
Daily Dose Of Jazz…
Geoffrey Keezer was born in Eau Claire, Wisconsin on November 20, 1970 to music teachers. He began studying piano at the age of three and by 1989 at 18, after one year of study at Berklee College of Music he joined Art Blakey’s Jazz Messengers.
His professional career has spanned many projects and genres such as performing Gershwin’s Rhapsody In Blue with the Hollywood Bowl Orchestra, composing commissioned pieces for the Carnegie Hall Jazz Band, Saint Joseph Ballet, Mainly Mozart Festival in San Diego, Scottish National Jazz Orchestra, and the Nancy Zeltsman Marimba Festival all while releasing a dozen albums as a leader and touring.
Geoffrey has received the Chamber Music America’s 2007 New Works grant, has appeared as a sideman on countless recording sessions, has played bass in a rock band, contributed artwork to David W. Mack’s comic “Kabuki”, and has performed with world-class musicians Joshua Redman, Diana Krall, Christian McBride, Barbara Hendricks, Kenny Barron, Chick Corea, Benny Green, Joe Locke and Mulgrew Miller.
Keezer’s “Live in Seattle”, a collaboration with vibes player Joe Locke, won the Golden EarShot Award for “Concert of the Year” and his latest musical adventure, Áurea, is a Grammy nominated, multinational Afro-Peruvian jazz recording featuring the hottest players from New York City and Lima, Peru. In 2013 he released his latest solo project Heart Of The Piano, continues to lend his talents to educate at such institutions of higher learning as the New School, the Brubeck Institute, Indiana University, the Thelonious Monk Institute of Jazz and others, all while continuing to arrange, perform, record and tour both as a leader and sideman.
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Daily Dose Of Jazz…
Dolo Coker was born Charles Mitchell Coker on November 16, 1927 in Hartford, Connecticut but was raised in Florence, South Carolina and Philadelphia, Pennsylvania. The first musical instruments Coker played in childhood were the C-melody and alto saxophones, learning them at a school. By age thirteen he was starting to play piano and after moving to Philadelphia he studied piano at the Landis School of Music and at Orenstein’s Conservatory.
During his Philadelphia years Coker played piano with Jimmy Heath, then became a member of Frank Morgan’s quartet, but it wasn’t until 1976 that he recorded as a leader. Signing with Xanadu Records he cut four albums and worked extensively as a sideman for Sonny Stitt, Gene Ammons, Lou Donaldson, Art Pepper, Philly Joe Jones and Dexter Gordon.
For the next several years pianist Dolo Coker continued to work as a sideman until he passed away of cancer at the age of fifty-five on April 13, 1983.
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Daily Dose Of Jazz…
Jesse Davis was born on November 9, 1965 in New Orleans, Louisiana and showed signs of musical talent at a very young age. When he was eleven, his brother Roger, an accomplished tuba player bought Jesse a saxophone and taught him how to play it. He went on to study with Ellis Marsalis, whose teachings inspired him to become a music student at North-Eastern Illinois University on a full scholarship. He eventually transferred to William Patterson College in New Jersey, then to the New School in New York City, enrolling in their Jazz and Contemporary Music Program under the tutelage of Ira Gitler.
After graduating, alto saxophonist Jesse Davis embarked on a productive jazz career and has recorded eight albums on the Concord Jazz label. He has collaborated with such artists as Jack McDuff, Major Holley, Cecil Payne, Jay McShann, Cedar Walton, Benny Golson, Illinois Jacquet Kenny Barron and Roy Hargrove amongst a long list of notables.
Davis has received a “Most Outstanding Musician award” from magazine, won several awards at jazz festivals for outstanding soloist, toured Europe several times fronting his quartet and a member of the Sax Machine and made his debut as an actor in the celebrated Robert Altman movie “Kansas City”.
Jesse was equally influenced by Charlie Parker, Cannonball Adderley and Sonny Stitt and contributes a flawless technique and a natural feeling for the blues to every one of his performances as he continues to perform, record and tour.
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Daily Dose Of Jazz…
William “Sonny” Criss was born on October 23, 1927 in Memphis, Tennessee and at the age of 15 moved to Los Angeles. Developing a concise, bluesy tone he easily fit into the bands he drifted between such as Howard McGhee’s playing alongside Charlie Parker, Johnny Otis and Billy Eckstine.
As his ability continued to increase his first major break came in 1947 with Norman Granz, playing on a number of jam sessions. In 1956 he was signed to Imperial Records, recorded a number of underground classics like “Jazz U.S.A.”, “Go Man” and “Sonny Criss Play Cole Porter” that featured Sonny Clark on piano.
He would go on to record for Muse, Impulse and Prestige record labels, worked with Wynton Kelly, rooted himself in the hard bop tradition recording charts by Horace Tapscott and also several well-acclaimed albums like Sonny’s Dream.
Alto saxophonist Sonny Criss settled in Los Angeles and continued to perform and record but by 1977 had contracted stomach caner. Unable to bear the pain, he committed suicide by gunshot on November 19, 1977. after contracting stomach cancer earlier that year and unable to bear the painful condition he was experiencing.

Daily Dose Of Jazz…
Ray Anderson was born on October 16, 1952 in Chicago, Illinois. An independent jazz trombonist and trumpeter he began training with the Chicago Symphony trombonists then spent time studying in California. By 1973 he was in New York freelancing and four years later joined Anthony Braxton’s group, then with Barry Altschul.
By the late ‘70s his influence was growing, he was leading his own groups, working with George Gruntz’s Concert Jazz Band and over the next twenty years began taking an occasional good-humored vocal singing two notes at the same time.
Anderson also plays the sousaphone, is a master at multiphonics and a supportive sideman has recorded and performed with David Murray, Charlie Haden, Dr. John, Bennie Wallace, Henry Threadgill, John Scofield and Sam Rivers among others. He also received a grant from the National Endowment For The Arts for a series of solo trombone concerts.
While pushing his sound into the future, Anderson has frequently returned to his early love of New Orleans music for inspiration as he continues to perform, record and tour. Since 2003 he has taught and conducted at Stony Brook University.
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