Requisites

Concert by the Sea is a live album recorded by pianist Erroll Garner on September 19, 1955 in the gothic-revivalist styled assembly hall of Sunset School (now Sunset Arts Center) in Carmel-by-the-Sea, California.

The original U.S. album cover photograph, showing a model in mid-stride with outstretched arms, was shot by music and fashion photographer Art Kane.

There was no plan to record the concert officially. The release came about because Garner’s personal manager, Martha Glaser, spotted backstage that a tape recorder was running. The recording was being made by a recording engineer for the Armed Forces Radio Network, a jazz fan and scholar named Will Thornbury, strictly for the enjoyment of himself and his fellow servicemen. Glaser took the tape, put it into album form, then played it for Columbia’s jazz division head, George Avakian, who decided to release it on October 13, 1955.

It sold over a million dollars’ worth of retail copies by 1958, qualifying for gold record status by the definition of that time but has never been acknowledged as such by the RIAA.

Track Listing Side 1

  1. I’ll Remember April
  2. Teach Me Tonight
  3. Mambo Carmel
  4. Autumn Leaves
  5. It’s Alright With Me
Side 2
  1. Red Top
  2. April In Paris
  3. They Can’t Take That Away From Me
  4. How Could You Do A Thing Like That To Me
  5. Where Or When
  6. Erroll’s Theme
Personnel
  • Erroll Garner ~ Piano
  • Eddie Calhoun ~ Bass
  • Denzil Best ~ Drums

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Requisites

Devil May Care is the debut album released in 1961 by American jazz vocalist Teri Thornton featuring tracks recorded on December 23, 1960 and January 10, 1961 in New York City for the Riverside label.

>Norman Simmons was the arranger for the sessions that elapsed for 39 minutes and 19 seconds and was produced by Orrin Keepnews.

Track Listing
  • Lullaby Of The Leaves
  • Devil May Care
  • Detour Ahead
  • The Song Is You
  • My Old Flame
  • What’s Your Story, Morning Glory
  • Dancing In The Dark
  • Left Alone
  • Blue Champagne
  • I Feel A Song Coming On
  • What’s New
  • Blue Skies
Personnel
  • Teri Thornton – vocals
  • Clark Terry – flugelhorn, trumpet
  • Britt Woodman – trombone
  • Earle Warren – alto saxophone
  • Seldon Powell – tenor saxophone
  • Wynton Kelly – piano
  • Freddie Green (tracks 1, 3, 5, 7, 9 & 12) – guitar
  • Sam Herman (tracks 2, 4, 6, 8, 10 & 11) – guitar
  • Sam Jones – bass
  • Jimmy Cobb – drums

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White Rabbit is the 1972 CTI Records album recorded by George Benson on November 23, 24 & 30, 1971. The title track is a cover of the famous Great Society/Jefferson Airplane song by Grace Slick. The album was produced by Creed Taylor, arranged by Don Sebesky and engineered by Rudy Van Gelder at his studios in Englewood, New Jersey. The album was designed by Bob Ciano and the photograph used on the cover was of a South African Pondo tribes woman was taken by Pete Turner in 1970.

This album was the recording debut of guitarist Earl Klugh featured on El Mar, was only seventeen years old then. White Rabbit was the first Grammy Award nomination to George Benson in 1972 for Best Jazz Performance by a Group.

Tracks

  • White Rabbit ( Grace Slick)
  • The From Summer of ‘42 (Michel Legrand)
  • Little Train (from Bachianas Brasileiras No. 2) (Heitor Villa-Lobos)
  • California Dreaming (John Phillips)
  • El Mar (The Sea) (George Benson)
Personnel
  • George Benson – guitar
  • Jay Berliner – Spanish guitar
  • Earl Klugh – acoustic guitar (only on 5)
  • Ron Carter – double bass, electric bass (on 1 and 3)
  • Herbie Hancock – electric piano
  • Billy Cobham – drums
  • Airto Moreira – percussion, vocals
  • Phil Kraus – vibes, percussion
  • Gloria Agostini – harp
Woodwinds
  • Phil Bodner – flute, alto flute, oboe, English horn
  • Hubert Laws – flute, alto flute, piccolo. (Flute solo on 1)
  • George Marge – flute, alto flute, clarinet, oboe, English horn
  • Romeo Penque – English horn, oboe, alto flute, clarinet, bass clarinet
  • Jane Taylor – bassoon
Brass
  • Wayne Andre – trombone, baritone horn
  • Jim Buffington – French horn
  • John Frosk – trumpet, flugelhorn. (Trumpet solo on 1 and 5)
  • Alan Rubin – trumpet, flugelhorn

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Junjo is the debut album by bassist and vocalist Esperanza Spalding and was recorded on April 6-7, 2005. It wasn’t released until April 2006 on the Spanish label Ayva Music.

The trio features pianist Aruán Ortiz, Francisco Mela on drums and then 22-year-old Spalding on upright bass, providing vocals, often wordless, on all but two tracks. Besides compositions by Jimmy Rowles, Egberto Gismonti and Chick Corea the trio plays originals.

Personnel
  • Esperanza Spalding – double bass, vocals
  • Aruán Ortiz – piano
  • Francisco Mela – drums
Tracks
  1. “The Peacocks” (Jimmy Rowles) – 7:56
  2. “Loro” (Egberto Gismonti) – 5:06
  3. “Humpty Dumpty” (Chick Corea) – 5:51
  4. “Mompouana” (Aruán Ortiz) – 7:51
  5. “Perazuán” (Spalding, Ortiz) – 3:38
  6. “Junjo” (Spalding) – 5:13
  7. “Cantora de Yala” (G. Leguizamón, M. Castilla) – 4:55
  8. “Two Bad” (Spalding) – 6:59
  9. “Perazela” (Francisco Mela, Spalding) – 1:32

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Canvas is an album by jazz pianist and composer Robert Glasper, released on the Blue Note label. The 2005 post bop album was his first for a major label and was produced by Eli Wolf.

Tracks All songs composed by Robert Glasper except “Riot,” composed by Herbie Hancock. Album recording length ~ 64:28 Rise and Shine – 7:37 Canvas – 9:57 Portrait of an Angel – 5:24 Enoch’s Meditation – 8:12 Centelude – 1:06 Jelly’s da Beener– 7:46 Chant – 8:17 Riot – 6:20 North Portland – 5:51 I Remember – 5:58 Personnel

  • Robert Glasper – piano
  • Vicente Archer – bass
  • Damion Reid – drums
  • Mark Turner – tenor saxophone
  • Bilal – vocals
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