Daily Dose Of Jazz…

Bob Bain was born January 26, 1924 in Chicago, Illinois and began his professional career in the 1940s playing guitar in popular big band outfits led by Tommy Dorsey and Bob Crosby. He is credited with guitar on one of Dorsey’s biggest hits, Opus No. 1.

An unusually early adopter of the electric guitar, Bob started playing an early Gibson Les Paul model before switching to a modified 1953 Fender Telecaster. Like most jazz guitarists, he also favoured semi-acoustic models such as the Gibson L-5 and ES-150.

A long time collaborator with composer Henry Mancini, he is also credited with the guitar introduction to the theme from the popular 1950s television private detective series Peter Gunn. Bain contributed his guitar talents on another of Mancini’s significant soundtrack albums, the musical score to the movie Breakfast at Tiffany’s, as well as playing on the soundtrack to the television Western series Bonanza.

Guitarist Bob Bain, who was mainly known for his film music contributions, including Dr. Zhivago, where he played the balalaika in the score for certain scenes where Lara’s Theme is heard, died on June 21, 2018 in Oxnard, California. He was 94.



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Robert Stuart Pratt was born on January 24, 1927 in Aberdeen, Scotland and was a professional musician from the age of 16, having mastered trumpet, flugelhorn, piano, drums and vocals. He served in the Royal Corps of Signals leading the Skyliners Army Dance Band.

In 1948 he joined Ken McIntosh’s outfit for a year before joining Ted Heath the following year. Due to his ability to play high and loud brought distinction to the brass section and his high note duets with Bert Ezzard became a highlight of the band’s appearances. Bobby was a mainstay with Heath until 1960.

As one of the busiest session players in Britain, Pratt found himself in high demand not only for jazz big band work but consistent work with top jazz and pop perfprmers in both record, tv and film studios. He played in the big bands of Humphrey Littelton, Eddie Harvey, Tubby Hayes, Tommy Watts, Vic Feldman, Jack Parnell, the Forty Two Big Band and the Downbeat Big Band.

Over the course of his career Bobby also recorded as a member of the Tommy Whittle Septet, The Kirchin Band, the Johnny Keating All Stars, Frank Chacksfield and Kenny Baker’s Dozen.

Trumpeter Bobby Pratt committed suicide on June 5, 1968 at the age of 41.



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Otis Johnson was born on January 13, 1908 in Richmond, Virginia. He began his career in the late 1920s, working with Gene Rodgers, Henri Saparo, Eugene Kennedy, and Charlie Skeete. In 1929 he joined Luis Russell’s band, and rejoined Kennedy’s group before working with Benny Carter in 1934. He played with Charlie Turner and Willie Bryant in the mid-1930s. 

Toward the end of the decade he performed with Louis Armstrong and Don Redman. On December 30, 1940 Otis enlisted in the 369th Coast Artillery of the New York Army National Guard. He was discharged on October 13, 1945.

Trumpeter Otis Johnson, who never returned to active performance after leaving the military, died on February 28, 1994.

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William “Keg” Purnell  was born on January 7, 1915 in Charleston, West Virginia. He studied at West Virginia State College from 1932 to 1934, and played with the Campus Revellers while there. He toured for a year with King Oliver in 1934, then freelanced with his own trio in the late 1930s. In 1939, he worked with Thelonious Monk.

By the end of the decade and into the 1940s Keg was playing in the bands of Benny Carter, Claude Hopkins, and Eddie Heywood. He also recorded with Rex Stewart, Teddy Wilson, and Willie “The Lion” Smith. Late in his career he played with Snub Mosley in 1957 and subsequently on.

Drummer Keg Purnell, whose influences included Chick Webb and Big Sid Catlett died on June 25, 1965 at the age of 50.

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Vernon Brown was born on January 6, 1907 in Venice, Illinois. He began his career as a jazz trombonist playing in St. Louis, Missouri with Frankie Trumbauer in 1925, and then moved through a variety of groups at the end of the 1920s and into the 1930s, including those of Jean Goldkette, Benny Meroff, and Mezz Mezzrow.

In 1937 Brown joined Benny Goodman’s orchestra, remaining there until 1940. While only soloing occasionally with Goodman, this association got him well known. The Forties saw him performing with Artie Shaw, Jan Savitt, Muggsy Spanier, and the Casa Loma Orchestra. In the 1940s, Brown switched focus from swing to Dixieland, playing often in studio recordings and working with Sidney Bechet.

Brown performed with Louis Armstrong and his All Stars for the ninth Cavalcade of Jazz concert in 1953 at Wrigley Field in Los Angeles, California. The concert also featured that day were Roy Brown and his Orchestra, Don Tosti and His Mexican Jazzmen, Earl Bostic, Nat “King” Cole, and Shorty Rogers and his Orchestra.

He led his own band in the Pacific Northwest in 1950 and did reunion tours with Goodman in that decade. He worked with Tony Parenti in 1963, and remained a studio musician into the early-1970s

Trombonist Vernon Brown, who later in his life lived in Roslyn Heights, New York, died in Los Angeles on May 18, 1979.

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