
Daily Dose Of Jazz…
Jabbo Smith, born as Cladys Smith on December 24, 1908 in Pembroke, Georgia. At the age of six he went into the Jenkins Orphanage in Charleston, South Carolina where he learned trumpet and trombone. By the age of 10 was touring with the Jenkins Band and at the age of 16, he left the Orphanage to become a professional musician, first playing in bands in Philadelphia, Pennsylvania, and Atlantic City, New Jersey. Around 1925 he made his home in Manhattan, New York City, where he made the first of his well-regarded recordings till 1928.
In 1928 Jabbo toured with James P. Johnson’s Orchestra until the show broke up in Chicago, Illinois. He stayed for a few years and his series of twenty recordings for Brunswick Records in 1929 are his most famous of which 19 were issued. Billed as a rival to Louis Armstrong, unfortunately, most of these records did not sell well enough for Brunswick to extend his contract.
1935 Chicago had him featured in a recording session produced by Helen Oakley under the name of Charles LaVere & His Chicagoans, which included vocals by him and LaVere on LaVere’s composition and arrangement of Boogaboo Blues. In the 1930s, he made his base in Milwaukee, Wisconsin for many years, alternating with returns to New York. While there he collaborated with saxophonist Bill Johnson. Subsequently, Smith dropped out of the public eye, playing music part-time in Milwaukee, and worked a regular job at an automobile hire company.
He made a successful comeback in the late 1960s playing with bands and shows in New York, New Orleans, Louisiana, London, and France through the 1970s and into the 1980s.
He recorded concerts in France, Italy, Switzerland and Netherlands with the Hot Antic Jazz Band. Trumpeter Jabbo Smith, known for his virtuoso playing, passed away on January 16, 1991.
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Daily Dose Of Jazz…
Mike Jackson was born on December 23, 1888 in Louisville, Kentucky. The details of his early life are not known, however, in 1921 he began composing songs for publisher Joe Davis. Soon after he became an accompanist playing piano for a number of early jazz and blues recordings, with Clara Smith, Alberta Hunter, Laura Smith, Thomas Morris, the New Orleans Blue Five, the Dixie Jazzers Washboard Band, Perry Bradford, and Buddy Christian.
He also recorded under his own name as Jackson and His Southern Stompers. With Morris, he worked in the vaudeville show The Wicked Age in 1927. He emigrated to Montreal, Canada in 1928, but returned to New York City in 1930, where he continued working as a composer.
His compositions included The Louisville Blues, written with Bob Ricketts in 1921 and recorded by W.C. Handy in 1923; Scandal Blues and Black Hearse Blues, both written in 1925; and Slender, Tender and Tall and Hey, Knock Me a Kiss, both of which were recorded by Jimmie Lunceford and Louis Jordan among others.
Pianist and composer Mike Jackson passed away on June 21, 1945 in New York City.

Daily Dose Of Jazz…
Red Balaban was born Leonard Balaban on December 22, 1929 in Chicago, Illinois. Moving the family to New York, he completed his early education at the Ethical Culture School. After graduating from Milford Academy in Connecticut, he graduated from Brown University.
Moving south to the panhandle, he raised breeding cattle on a farm in Bonifay, Florida and as a musician, he was a sideman, bandleader, and club owner. He played in regional ensembles from the 1950s, Red went on to hold a regular gig from 1966 at the Dixieland jazz club Your Father’s Mustache in New York City.
Balaban worked extensively as a sideman, for musicians such as Wild Bill Davison, Eddie Condon, Gene Krupa, Dick Wellstood, and Kenny Davern. He co-led Eddie Condon’s house band with Ed Polcer from 1975, and noted musicians in this outfit included Vic Dickenson, Warren Vache, and Connie Kay, before the club closed in the mid-1980s.
Tubist and sousaphonist Red Balaban, who also played banjo, stand-up bass, slide trombone, ukulele, and rhythm guitar, passed away after a brief illness seven days past his 84th birthday on December 29, 2013 in Milford, Connecticut.

More Posts: banjo,bass,guitar,history,instrumental,jazz,music,slide trombone,sousaphone,tuba,ukulele

Daily Dose Of Jazz…
Louis Raphael Mucci was born on December 13, 1909 in Syracuse, New York and began as a baritone horn player. By age ten, he was appearing in professional settings. As a teenager, he switched to trumpet and worked in the late 1930s with Mildred Bailey and Red Norvo before joining Glenn Miller’s ensemble in 1938-1939.
During World War II he played in the bands of Bob Chester, Hal McIntyre, Claude Thornhill, and Benny Goodman. In the first half of the 1950s, he worked as a house musician for CBS and also recorded with Buddy DeFranco and Artie Shaw.
The late 1950s saw him working with Miles Davis, Helen Merrill, and John LaPorta. His association with Davis lasted into the early 1960s and he played with Kenny Burrell in 1964. Trumpeter Lou Mucci passed away on January 4, 2000.
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Daily Dose Of Jazz…
Gil Rodin was born in Russia on December 9, 1906 and studied saxophone, clarinet, flute, and trumpet in his youth. He played in Chicago, Illinois with Art Kahn in the middle of the 1920s. Moving to California and played with Harry Bastin before joining Ben Pollack in 1927, remaining in his band until 1934.
He simultaneously did studio work and played with Red Nichols’s radio band. Making his only recordings as a leader in 1930-31, amounting to four tracks which included Jack Teagarden on vocals, he also enlisted Eddie Miller and Benny Goodman as sidemen.
After Pollack’s band dissolved in 1934, Gil played with some of the players in the group until Bob Crosby regrouped them into his own ensemble. Rodin remained with Crosby through 1942, when he was drafted. While serving in the Army he played in the Artillery Band and after his discharge in 1944 he played with Ray Bauduc for a year, then with Crosby again.
His major composition was Big Noise from Winnetka, for which he wrote the lyrics with Bob Crosby. The music was written by Ray Bauduc and Bob Haggart. The song appeared in the films Raging Bull, Cannery Row, Manhattan Murder Mystery, Saving Mr. Banks, and What If.
Later in his career, Gil worked radio and television production, with Bill Cosby among others. He produced the soundtracks to the films American Graffiti and The Sting. Saxophonist, songwriter, and record producer Gil Rodin passed away on June 10, 1974.
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