of the better known bands in Boston during the 1950s, associating himself with Sabby Lewis, Preston ‘Sandy’ Sandiford, Richie Lowery, Jaki Byard and many more. He co-led a group called the Boston All Stars that featured trumpeter Joe Gordon, and after Joe Gordon left to play with Dizzy Gillespie’s band, he was replaced by Wajid Lateef (Crazy Wilbur Lucaw), and Gordon Wooly.

In 1956 he recorded High Step as a sideman with bassist Paul Chambers before moving to New York City the year he graduated from the conservatory. In addition to a 1961 and 1978 release as a leader, he played and recorded with John Coltrane, Howard McGhee, Max Roach, Sonny Rollins, Roy Haynes, Philly Joe Jones, Blue Mitchell, Sam Rivers, Archie Shepp, and Mal Waldron.

Post bop saxophonist Roland Alexander, who in addition to playing tenor and soprano saxophone was also a pianist, transitioned on June 14, 2006.

CALIFORNIA JAZZ FOUNDATION

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Joki Freund was born Walter Jakob Freund on September 5, 1926 in Höchst, Frankfurt am Main, Germany. He began playing the accordion as a child, switching to tenor saxophone after World War II ended.

Early in the postwar era, he played with Joe Quitter, Carlo Bohlander, Gerry Weinkopf, Joe Klimm, and Jutta Hipp, before forming his own ensemble. He began performing with American musicians, including Donald Byrd, Art Taylor, and Doug Watkins during their European festival appearances.

He went on to play with and arranged for Albert Mangelsdorff in the jazz orchestra of Hessischer Rundfunk, and Erwin Lehn in the Süddeutscher Rundfunk orchestra. He played with the Frankfurt Jazz Ensemble on soprano saxophone in the 1970s, also performing as a leader around this time.

Saxophonist Joki Freund, who predominantly played in a quintet setting but also in orchestras or big bands, transitioned on February 15, 2012 in Schwalbach am Taunus, Germany.

CALIFORNIA JAZZ FOUNDATION

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Philip William Seamen was born on August 28, 1926 in Burton upon Trent, Staffordshire, England. He began playing drums at the age of six, turning professional at the age of 18 by joining Nat Gonella and his Georgians in 1944. At 20 he spent a year with Gordon Homer Big Band at the Coronation Ballroom in Ramsgate. He joined the Tommy Sampson Orchestra in 1948 and by 1949, Seamen and tenor saxophonist Danny Moss formed a bebop quintet from within the ranks and was featured on a radio broadcast by the orchestra.

He then went on to play in the Joe Loss Orchestra for about 14 months before taking the top job with Jack Parnell from 1951 until midway 1954. Seamen, being much sought after during the 1950 played in Kenny Graham’s Afro-Cubists projects from 1952 to 1958, from 1954 onwards with the Joe Harriott Quartet, the Ronnie Scott Orchestra and Sextet. He was recruited opn countless sessions as well to perform with Dizzy Reece, Victor Feldman, Jimmy Deuchar, Kenny Baker, Vic Ash, Don Rendell, Stan Tracey, Laurie Johnson, Big Bill Broonzy and Josh White, to name a few.

In 1957 Phil was on his way to America with the Ronnie Scott Sextet as part of a Musicians’ Union exchange tour deal. Unfortunately the Southhampton custom officers found him in  possession of drugs, killing his lifelong dream of visiting the States. In 1958, the West End production of West Side Story opened with him after Leonard Bernstein reputedly specifically asked for him, so the producers hired him.

During the first half of the 1960s, he worked often with Tubby Hayes, Joe Harriott, played a couple of nights with Dexter Gordon at Ronnie Scott’s, and recorded with Carmen McRae. In 1964 he played R&B with Alexis Korner and Georgie Fame.

He started teaching in 1962, one of his pupils being Ginger Baker, who went on to influence a whole generation of rock drummers. However, his addiction to alcohol, heroin and other drugs hampered his health and career as many bandleaders refused to hire him with the exception of Freddie Hubbard in 1964 and Roland Kirk in 1967 with a UK tour.  On October 13, 1972 drummer Phil Seaman transitioned in his sleep at his home in Old Paradise Street Lambeth, South London, at the age of 46.

Bestow upon an inquiring mind a dose of a Burton upon Trent drummer to motivate the perusal of the genius of jazz musicians worldwide whose gifts contribute to the canon…

SUITE TABU 200

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