Daily Dose Of Jazz…
J. C. (Jack) Higginbotham was born on May 11, 1906 in Social Circle, Georgia and learned to play trombone in his youth. He made his start in jazz playing with territory bands in the Midwest and was heard at his best while a member of the Luis Russell Orchestra from 1928 to ’31. He would go on to play with Benny Carter’s, Red Allen’s and Fletcher Henderson’s big band during the swing era.
J. C. played with Louis Armstrong in the late Thirties to the end of the decade, played for a long period in the forties with his ideal partner Red Allen, and then disappeared from the scene for several years. By 1947 he was leading his own groups.
Higginbotham led several bands in the Fifties in Boston and Cleveland, appeared regularly at the Metropole in New York between 1956 and 1959, and led his own Dixieland band there in the Sixties. He went on his first European tour with Sammy Price, appearing in Scandinavia, and worked again briefly in 1964 with Louis Armstrong.
A robust and swinging trombonist he recorded extensively both as a sideman and as a leader. He is considered to be a vital player of the swing trombone and his strong, raucous sound and wild outbreaks are legendary. J. C. Higginbotham, who contributed to the acceptance of the trombone as a melodically capable jazz instrument, died on May 26, 1973 in New York.
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Daily Dose Of Jazz…
Charlie Irvis was born May 6, 1899 in New York City. He first played trombone professionally with Bubber Miley in his youth and then with blues singer Lucille Hegamin in the “Blue Flame Syncopators” from 1920 to 1921. Following this stint, Charlie played with Willie “The Lion” Smith and with Duke Ellington’s Washingtonians and later with his orchestra from 1924 to 1926. During the years 1923 to 1927 he also recorded occasionally with Clarence Williams.
Irvis, along with friends Miley and Tricky Sam Nanton contributed to the development of “jungle sounds” or “growl effects” in trombone playing. After leaving Ellington’s band, for the rest of the decade and into the early 1930s he recorded with Fats Waller, played with Charlie Johnson and Jelly Roll Morton. Some of his final recordings were in 1931 with Miley again, and shortly thereafter with Elmer Snowden.
After the early 1930s, Charlie Irvis, best known for his work with Duke Ellington’s band, stopped playing and passed away in New York City sometime around 1939 in obscurity. He is pictured 2nd from left in the photograph.
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Daily Dose Of Jazz…
Hayes Pillars was born on April 30, 1906 in North Little Rock, Arkansas and began playing tenor saxophone as a teenager. Playing locally around Little Rock and Jackson, Tennessee initially, Hayes joined the territory band of Alphonse Trent in 1927. A year later he was back freelancing until he united with his boyhood friend James Jeter and organized the Jeter-Pillars Orchestra in Cleveland, Ohio.
Pillars secured a six-week engagement in 1934 at the Club Plantation in St. Louis, becoming so popular that they stayed for eleven years. The band was so influential that some of its players who held tenure were Walter Page, Sid Catlett, Jo Jones, Kenny Clarke, Jimmy Forrest, Charlie Christian, Jimmy Blanton and an 18 year old Harry “Sweets” Edison, who all went on to make names for themselves.
The orchestra would play New York and Chicago prior to Pillars leaving the orchestra. He then became a mainstay on the St. Louis scene for nearly three decades from the 1950s till his retirement in the Eighties. He was honored for his contributions to jazz by the Institute for Jazz Studies at Rutgers University and the Smithsonian Institute in 1981.
Tenor saxophonist and bandleader Hayes Pillars passed away on August 11, 1992 in Richmond Heights, Missouri.
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Daily Dose Of Jazz…
Jimmie Noone or Jimmy Noone was born on April 23, 1895 in Cut Off, Louisiana and started playing guitar. By 15 he switched to the clarinet, moved to New Orleans, studied with Lorenzo Tio and thirteen year old Sidney Bechet.
1912 found Jimmie playing professionally with Freddie Keppard in Storyville and over the next five years he performed with Buddy Petit, Kid Ory, Papa Celestin, the Eagle Band, and the Young Olympia Band, before moving to Chicago, Illinois and joining the Original Creole Orchestra. The following year, he joined King Oliver’s Creole Jazz Band, then in 1920 reunited with Keppard in Doc Cook’s band, which he would remain and make early recordings for six years.
Noone started leading the band at Chicago’s Apex Club in 1926. This band, Jimmie Noone’s Apex Club Orchestra, included alto saxophonist and clarinetist Joe Poston and pianist Earl Hines. Signing with Brunswick on their Vocalion label her recorded prolifically from 1928 to 1935, then moved to Decca the following year followed with a year at Bluebird.
A move to New York City in 1935 produced a short-lived band and club with Wellman Braud and Noone returned to Chicago. He continued to play at various clubs until 1943, moved to Los Angeles, California, joined Kid Ory’s band, which was featured for a time on a radio program hosted by Orson Welles.
After playing only a few broadcasts with the band, the lyrical and sophisticated clarinetist Jimmie Noone, who would influence later clarinet players such as Artie Shaw, Irving Fazola and Benny Goodman, died suddenly of a heart attack at 48, in Los Angeles, California on April 19, 1944.
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Daily Dose Of Jazz…
Herb Pomeroy was born Irving Herbert Pomeroy, III on April 15, 1930 in Gloucester, Massachusetts. He began playing trumpet at an early age, and in his early teens started gigging in the greater Boston area, claiming inspiration from the music of Louis Armstrong. By age 16, he became a member of the Musicians Union and after high school, went on to study music at the Schillinger House that is now the Berklee College of Music in Boston. It was here he developed his interest in bebop.
Herb Pomeroy studied dentistry at Harvard University for a year but dropped out to pursue his jazz career. Charlie Parker liked Pomeroy’s playing and hired him frequently when the alto saxophonist performed at Boston’s Hi-Hat and Storyville clubs. Pomeroy also played with Lionel Hampton, Duke Ellington, Stan Kenton and Serge Chaloff among other jazz musicians.
He led his own 13-piece big band in the early 1950s and another that gained national acclaim later in the decade. He would back up singers like Mel Torme, Tony Bennett, Irene Kral, Ella Fitzgerald and Frank Sinatra. By the mid Sixties he began abandoning the big band sound for small combos and switched from trumpet to flugelhorn.
Although his first love was performing, Pomeroy was a respected educator. He helped found the Jazz Workshop on Stuart Street, joined the faculties of the Berklee School of Music where he taught for 41 years, the Lenox School of Music, Music at MIT and was the director Festival Jazz Ensemble for 22 years. He was inducted into the International Association of Jazz Educators (IAJE) Hall of Fame and the Down Beat Jazz Education Hall of Fame. On August 11, 2007, Herb Pomeroy, trumpeter and flugelhornist in the swing and bebop tradition passed away.
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