Daily Dose Of Jazz…
James Otis Wyble was born on January 25, 1922 in Port Arthur, Texas and in his early years worked for a radio station in Houston. He and guitarist Cameron Hill played Western swing, an outgrowth of jazz, in a band led by Burt “Foreman” Phillips. The sound of two guitars attracted Bob Wills, another fan of Western swing, and he hired both men for his band, the Texas Playboys.
His career interrupted by World War II, he served in the Army from 1942 to 1946, but returned to music after he came home. Jimmy continued to play in Western swing bands, but his interest in jazz surfaced on his 1953 debut album, The Jimmy Wyble Quintet. He would soon work with Barney Kessel and Benny Goodman, and then played with Red Norvo for eight years, including on a tour of Australia accompanying Frank Sinatra.
During the 1960s Wyble took a job as a studio musician in Los Angeles, California working as a guitarist for movies and television, playing on movie soundtracks, including The Wild Bunch, Ocean’s Eleven, Everything You Always Wanted to Know About Sex and Kings Go Forth, and played on TV shows such as The Flip Wilson Show and Kraft Music Hall.
He became an educator after taking classical guitar lessons from Laurindo Almeida, teaching guitar to Larry Koonse, Howard Roberts, Howard Alden and Steve Lukather among others. The 1970s saw Jimmy developing a two-line contrapuntal approach to guitar and composed numerous etudes in this style, publishing Classical/Country, The Art of Two-Line Improvisation, and Concepts for the Classical and Jazz Guitar.
During the 1980s, he left the music business, returning to performance in 2005. Larry Koonse, his former student, issued the album What’s in the Box with compositions by Wyble based on his book of etudes.
Guitarist, composer, and educator Jimmy Wyble continued to perform, record and teach until his death on January 16, 2010.
More Posts: composer,educator,guitar,history,instrumental,jazz,music
Daily Dose Of Jazz…
Teddy McRae was born in Waycross, Georgia on January 22, 1908 but was raised in Philadelphia, Pennsylvania. Playing with local ensembles, including one composed of family members, when he was young. He played with June Clark in 1926 before his move to New York City to form his own band.
Through the Thirties he played with Charlie Johnson, Elmer Snowden, Stuff Smith, Lil Armstrong, and Chick Webb, the last as both a soloist and arranger. After Webb’s death he was musical director for the orchestra during its tenure under the leadership of Ella Fitzgerald from 1939 to 1941. He recorded in the decade with Benny Morton, Teddy Wilson, and Red Allen.
In the 1940s McRae worked in the orchestras of Cab Calloway, Jimmie Lunceford, Lionel Hampton, and Louis Armstrong; he also served as Armstrong’s musical director during his period with that band. He wrote tunes for Artie Shaw and formed his own band in 1945.
He and Eddie Wilcox formed their own short~lived R&B label, Raecox, in the 1950s. Teddy recorded with Champion Jack Dupree in 1955-56, and recorded a few sides for Groove Records in 1955 and Moonshine Records in 1958.
Tenor saxophonist and arranger Teddy McRae, who was also known as Teddy (Mr. Bear) McRae, or simply as Mr. Bear, passed away on March 4, 1999.
More Posts: arranger,bandleader,history,jazz,music,saxophone
Daily Dose Of Jazz…
Ray Anthony was born Raymond Antonini on January 20, 1922 into an Italian family in Bentleyville, Pennsylvania but moved with his family to Cleveland, Ohio, where he studied the trumpet. From 1940~1941 he played in Glenn Miller’s band and appeared in the Glenn Miller movie Sun Valley Serenade before joining the U.S. Navy during World War II. After the war he formed his own group and the Ray Anthony Orchestra became popular in the early 1950s with The Bunny Hop, Hokey Pokey, and the theme from Dragnet. He had a No. 2 chart hit with a remake of the Glenn Miller tune At Last in 1952, the highest charting pop version of the song in the United States.
The following year his orchestra was featured when Helen O’Connell and Bob Eberly headlined a summer replacement program for Perry Como’s CBS television show. From 1953–1954 Ray was musical director of the television series TV’s Top Tunes.
After appearing as himself in the 1955 film Daddy Long Legs and starring in a short-lived television variety show, The Ray Anthony Show. Anthony he revved up his acting appearing in films during the late 1950s. In 1957, Anthony and his orchestra recorded the music score for the film This Could Be The Night, with vocals performed by Julie Wilson.
After his marriage to Mamie van Doren ende so did his brief film career. He continued his musical career and had another hit record with the theme from Peter Gunn, which reached No. 8 on the Billboard Hot 100 pop chart. Among his pianists was Allen “Puddler” Harris, and Kellie Greene, who also played the vibraphone. As a composer he wrote Thunderbird, The Bunny Hop, Trumpet Boogie, Big Band Boogie, and Mr. Anthony’s Boogie. Trumpeter Ray Anthony remains active today.
More Posts: bandleader,history,instrumental,jazz,music,trumpet
Daily Dose Of Jazz…
Wayman Carver was born on December 25, 1905 in Portsmouth, Virginia and was one of the earliest flute soloists to perform jazz. He was one of very few jazz flautists active in the swing era and his first professional experience was with J. Neal Montgomery.
After he moved to New York City in 1931, he recorded in the early Thirties with Dave Nelson, and played with Elmer Snowden, Benny Carter, and Spike Hughes.
From 1934 to 1939 he played with Chick Webb on both alto saxophone and flute. After Webb died he continued in the orchestra during its period of leadership under Ella Fitzgerald until 1941.
>After leaving the jazz scene he became a professor of music at Clark College, where he taught saxophonists George Adams and Marion Brown, among others. Flutist and alto saxophonist Wayman Carver passed away on May 6, 1967 in Atlanta, Georgia.
Daily Dose Of Jazz…
Jabbo Smith, born as Cladys Smith on December 24, 1908 in Pembroke, Georgia. At the age of six he went into the Jenkins Orphanage in Charleston, South Carolina where he learned trumpet and trombone. By the age of 10 was touring with the Jenkins Band and at the age of 16, he left the Orphanage to become a professional musician, first playing in bands in Philadelphia, Pennsylvania, and Atlantic City, New Jersey. Around 1925 he made his home in Manhattan, New York City, where he made the first of his well-regarded recordings till 1928.
In 1928 Jabbo toured with James P. Johnson’s Orchestra until the show broke up in Chicago, Illinois. He stayed for a few years and his series of twenty recordings for Brunswick Records in 1929 are his most famous of which 19 were issued. Billed as a rival to Louis Armstrong, unfortunately, most of these records did not sell well enough for Brunswick to extend his contract.
1935 Chicago had him featured in a recording session produced by Helen Oakley under the name of Charles LaVere & His Chicagoans, which included vocals by him and LaVere on LaVere’s composition and arrangement of Boogaboo Blues. In the 1930s, he made his base in Milwaukee, Wisconsin for many years, alternating with returns to New York. While there he collaborated with saxophonist Bill Johnson. Subsequently, Smith dropped out of the public eye, playing music part-time in Milwaukee, and worked a regular job at an automobile hire company.
He made a successful comeback in the late 1960s playing with bands and shows in New York, New Orleans, Louisiana, London, and France through the 1970s and into the 1980s.
He recorded concerts in France, Italy, Switzerland and Netherlands with the Hot Antic Jazz Band. Trumpeter Jabbo Smith, known for his virtuoso playing, passed away on January 16, 1991.
More Posts: bandleader,history,instrumental,jazz,music,trumpet