Daily Dose Of Jazz…
Jimmy Archey was born on October 12, 1902 in Norfolk, Virginia. He began playing when he was twelve and was getting professional gigs a year later. He studied at Hampton Institute from 1915 to 1919, played in Atlantic City, New Jersey for a while before moving to New York City in 1923.
During the Roaring Twenties, he played with Edgar Hayes, Most noteworthy for his work was in several prominent jazz orchestras and big bands of his time, including leading one of his own. He performed and recorded with the James P. Johnson Orchestra, King Oliver, Fats Waller, and the Luis Russell Orchestra, among others.
The late 1930s saw Archey participating in big bands that simultaneously featured musicians such as Benny Carter, Coleman Hawkins, Cab Calloway, Duke Ellington, and Claude Hopkins. In the 1940s he toured France with Mezz Mezzrow and in the 1950s, he spent much of his time working with New Orleans revivalist bands with artists such as Bob Wilber and Earl Hines.
Becoming a bandleader, during the next few years, he headed a sextet, which in 1952 had trumpeter Henry Goodwin, Benny Waters on clarinet and pianist Dick Wellstood. A major yet underrated musician, his only sessions recorded as a leader were for Nec Plus Ultra, the French Barclay and the 77 label. Trombonist Jimmy Archey passed away on November 16, 1967 in Amityville, New York.
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Daily Dose Of Jazz…
Fred Norman was born on October 5, 1910 in Leesburg, Florida and started out playing trombone when he was 14. After working with local bands in Florida, until moving to Washington, D.C. in 1930. There he worked with Duke Eglin’s Bell Hops, Booker Coleman, and Elmer Calloway (Cab’s younger brother). When he joined Claude Hopkins’ Orchestra in 1932, he doubled as a singer and contributed many arrangements.
Norman was with the Hopkins Big Band during its key years (1932-37), and when he departed, gave up the trombone and stuck exclusively to writing. Norman wrote arrangements for many big bands including those of Benny Goodman (1938), Bunny Berigan, Gene Krupa, Lionel Hampton, Jack Teagarden, Glenn Miller, Harry James, Artie Shaw, and Tommy Dorsey.
Landing the position of staff arranger for Krupa from 1940 to 1943, he spent periods writing exclusively for Dorsey and Charlie Spivak. In the 1950s, Fred started working closely with MGM and Carlton record labels, among others, and often as a musical director for singers such as Dinah Washington, Sarah Vaughan, and Brook Benton.
Although his orchestra backed numerous singers, he led his own orchestra record date, producing Norman Plays Novello. Trombonist, vocalist, and arranger Fred Norman, who spent most of the swing era as a busy arranger, passed away on February 19, 1993 in New York City, New York.
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Daily Dose Of Jazz…
Sten Åke Henry “Stan” Hasselgård was born on October 4, 1922 in Sundsvall, Sweden. His father, John Levin Johansson changed his name to John Hasselgård. Growing up in Bollnäs, Sweden, he began playing clarinet at age 16, attended the University of Uppsala, and played in the Royal Swingers there.
In 1945 he played in a quintet led by Arthur Österwall, and founded a new Royal Swingers group that same year. In 1946-47 he played with Simon Brehm’s sextet alongside pianist Gösta Eriksson, trumpeter Bror Hansson, guitarist Kurt Wärngren, and drummer Bertil Frylmark.
Having achieved international renown, he moved to New York City in 1947, and played on 52nd Street with Jack Teagarden and Max Roach. Under the stage name Stan Hasselgard he made his acclaimed recording of Swedish Pastry. and in 1948 he joined Benny Goodman’s septet, alongside Wardell Gray, Mary Lou Williams and others.
His last recording session took place on November 18th, because five days later he was killed in a car crash. Clarinetist Stan Hasselgard passed away on November 23, 1948 in Decatur, Illinois. He was 26.
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Daily Dose Of Jazz…
Johnny Meyer or Johnny Meijer was born Jan Cornelis Meijer on October 1, 1912 in Amsterdam, Netherlands. He began playing accordion as a child and before World War II was playing in Dutch big bands. The post-war years were fertile for him and the liberating sound of his swing accordion, opened opportunities for him to record many swing standards from 1952 to 1957.
He toured Europe but mainly performed in the Netherlands and for a time was known as a virtuoso jazz accordionist. Besides the popular songs, Meyer also played fast swing numbers, Romanian music and classical pieces. In 1974 he recorded the Dutch Swing College Band Johnny Goes Dixie LP, which went gold.
Typically seen during performances with a cigar in his mouth, his accordion showed several burn marks as a result of this. In the last years of his life, Johnny Meyer was rarely invited to play large performances, mainly in connection with his short temper and his drinking, and thus the King of the Accordion saw out his final days mostly in silence, reduced to occasionally playing weddings and parties.
Accordionist Johnny Meyer, who played jazz, swing, classical, folk and was the subject of a film, passed away on January 8, 1992 in Amsterdam.
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Daily Dose Of Jazz…
Jack Allan was born on September 28, 1929 in Sydney, Australia. As a child, he began playing accordion before switching to the piano in his teens. While working in Sydney cabarets and clubs, he was heavily influenced by swing-era pianists, especially Teddy Wilson. He became one of the few Australian musicians to play the early post-war modern jazz styles.
In 1949 Allan’s recording debut was as a member of the Rex Stewart And His Sydney Six. The following year he made his first recordings as a leader with his group the Katzenjammers. During the early 50s they performed and recorded frequently with a variety of personnel, including Ken Silver, Don Burrows, Errol Buddle, John Bamford and Edwin Duff. The mid-50s had him beginning an acting career and with his generous bulk was often cast as a villain, an amiable bar patron, or playing a musician. His film credits include On The Beach, Ned Kelly, They’re A Weird Mob, and Caddie, as well as numerous television appearances.
Maintaining his musical prowess, Jack’s performances however became spasmodic. In 1983 he recorded with percussionist John Sangster and in the following year made a tasteful, swinging solo album for the Anteater label. Moving north to the Sunshine Coast, he lived in semi-retirement with occasional acting and musical activity.
Pianist Jack Allan, a reliable studio musician with the ABC and a writer/director for musical revues, passed away on February 7, 1995 on the Sunshine Coast, Queensland, Australia.
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